Kyrie (Tr. 87, f. 126r) (John Dunstable): Difference between revisions
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Richard Mix (talk | contribs) (link extant voicing category &c) |
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{{Lyricist|Traditional}} | {{Lyricist|Traditional}} | ||
{{Voicing|3|ATBar.}}<br> | {{Voicing|3|ATB|ATBar.}}<br> | ||
{{Genre|Sacred|Liturgical music}} | {{Genre|Sacred|Liturgical music|Mass fragments}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
'''Published:''' | '''Published:''' {{Cat|Trent codices|Trent codex 87}} | ||
'''Description:''' | '''Description:''' | ||
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==Original text and translations== | ==Original text and translations== | ||
{{ | {{LinkText|Kyrie}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 20:44, 29 February 2016
Music files
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- Editor: Simon Biazeck (submitted 2016-02-29). Score information: A4, 3 pages, 93 kB Copyright: CPDL
- Edition notes: This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals.
General Information
Title: Kyrie (Tr. 87, f. 126r)
Composer: John Dunstable
Lyricist: Traditional
Number of voices: 3vv Voicing: ATBar.
Genre: Sacred, Liturgical music, Mass fragment
Language: Latin
Instruments: A cappella
Published: Trent codex 87
Description:
External websites:
Original text and translations
Original text and translations may be found at Kyrie.