Missa Salve Regina (a 2) (Johann Gustav Eduard Stehle): Difference between revisions

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{{CPDLno|31678}} [{{filepath:StehleSalveSA_4_San.pdf}} {{pdf}}] [{{filepath:StehleSalveSA_4_San.mp3}} {{mp3}}]
{{CPDLno|31678}} [{{filepath:StehleSalveSA_4_San.pdf}} {{pdf}}] [{{filepath:StehleSalveSA_4_San.mp3}} {{mp3}}]
*{{NewWork|2014-04-12}} '''• Benedictus''' {{CPDLno|31679}} [{{filepath:StehleSalveSA_5_Ben.pdf}} {{pdf}}] [{{filepath:StehleSalveSA_5_Ben.mp3}} {{mp3}}]
*{{NewWork|2014-04-12}} '''• Benedictus''' {{CPDLno|31679}} [{{filepath:StehleSalveSA_5_Ben.pdf}} {{pdf}}] [{{filepath:StehleSalveSA_5_Ben.mp3}} {{mp3}}]
*{{NewWork|2014-04-12}} '''• Agnus Dei''' {{CPDLno|31679}} [{{filepath:StehleSalveSA_5_Ben.pdf}} {{pdf}}] [{{filepath:StehleSalveSA_5_Ben.mp3}} {{mp3}}]
==General Information==
==General Information==
'''Title:''' ''Missa Salve Regina (a 2)''<br>
'''Title:''' ''Missa Salve Regina (a 2)''<br>

Revision as of 22:00, 12 April 2014

Music files

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CPDL #31680:  Icon_pdf.gif Icon_mp3.gif
Editor: Anthony Cekada (submitted 2014-04-12).   Score information: Letter   Copyright: CPDL
Edition notes:
CPDL #31679:  Icon_pdf.gif Icon_mp3.gif
Editor: Anthony Cekada (submitted 2014-04-12).   Score information: Letter   Copyright: CPDL
Edition notes:
CPDL #31678:  Icon_pdf.gif Icon_mp3.gif
Editor: Anthony Cekada (submitted 2014-04-12).   Score information: Letter   Copyright: CPDL
Edition notes:


• Kyrie CPDL #31669:  Icon_pdf.gif https://www.cpdl.org/wiki/images/2/2c/StehleSalveSA_1_Kyr.pdf Icon_mp3.gif

* Gloria CPDL #31674:  Icon_pdf.gif Icon_mp3.gif

• Credo CPDL #31675:  Icon_pdf.gif Icon_mp3.gif

• Sanctus CPDL #31678:  Icon_pdf.gif Icon_mp3.gif

• Benedictus CPDL #31679:  Icon_pdf.gif Icon_mp3.gif
• Agnus Dei CPDL #31679:  Icon_pdf.gif Icon_mp3.gif

General Information

Title: Missa Salve Regina (a 2)
Composer: Johann Gustav Eduard Stehle

Number of voices: 2vv   Voicing: SA

Genre: SacredMass

Language: Latin
Instruments: Organ
Published:

Description: Based on CPDL #04793. This arrangement is for SA. Tempo and other performance notes were put into Italian, and metronome markings added. The introductions to the movements were composed by the editor.

Original text and translations

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