Magnificat and Nunc dimittis in D (Benjamin Rogers): Difference between revisions

From ChoralWiki
Jump to navigation Jump to search
m (Text replacement - "\{\{Voicing\|(.*)\|(.*)\}\}\<br\> " to "{{Voicing|$1|$2}} ")
 
(21 intermediate revisions by 8 users not shown)
Line 1: Line 1:
==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2011-06-19}} {{CPDLno|23766}} [http://www.notamos.co.uk/145316.shtml {{net}}]
*{{NewWork|2011-06-19}} '''CPDL #23766:''' [http://www.notamos.co.uk/145316.shtml {{net}}]  
{{Editor|Christopher Shaw|2011-06-19}}{{ScoreInfo|A4|11|121}}{{Copy|Personal}}
{{Editor|Christopher Shaw|2011-06-19}}{{ScoreInfo|A4|11|121}}{{Copy|Personal}}
:'''Edition notes:''' {{KbdRed}} Please click on the link for preview/playback. Free registration at external website required for PDF download.
:{{EdNotes|{{KbdRed}} Please click on the link for preview/playback/PDF download.}}


==General Information==
==General Information==
'''Title:''' ''Magnificat & Nunc dimittis in D''<br>
{{Title|''Magnificat and Nunc dimittis in D''}}
{{Composer|Benjamin Rogers}}
{{Composer|Benjamin Rogers}}


{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}
{{Genre|Sacred|Evening Canticles}}
{{Genre|Sacred|Evening Canticles|sort=Rogers, Benjamin}}
{{Language|English}}
{{Language|English}}
'''Instruments:''' {{acap}}<br>
{{Instruments|A cappella}}
'''Published:'''  
{{Pub|1|c.1670|in manuscript}}
 
{{Pub|2|1760|in ''{{NoComp|Cathedral Music, Volume 1|William Boyce}}''|pg=187, 192}}
'''Description:''' This service was a great favourite throughout the cathedrals of England after its dissemination in Boyce's "Cathedral Music". Rogers was organist at Christ Church, Dublin in his early career, an employment cutailed by the outbreak of the Irish rebellion, 1641. Except for a short interlude at Eton in the early years of the restauration, Rogers spent most of the rest of his life in Oxford (Magdalen). He was a quintessential Oxfordian of the seventeenth century: informant to Anthony a Wood, composer of music played at the dedication ceremonies of the Sheldonian Theatre, and composer of the Hymnus Eucharisticus, sung on May Morning from Magdalen Tower (probably from the 1670s, although the ritual was not formalised until about 1844).
{{Descr|This service was a great favourite throughout the cathedrals of England after its dissemination in the [[Cathedral Music, Volume 1 (William Boyce)]].}}
 
{{#ExtWeb:}}
'''External websites:'''


==Original text and translations==
==Original text and translations==
{{LinkText|2|Magnificat|Nunc dimittis}}
{{LinkText|2|Magnificat|Nunc dimittis}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 22:09, 25 July 2021

Music files

L E G E N D Disclaimer How to download
ICON SOURCE
Network.png Web Page
File details.gif File details
Question.gif Help
  • (Posted 2011-06-19)  CPDL #23766:  Network.png
Editor: Christopher Shaw (submitted 2011-06-19).   Score information: A4, 11 pages, 121 kB   Copyright: Personal
Edition notes: Includes a keyboard reduction of the a cappella choral score. Please click on the link for preview/playback/PDF download.

General Information

Title: Magnificat and Nunc dimittis in D
Composer: Benjamin Rogers

Number of voices: 4vv   Voicing: SATB
Genre: SacredEvening Canticles

Language: English
Instruments: A cappella

First published: c.1670 in manuscript
    2nd published: 1760 in Cathedral Music, Volume 1, p. 187, 192
Description: This service was a great favourite throughout the cathedrals of England after its dissemination in the Cathedral Music, Volume 1 (William Boyce).

External websites:

Original text and translations

Original text and translations may be found at Magnificat and Nunc dimittis.