Missa brevis in F (Giovanni Pierluigi da Palestrina): Difference between revisions

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CPDL #25249:

Editor: Simon Biazeck (submitted 2011-12-31). Score information: A4, 39 pages, 340 kB Copyright: CPDL

Edition notes: Complete Mass. Lowered a whole tone from the original pitch. Original note values retained.

Editor: Alessandro Magagnin (submitted 2006-07-31). Score information: A4, 40 pages, 634 kB Copyright: CPDL

Edition notes: Complete mass, with extensive preface in Italian.

Editor: Jürgen Fleck (submitted 2003-08-20). Score information: Letter, 2 pages, 50 kB Copyright: Personal

Edition notes: Benedictus only.

Editor: Leslie Hay MacKnight (submitted 2003-05-15). Score information: Letter, 8 pages, 96 kB Copyright: CPDL

Edition notes: Credo only.

Editors: Paco Marmol and Manolo Casaus (submitted 1999-10-11). Score information: A4, 22 pages, 362 kB Copyright: CPDL

Edition notes: All movements except Credo.

Title: Missa brevis.
Composer: Giovanni Pierluigi da Palestrina

Number of voices: 4-5vv Voicings: SATB or SSATB
(Agnus Dei II only)
Genre: Sacred, Mass

Language: Latin
Instruments: A cappella

Published: Liber missarum III, 1570; Haberl Werke XII, 1881 (p.50)

Description: The only free work so titled, this mass is numbered 15 by Reese. Novello's edition adds "in F"

External websites:

For information, refer to the Mass page. For texts and translations, see the individual pages:

Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei

@@ Line 4: / Line 4: @@
 *{{NewWork|2012-02-10}} {{CPDLno|25249}} [{{filepath:Missa Brevis (Palestrina).pdf}} {{pdf}}] [{{filepath:Missa Brevis (Palestrina).mid}} {{mid}}]
 {{Editor|Simon Biazeck|2011-12-31}}{{ScoreInfo|A4|39|340}}{{Copy|CPDL}}
-:'''Edition notes:''' Lowered a whole tone.   Original note values have been retained, including final 'longs' (before a double or full bar line) which, regardless of their mensural value, should be held to complete cadences. Editorial leading notes have only been offered in cases where they highlight linear cadences. Intermediate cadences have become acceptable in recent times, but in the present editor's opinion they may not represent general performance practice in the Late Renaissance, unless clearly marked in 16th c. editions.
+:'''Edition notes:''' Complete Mass. Lowered a whole tone from the original pitch. Original note values retained.
 *{{CPDLno|12160}} [{{filepath:MissaBrevis.pdf}} {{pdf}}]