Laudabit usque ad mortem (Orlando di Lasso): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2017-09-19}} {{CPDLno|46401}} [[Media:Lassus_Laudabit_usque_ad_mortem.pdf|{{pdf}}]] [[Media:Lassus_Laudabit_usque_ad_mortem.midi|{{mid}}]] [[Media:Lassus_Laudabit_usque_ad_mortem.ly|LilyPond]]
*{{PostedDate|2017-09-19}} {{CPDLno|46401}} [[Media:Lassus_Laudabit_usque_ad_mortem.pdf|{{pdf}}]] [[Media:Lassus_Laudabit_usque_ad_mortem.midi|{{mid}}]] [[Media:Lassus_Laudabit_usque_ad_mortem.ly|{{ly}}]]
{{Editor|Pothárn Imre|2017-09-19}}{{ScoreInfo|A4|8|127}}{{Copy|CPDL}}
{{Editor|Pothárn Imre|2017-09-19}}{{ScoreInfo|A4|8|127}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from Magnum Opus Musicum. Original pitch and note-values.
:'''Edition notes:''' Transcribed from Magnum Opus Musicum. Original pitch and note-values.
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{{Lyricist|}}
{{Lyricist|}}


{{Voicing|8|SSAT.ATTB}}<br>
{{Voicing|8|SSAT.ATTB|SMsAT.ATTB}}<br>
{{Genre|Sacred|Motets}}
{{Genre|Sacred|Motets}}
{{Language|Latin}}
{{Language|Latin}}
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{{Published|1604, ''Magnum Opus Musicum'', Munich}}
{{Published|1604, ''Magnum Opus Musicum'', Munich}}


'''Description:''' This double-choir motet has an extremely wide range, which lends it an unusually rich sonority. The first choir is roughly an octave higher than the second, the first soprano reaches up to a''', and the second bass is goes down to low C.
'''Description:''' This double-choir motet has an extremely wide range, which lends it an unusually rich sonority. The first choir is roughly an octave higher than the second, the first soprano reaches up to a’’’, and the second bass goes down to low C.


'''External websites:'''  
'''External websites:'''  


==Original text and translations==
==Original text and translations==
{{NoText}}
{{Text|Latin|
Laudabit usque ad mortem anima mea Dominum,
et vita mea erat appropinquans in inferno deorsum,
circumdederunt me undique et non erat qui adjuvaret,
respiciens eram in adjutorium hominum et non erat.
Memoratus sum misericordiae tuae, Domine,
et cooperationis tuae qui a saeculo sunt,
quoniam eruis sustinentes te, Domine,
et liberas eos de manibus gentium.
}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 21:03, 19 September 2017

Music files

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  • (Posted 2017-09-19)  CPDL #46401:       
Editor: Pothárn Imre (submitted 2017-09-19).   Score information: A4, 8 pages, 127 kB   Copyright: CPDL
Edition notes: Transcribed from Magnum Opus Musicum. Original pitch and note-values.

General Information

Title: Laudabit usque ad mortem
Composer: Orlando di Lasso
Lyricist:

Number of voices: 8vv   Voicing: SMsAT.ATTB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.

Description: This double-choir motet has an extremely wide range, which lends it an unusually rich sonority. The first choir is roughly an octave higher than the second, the first soprano reaches up to a’’’, and the second bass goes down to low C.

External websites:

Original text and translations

Latin.png Latin text

Laudabit usque ad mortem anima mea Dominum,
et vita mea erat appropinquans in inferno deorsum,
circumdederunt me undique et non erat qui adjuvaret,
respiciens eram in adjutorium hominum et non erat.
Memoratus sum misericordiae tuae, Domine,
et cooperationis tuae qui a saeculo sunt,
quoniam eruis sustinentes te, Domine,
et liberas eos de manibus gentium.