O magnum mysterium (Wytze Oostenbrug): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2021-06-13}} {{CPDLno|64753}} [[Media:O_Magnum_Mysterium_WO.pdf |{{pdf}}]] [[Media:O_Magnum_Mysterium_WO.mid|{{mid}}]] [[Media:O_Magnum_Mysterium_WO.mxl|{{ | *{{PostedDate|2021-06-13}} {{CPDLno|64753}} [[Media:O_Magnum_Mysterium_WO.pdf|{{pdf}}]] [[Media:O_Magnum_Mysterium_WO.mid|{{mid}}]] [[Media:O_Magnum_Mysterium_WO.mxl|{{XML}}]] | ||
{{Editor|Wytze Oostenbrug|2021-06-13}}{{ScoreInfo|A4|7|146}}{{Copy|CPDL}} | {{Editor|Wytze Oostenbrug|2021-06-13}} {{ScoreInfo|A4|7|146}}{{Copy|CPDL}} | ||
:{{EdNotes|Dedicated to Nieuw Kamerkoor Delft}} | :{{EdNotes|Dedicated to Nieuw Kamerkoor Delft}} | ||
==General Information== | ==General Information== | ||
{{Title|O Magnum Mysterium}} | {{Title|O Magnum Mysterium}} | ||
{{Composer|Wytze Oostenbrug}} | {{Composer|Wytze Oostenbrug}} | ||
{{Lyricist|}}<br> | {{Lyricist|}}<br> | ||
{{Voicing|4|SATB}} | {{Voicing|4|SATB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
Line 14: | Line 15: | ||
{{Pub|1|2017}} | {{Pub|1|2017}} | ||
{{Descr|The original Gregorian melody is written in the 8th mode (hypomixolydian) with finalis on G and reciting tone on C. Characteristic here is that this reciting tone (dominant) is not, as usual, a fifth, but a quarter above the finalis. I have transposed this position to C hypomixolydian with reciting tone on F. With this also F major is very close and from there d minor, a minor and even A major are reached. However, the piece closes with an Alleluia in A major.}} | {{Descr|The original Gregorian melody is written in the 8th mode (hypomixolydian) with finalis on G and reciting tone on C. Characteristic here is that this reciting tone (dominant) is not, as usual, a fifth, but a quarter above the finalis. I have transposed this position to C hypomixolydian with reciting tone on F. With this also F major is very close and from there d minor, a minor and even A major are reached. However, the piece closes with an Alleluia in A major.}} | ||
{{#ExtWeb:https://wytzeoostenbrugmuziek.com/o-magnum-mysterium-2017/}} | {{#ExtWeb: | ||
https://wytzeoostenbrugmuziek.com/o-magnum-mysterium-2017/ | |||
electronic sound: https://youtu.be/3OrDD8Esr3Y}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{Text|Latin| | {{LinkText|O magnum mysterium}} | ||
{{top}} | |||
in | {{Text|Latin|O magnum mysterium, | ||
et admirabile sacramentum, | |||
ut animalia viderent Dominum natum, | |||
jacentem in praesepio! | |||
Beata Virgo, cuius viscera | |||
meruerunt portare | |||
Dominum Iesum Christum. | |||
Ave Maria, gratia plena, | |||
Dominus tecum. | |||
Benedicta tu in mulieribus. | |||
Beata Virgo, cuius viscera | |||
meruerunt portare | |||
Dominum Iesum Christum. | |||
Alleluia!}} | |||
{{mdl}} | |||
{{Text|Dutch|O groot mysterie, | |||
en wondervol sacrament, | |||
dat dieren de nieuw geboren Heer zouden zien, | |||
liggend in een kribbe! | |||
Gezegend is de Maagd, wier schoot | |||
waardig was om te dragen | |||
onze Redder, Jezus Christus. | |||
Wees gegroet, Maria, vol van genade, | |||
De Heer zij met u. | |||
Gezegend zijt gij onder alle vrouwen | |||
Gezegend is de Maagd, wier schoot | |||
waardig was om te dragen | |||
onze Redder, Jezus Christus. | |||
Alleluia!}} | |||
{{btm}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Modern music]] | [[Category:Modern music]] |
Latest revision as of 09:55, 29 June 2022
Music files
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Midi | |
MusicXML | |
File details | |
Help |
- Editor: Wytze Oostenbrug (submitted 2021-06-13). Score information: A4, 7 pages, 146 kB Copyright: CPDL
- Edition notes: Dedicated to Nieuw Kamerkoor Delft
General Information
Title: O Magnum Mysterium
Composer: Wytze Oostenbrug
Lyricist:
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 2017
Description: The original Gregorian melody is written in the 8th mode (hypomixolydian) with finalis on G and reciting tone on C. Characteristic here is that this reciting tone (dominant) is not, as usual, a fifth, but a quarter above the finalis. I have transposed this position to C hypomixolydian with reciting tone on F. With this also F major is very close and from there d minor, a minor and even A major are reached. However, the piece closes with an Alleluia in A major.
External websites:
- https://wytzeoostenbrugmuziek.com/o-magnum-mysterium-2017/
- electronic sound: https://youtu.be/3OrDD8Esr3Y
Original text and translations
Original text and translations may be found at O magnum mysterium.
Latin text O magnum mysterium, |
Dutch text O groot mysterie, |