O beata infantia (Loyset Piéton): Difference between revisions

From ChoralWiki
Jump to navigation Jump to search
(Pub templates)
Line 13: Line 13:
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1534/5}}
{{Pub|1|1534|in {{NoComp|Motettorum, Book 3|Pierre Attaingnant}} (Pierre Attaingnant)|no=1}}
{{Pub|2|1542|in {{NoComp|Musicorum sex vocum, liber primus|Adrian Willaert}} (Adrian Willaert)|no=18}}
{{Pub|0|1545|in ''[[Cappella Sistina MS 24]]''|no=10|ms=ms}}
{{Descr|Published by Attaingnant, Paris, 1534/5. Additional source: MS Capp. Sist. 24. Christmas motet. In the sources, so before the transposition applied in this edition, the work was scored with a key signature of two flats, with some ficta A flats also implied; after transposition, it looks less exotic.}}
{{Descr|Published by Attaingnant, Paris, 1534/5. Additional source: MS Capp. Sist. 24. Christmas motet. In the sources, so before the transposition applied in this edition, the work was scored with a key signature of two flats, with some ficta A flats also implied; after transposition, it looks less exotic.}}
{{#ExtWeb:}}
{{#ExtWeb:}}

Revision as of 07:50, 28 February 2024

Music files

L E G E N D Disclaimer How to download
ICON SOURCE
Icon_pdf.gif Pdf
MusicXML.png MusicXML
File details.gif File details
Question.gif Help
  • (Posted 2024-02-27)  CPDL #79297:     
Editor: Mick Swithinbank (submitted 2024-02-27).   Score information: A4, 16 pages, 116 kB   Copyright: CPDL
Edition notes: Transposed down a minor third.

General Information

Title: O beata infantia
Composer: Loyset Piéton
Lyricist:
Number of voices: 6vv   Voicing: SSAATB
Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1534 in Motettorum, Book 3 (Pierre Attaingnant), no. 1
    2nd published: 1542 in Musicorum sex vocum, liber primus (Adrian Willaert), no. 18
    Manuscript 1545 in Cappella Sistina MS 24, no. 10
Description: Published by Attaingnant, Paris, 1534/5. Additional source: MS Capp. Sist. 24. Christmas motet. In the sources, so before the transposition applied in this edition, the work was scored with a key signature of two flats, with some ficta A flats also implied; after transposition, it looks less exotic.

External websites:

Original text and translations

Original text and translations may be found at O beata infantia (Anonymous).