Kyrie (Tr. 87, f. 126r) (John Dunstable): Difference between revisions
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{{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}} | {{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' | ||
== | ==Music files== | ||
{{Legend}} | |||
*{{PostedDate|2016-02-29}} {{CPDLno|38732}} [{{filepath:Kyrie_(Dunstaple)_Tr._87,_f._126.pdf}} {{pdf}}] | |||
{{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}} | |||
:'''Edition notes:''' | |||
*{{PostedDate|2016-02-29}} {{CPDLno|38723}} [{{filepath:Kyrie_(Dunstaple)_Tr._87,_f._126.pdf}} {{pdf}}] [{{filepath:Kyrie_(Dunstaple)_Tr._87,_f._126.mid}} {{mid}}] | |||
{{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}} | |||
:'''Edition notes:''' This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals. | |||
'''Title:''' ''Kyrie (Tr. 87, f. 126r)''<br> | '''Title:''' ''Kyrie (Tr. 87, f. 126r)''<br> | ||
{{Composer|John Dunstable}} | {{Composer|John Dunstable}} | ||
Revision as of 22:49, 29 February 2016
- (Posted 2016-02-29) CPDL #38733:
- Editor: Simon Biazeck (submitted 2016-02-29). Score information: A4, 3 pages, 93 kB Copyright: CPDL
- Edition notes:
Music files
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- (Posted 2016-02-29) CPDL #38732: [ ]
- Editor: Simon Biazeck (submitted 2016-02-29). Score information: A4, 3 pages, 93 kB Copyright: CPDL
- Edition notes:
- (Posted 2016-02-29) CPDL #38723: [ ]
- Editor: Simon Biazeck (submitted 2016-02-29). Score information: A4, 3 pages, 93 kB Copyright: CPDL
- Edition notes: This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals.
Title: Kyrie (Tr. 87, f. 126r)
Composer: John Dunstable
Lyricist: Traditional
Number of voices: 3vv Voicing: ATBar.
Genre: Sacred, Liturgical music, Mass fragment
Language: Latin
Instruments: A cappella
Published: Trent codex 87
Description:
External websites:
Original text and translations
Original text and translations may be found at Kyrie.