Magnificat Secundi Toni 'Et exultavit' (Cristóbal de Morales): Difference between revisions
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{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
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{{Descr|During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.}} | {{Descr|During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.}} | ||
{{#ExtWeb:}} | {{#ExtWeb:}} | ||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Magnificat}} | {{LinkText|Magnificat|list=no}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] | ||
Revision as of 22:34, 4 May 2021
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- (Posted 2006-07-15) CPDL #12009: (Capella 5)
- Editor: Michael Wendel (submitted 2006-07-15). Score information: A4, 9 pages, 175 kB Copyright: CPDL
- Edition notes: Setting of even verses of the Magnificat. See composer page for links to other Magnificat settings.
General Information
Title: Magnificat Secundi Toni 'Et exultavit'
Composer: Cristóbal de Morales
Number of voices: 4vv Voicing: STTB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: A cappella
First published: 1545 Magnificat omnitonum, no. 4
Description: During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.
External websites:
Original text and translations
Original text and translations may be found at Magnificat.