Salve intemerata (Thomas Tallis): Difference between revisions

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(→‎Music files: Exported Finale file as MXL one, uploaded and added link)
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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|c.1530-1533}}
{{Pub|1||c.1530-1533}}


'''Description:''' One of Tallis's earliest works, whose earliest surviving copy dates from around 1525. It subsequently became one of his most frequently-transmitted works. It is set in the Phrygian mode and has a long, rather turgid prose text exploring the nature of Christ and the role of the Virgin Mary. Tallis designed a motet with a duration of approximately 14-15 minutes employing clever use of imitation and contrasting the texture via duets, trios and full five-voice ensemble.
'''Description:''' One of Tallis's earliest works, whose earliest surviving copy dates from around 1525. It subsequently became one of his most frequently-transmitted works. It is set in the Phrygian mode and has a long, rather turgid prose text exploring the nature of Christ and the role of the Virgin Mary. Tallis designed a motet with a duration of approximately 14-15 minutes employing clever use of imitation and contrasting the texture via duets, trios and full five-voice ensemble.

Revision as of 01:12, 19 October 2019

Music files

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  • (Posted 2015-08-25)  CPDL #36607:        (Finale 2014)
Editor: Paul R. Marchesano (submitted 2015-08-25).   Score information: Letter, 20 pages, 224 kB   Copyright: CPDL
Edition notes: Transposed up one whole tone. Note values halved. MusicXML source file(s) in compressed .mxl format.

General Information

Title: Salve intemerata
Composer: Thomas Tallis
Lyricist:

Number of voices: 5vv   Voicing: SATBB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published:

Description: One of Tallis's earliest works, whose earliest surviving copy dates from around 1525. It subsequently became one of his most frequently-transmitted works. It is set in the Phrygian mode and has a long, rather turgid prose text exploring the nature of Christ and the role of the Virgin Mary. Tallis designed a motet with a duration of approximately 14-15 minutes employing clever use of imitation and contrasting the texture via duets, trios and full five-voice ensemble.

External websites:

Original text and translations

Original text and translations may be found at Salve intemerata.