Missa Inclina cor meum (Philippe de Monte): Difference between revisions
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===Complete work=== | ===Complete work=== | ||
*{{CPDLno|17034}} [{{ | *{{CPDLno|17034}} [{{filepath:Demonte_Missa_inclina_full.pdf}} {{pdf}}] | ||
{{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|43|828}}{{Copy|CPDL}} | {{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|43|828}}{{Copy|CPDL}} | ||
:'''Edition notes:''' This edition is presented at the original pitch; however note values have been halved and time signatures adjusted for modern convention. The relatively brief 30-measure Agnus Dei is lacking a traditional "Part II", thus the underlay has been adjusted inserting "dona nobis pacem" at the conclusion of the movement. For liturgical use, the entire movement could be repeated replacing "Miserere nobis" with "dona nobis pacem" throughout. | :'''Edition notes:''' This edition is presented at the original pitch; however note values have been halved and time signatures adjusted for modern convention. The relatively brief 30-measure Agnus Dei is lacking a traditional "Part II", thus the underlay has been adjusted inserting "dona nobis pacem" at the conclusion of the movement. For liturgical use, the entire movement could be repeated replacing "Miserere nobis" with "dona nobis pacem" throughout. | ||
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====''Kyrie''==== | ====''Kyrie''==== | ||
*[{{ | *[{{filepath:Demonte-missaincl-k.pdf}} {{pdf}}] [{{filepath:Demonte-missaincl-k.mid}} {{mid}}] [{{filepath:Demonte-missaincl-k.MUS}} Finale 2007] | ||
{{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|5|165}}{{Copy|CPDL}} | {{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|5|165}}{{Copy|CPDL}} | ||
====''Gloria''==== | ====''Gloria''==== | ||
*[{{ | *[{{filepath:Demonte-missaincl-g.pdf}} {{pdf}}] [{{filepath:Demonte-missaincl-g.mid}} {{mid}}] [{{filepath:Demonte-missaincl-g.MUS}} Finale 2007] | ||
{{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|9|192}}{{Copy|CPDL}} | {{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|9|192}}{{Copy|CPDL}} | ||
====''Credo''==== | ====''Credo''==== | ||
*[{{ | *[{{filepath:Demonte-missaincl-c.pdf}} {{pdf}}] [{{filepath:Demonte-missaincl-c.mid}} {{mid}}] [{{filepath:Demonte-missaincl-c.MUS}} Finale 2007] | ||
{{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|17|319}}{{Copy|CPDL}} | {{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|17|319}}{{Copy|CPDL}} | ||
====''Sanctus''==== | ====''Sanctus''==== | ||
*[{{ | *[{{filepath:Demonte-missaincl-s.pdf}} {{pdf}}] [{{filepath:Demonte-missaincl-s.mid}} {{mid}}] [{{filepath:Demonte-missaincl-s.MUS}} Finale 2007] | ||
{{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|4|127}}{{Copy|CPDL}} | {{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|4|127}}{{Copy|CPDL}} | ||
====''Benedictus''==== | ====''Benedictus''==== | ||
*[{{ | *[{{filepath:Demonte-missaincl-b.pdf}} {{pdf}}] [{{filepath:Demonte-missaincl-b.mid}} {{mid}}] [{{filepath:Demonte-missaincl-b.MUS}} Finale 2007] | ||
{{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|3|98}}{{Copy|CPDL}} | {{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|3|98}}{{Copy|CPDL}} | ||
====''Agnus Dei''==== | ====''Agnus Dei''==== | ||
*[{{ | *[{{filepath:Demonte-missaincl-a.pdf}} {{pdf}}] [{{filepath:Demonte-missaincl-a.mid}} {{mid}}] [{{filepath:Demonte-missaincl-a.MUS}} Finale 2007] | ||
{{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|3|113}}{{Copy|CPDL}} | {{Editor|Paul R. Marchesano|2008-05-30}}{{ScoreInfo|Letter|3|113}}{{Copy|CPDL}} | ||
Revision as of 20:12, 29 March 2012
Music files
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Complete work
- Editor: Paul R. Marchesano (submitted 2008-05-30). Score information: Letter, 43 pages, 828 kB Copyright: CPDL
- Edition notes: This edition is presented at the original pitch; however note values have been halved and time signatures adjusted for modern convention. The relatively brief 30-measure Agnus Dei is lacking a traditional "Part II", thus the underlay has been adjusted inserting "dona nobis pacem" at the conclusion of the movement. For liturgical use, the entire movement could be repeated replacing "Miserere nobis" with "dona nobis pacem" throughout.
Individual movements
Kyrie
- Editor: Paul R. Marchesano (submitted 2008-05-30). Score information: Letter, 5 pages, 165 kB Copyright: CPDL
Gloria
- Editor: Paul R. Marchesano (submitted 2008-05-30). Score information: Letter, 9 pages, 192 kB Copyright: CPDL
Credo
- Editor: Paul R. Marchesano (submitted 2008-05-30). Score information: Letter, 17 pages, 319 kB Copyright: CPDL
Sanctus
- Editor: Paul R. Marchesano (submitted 2008-05-30). Score information: Letter, 4 pages, 127 kB Copyright: CPDL
Benedictus
- Editor: Paul R. Marchesano (submitted 2008-05-30). Score information: Letter, 3 pages, 98 kB Copyright: CPDL
Agnus Dei
- Editor: Paul R. Marchesano (submitted 2008-05-30). Score information: Letter, 3 pages, 113 kB Copyright: CPDL
General Information
Title: Missa "Inclina Cor Meum"
Composer: Philippe de Monte
Number of voices: 5vv Voicing: SATTB
(Crucifixus section of Credo is SSAA)
Genre: Sacred, Mass
Languages: Greek, Latin
Instruments: a cappella
Published:
Description: This Mass is a parody mass, based on the composer's own setting of Inclina cor meum for the same voicing (originally given as superius, altus, quintus, tenor, bassus). The Mass setting demonstrates de Monte's cleverness and skill in the parody style: the two principal themes of the motet are clearly defined, yet he almost immediately explores multiple ways of varying the thematic material. Of special note is the change in texture, highlighting the text at "crucifixus," and carrying through until the ebullient and dance-like entrance of "et in spiritum sanctum". Thinning the texture to a revoiced choir of SSAA for an extended 57 measures, de Monte begins this section with the sopranos in simple canon on a theme of "crucifixus etiam pro nobis" and the altos in canon on a counter theme for "sub pontio pilato" followed by imitative passages between all the voices on "passus et sepultus est" and "et resurrexit" returning to four-part, homophonic writing on "tertia die" and then repeating the canon pattern with a new theme on "et iterum venturus est" and "cum gloria judicare," homophonically cadencing on "cujus regni non erit finis". It is an exquisite mini-composition within the larger form of the Credo.
External websites:
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: