Kyrie (Tr. 87, f. 126r) (John Dunstable): Difference between revisions

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-==Music files==
-{{Legend}}
-*{{PostedDate|2016-02-29}} {{CPDLno|38732}} [{{filepath:Kyrie_(Dunstaple)_Tr._87,_f._126.pdf}} {{pdf}}]
-{{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}}
-:'''Edition notes:'''
-*{{PostedDate|2016-02-29}} {{CPDLno|38723}} [{{filepath:Kyrie_(Dunstaple)_Tr._87,_f._126.pdf}} {{pdf}}] [{{filepath:Kyrie_(Dunstaple)_Tr._87,_f._126.mid}} {{mid}}]
-{{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}}
-:'''Edition notes:''' This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals.
 ==General Information==
 '''Title:''' ''Kyrie (Tr. 87, f. 126r)''<br>

Revision as of 22:43, 29 February 2016