Salve intemerata (Thomas Tallis): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2015-08-25}} {{CPDLno|36607}} [[Media:Tallis-salve_intemerata.pdf|{{pdf}}]] [[Media:Tallis-salve_intemerata.mid|{{mid}}]] [[Media:Tallis-salve_intemerata.mxl|{{XML}}]] [[Media:Tallis-salve_intemerata.musx|{{F14}}]] (Finale 2014)
*{{PostedDate|2015-08-25}} {{CPDLno|36607}} [{{filepath:Tallis-salve_intemerata.pdf}} {{pdf}}] [{{filepath:Tallis-salve_intemerata.mid}} {{mid}}] [{{filepath:Tallis-salve_intemerata.musx}} Finale 2014]
{{Editor|Paul R. Marchesano|2015-08-25}}{{ScoreInfo|Letter|20|224}}{{Copy|CPDL}}
{{Editor|Paul R. Marchesano|2015-08-25}}{{ScoreInfo|Letter|20|224}}{{Copy|CPDL}}
:'''Edition notes:''' Transposed up one whole tone. Note values halved.
:{{EdNotes|Transposed up one whole tone. Note values halved.}}


==General Information==
==General Information==
'''Title:''' ''Salve intemerata''<br>
{{Title|''Salve intemerata''}}
{{Composer|Thomas Tallis}}
{{Composer|Thomas Tallis}}
{{Lyricist|}}
{{Lyricist|}}


{{Voicing|5|SATBB}}<br>
{{Voicing|5|SATBB}}
{{Genre|Sacred|Motets}}
{{Genre|Sacred|Motets}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
'''Published:''' c.1530-1533
{{Pub|1||c.1530-1533}}
 
{{Descr|One of Tallis's earliest works, whose earliest surviving copy dates from around 1525. It subsequently became one of his most frequently-transmitted works. It is set in the Phrygian mode and has a long, rather turgid prose text exploring the nature of Christ and the role of the Virgin Mary. Tallis designed a motet with a duration of approximately 14-15 minutes employing clever use of imitation and contrasting the texture via duets, trios and full five-voice ensemble.}}
'''Description:''' One of the earliest surviving motets by Tallis, most surely composed in the 1530s for the court of Henry VIII. It is set in the Phrygian mode. The text is prose and is long. Tallis designed a motet with a duration of approximately 14-15 minutes employing clever use of imitation and contrasting the texture via duets, trios and full five-voice ensemble.
{{#ExtWeb:}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{LinkText|Salve intemerata}}
{{LinkText|Salve intemerata}}

Revision as of 14:39, 11 September 2021

Music files

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Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Finale_2014_icon.png Finale 2014
File details.gif File details
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  • (Posted 2015-08-25)  CPDL #36607:        (Finale 2014)
Editor: Paul R. Marchesano (submitted 2015-08-25).   Score information: Letter, 20 pages, 224 kB   Copyright: CPDL
Edition notes: Transposed up one whole tone. Note values halved.

General Information

Title: Salve intemerata
Composer: Thomas Tallis
Lyricist:

Number of voices: 5vv   Voicing: SATBB
Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published:
Description: One of Tallis's earliest works, whose earliest surviving copy dates from around 1525. It subsequently became one of his most frequently-transmitted works. It is set in the Phrygian mode and has a long, rather turgid prose text exploring the nature of Christ and the role of the Virgin Mary. Tallis designed a motet with a duration of approximately 14-15 minutes employing clever use of imitation and contrasting the texture via duets, trios and full five-voice ensemble.

External websites:

Original text and translations

Original text and translations may be found at Salve intemerata.