Magnificat Octavi Toni 'Et exultavit' (Cristóbal de Morales): Difference between revisions
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'''Description:''' During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used. | '''Description:''' During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used. |
Revision as of 16:15, 29 August 2016
Music files
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Help |
- Editor: James Gibb (submitted 2013-02-10). Score information: A4, 9 pages, 80 kB Copyright: CPDL
- Edition notes: Transcribed from Musica Divina Vol. III (ed. Karl Proske, 1859). Original key and note values. An appropriate chant has been added to supply the missing verses. Set for SATB, with SAATTB for the second part of the Gloria.
- CPDL #12021: Capella 5
- Editor: Michael Wendel (submitted 2006-07-15). Score information: A4, 8 pages, 159 kB Copyright: CPDL
- Edition notes: Setting of even verses of the Magnificat. See composer page for links to other Magnificat settings
General Information
Title: Magnificat Octavi Toni 'Et exultavit'
Composer: Cristóbal de Morales
Number of voices: 6vv Voicing: SAATTB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.
External websites:
Original text and translations
Original text and translations may be found at Magnificat.