Salve intemerata (Thomas Tallis): Difference between revisions
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*{{PostedDate|2015-08-25}} {{CPDLno|36607}} [[Media:Tallis-salve_intemerata.pdf|{{pdf}}]] [[Media:Tallis-salve_intemerata.mid|{{mid}}]] [[Media:Tallis-salve_intemerata.mxl|{{XML}}]] [[Media:Tallis-salve_intemerata.musx|{{F14}}]] (Finale 2014) | *{{PostedDate|2015-08-25}} {{CPDLno|36607}} [[Media:Tallis-salve_intemerata.pdf|{{pdf}}]] [[Media:Tallis-salve_intemerata.mid|{{mid}}]] [[Media:Tallis-salve_intemerata.mxl|{{XML}}]] [[Media:Tallis-salve_intemerata.musx|{{F14}}]] (Finale 2014) | ||
{{Editor|Paul R. Marchesano|2015-08-25}}{{ScoreInfo|Letter|20|224}}{{Copy|CPDL}} | {{Editor|Paul R. Marchesano|2015-08-25}}{{ScoreInfo|Letter|20|224}}{{Copy|CPDL}} | ||
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==General Information== | ==General Information== |
Revision as of 13:15, 17 June 2020
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- Editor: Paul R. Marchesano (submitted 2015-08-25). Score information: Letter, 20 pages, 224 kB Copyright: CPDL
- Edition notes: Transposed up one whole tone. Note values halved.
General Information
Title: Salve intemerata
Composer: Thomas Tallis
Lyricist:
Number of voices: 5vv Voicing: SATBB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published:
Description: One of Tallis's earliest works, whose earliest surviving copy dates from around 1525. It subsequently became one of his most frequently-transmitted works. It is set in the Phrygian mode and has a long, rather turgid prose text exploring the nature of Christ and the role of the Virgin Mary. Tallis designed a motet with a duration of approximately 14-15 minutes employing clever use of imitation and contrasting the texture via duets, trios and full five-voice ensemble.
External websites:
Original text and translations
Original text and translations may be found at Salve intemerata.