Kyrie II (Nicolas Merques): Difference between revisions
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'''Description:''' Transcribed from the Trent manuscript tr92. The keys, notes’ values, accidentals and colourings are as in the manuscript, the coloured notes under the square slur are in “proportio sesquialtera” (3 vs. 2). The time signature is missing in all the voices, the “tempus perfectum” has been assumed from the context. In the “perfaulxbourdon” section the Contra is derived from the Superius a fourth below. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves – the right downstemmed note is a longa. The “musica ficta” suggestions are in the MIDI and the MusicXML files. | '''Description:''' Transcribed from the Trent manuscript tr92. The keys, notes’ values, accidentals and colourings are as in the manuscript, the coloured notes under the square slur are in “proportio sesquialtera” (3 vs. 2). The time signature is missing in all the voices, the “tempus perfectum” has been assumed from the context. In the “perfaulxbourdon” section the Contra is derived from the Superius a fourth below. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves – the right downstemmed note is a longa. The “musica ficta” suggestions are in the MIDI and the MusicXML files. |
Revision as of 07:13, 2 September 2016
Music files
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Help |
- Editor: Renato Calcaterra (submitted 2011-11-14). Score information: A4, 1 page, 71 kB Copyright: CPDL
- Edition notes: MusicXML file is zipped. Original note values, no barlines.
General Information
Title: Kyrie II
Composer: Nicolas Merques
Number of voices: 3vv Voicing: ATT
Genre: Sacred, Mass
Language: Ancient Greek
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: Transcribed from the Trent manuscript tr92. The keys, notes’ values, accidentals and colourings are as in the manuscript, the coloured notes under the square slur are in “proportio sesquialtera” (3 vs. 2). The time signature is missing in all the voices, the “tempus perfectum” has been assumed from the context. In the “perfaulxbourdon” section the Contra is derived from the Superius a fourth below. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves – the right downstemmed note is a longa. The “musica ficta” suggestions are in the MIDI and the MusicXML files.
External websites:
Original text and translations
Original text and translations may be found at Kyrie.