Sanctus (Petrus de Domarto): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2011-08-31}} {{CPDLno|24316}} [[Media:Petrus_de_Domarto-Sanctus.pdf|{{pdf}}]] [[Media:Petrus_de_Domarto-Sanctus-MID.zip|{{Zip}}]](MIDI) [[Media:Petrus_de_Domarto-Sanctus-XML.zip|{{Zip}}]](XML)
*{{CPDLno|24316}} [{{filepath:Petrus_de_Domarto-Sanctus.pdf}} {{pdf}}] [{{filepath:Petrus_de_Domarto-Sanctus-MID.zip}} {{mid}}] [{{filepath:Petrus_de_Domarto-Sanctus-XML.zip}} MusicXML]  
{{Editor|Renato Calcaterra|2011-08-31}}{{ScoreInfo|A4|3|139}}{{Copy|CPDL}}
{{Editor|Renato Calcaterra|2011-08-31}}{{ScoreInfo|A4|3|139}}{{Copy|CPDL}}
:'''Edition notes:''' MIDI and the MusicXML files are [[zipped]].
:{{EdNotes|MIDI and the MusicXML files are [[zipped]].}}
 
==General Information==
==General Information==
'''Title:''' ''Sanctus''<br>
{{Title|''Sanctus''}}
{{Composer|Petrus de Domarto}}
{{Composer|Petrus de Domarto}}


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{{Genre|Sacred|Masses|sort=Domarto, Petrus de}}
{{Genre|Sacred|Masses|sort=Domarto, Petrus de}}
{{Language|Latin}}
{{Language|Latin}}
'''Instruments:''' {{acap}}<br>
{{Instruments|A cappella}}
'''Published:'''  {{cat|Trent codices|Trent 89}}
{{Pub|0|post 1445|in ''[[Trent codices|Trent codices 89]]''|ms=ms}}
 
{{Descr|Transcribed from the Trent manuscript tr89. The time signatures, keys, notes’ values, accidentals and colourings are as in the manuscript. Where the time signature is missing the signature within square brackets is assumed from the context. In the “tempus perfectum” the coloured notes groups containing minims are in “proportio sesquialtera” (3 vs. 2), the other ones are “hemiolæ” while in the “tempus imperfectum” they are always in “proportio sesquialtera”. In the Benedictus the section of the Superius beginning with the number “3” is in “proportio sesquialtera". The notes’ values within the “ligaturæ” are as follows: the left upstemmed notes are semibreves – the unstemmed notes are breves – the right downstemmed notes are longæ – the unstemmed notes with a double length body are maximæ. The “musica ficta” suggestions are in the MIDI and the MusicXML files.}}
'''Description:''' Transcribed from the Trent manuscript tr89. The time signatures, keys, notes’ values, accidentals and colourings are as in the manuscript. Where the time signature is missing the signature within square brackets is assumed from the context. In the “tempus perfectum” the coloured notes groups containing minims are in “proportio sesquialtera” (3 vs. 2), the other ones are “hemiolæ” while in the “tempus imperfectum” they are always in “proportio sesquialtera”. In the Benedictus the section of the Superius beginning with the number “3” is in “proportio sesquialtera". The notes’ values within the “ligaturæ” are as follows: the left upstemmed notes are semibreves – the unstemmed notes are breves – the right downstemmed notes are longæ – the unstemmed notes with a double length body are maximæ. The “musica ficta” suggestions are in the MIDI and the MusicXML files.
{{#ExtWeb:
 
*[https://web.archive.org/web/20110729125253/http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 Source manuscript]}}
'''External websites:'''
*[http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 Source manuscript]
 
==Original text and translations==
==Original text and translations==
{{LinkText|Sanctus}}
{{LinkText|Sanctus}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Trent codices]]
[[Category:Medieval music]]
[[Category:Medieval music]]

Revision as of 13:39, 20 April 2021

Music files

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  • (Posted 2011-08-31)  CPDL #24316:    (MIDI) (XML)
Editor: Renato Calcaterra (submitted 2011-08-31).   Score information: A4, 3 pages, 139 kB   Copyright: CPDL
Edition notes: MIDI and the MusicXML files are zipped.

General Information

Title: Sanctus
Composer: Petrus de Domarto

Number of voices: 3vv   Voicing: TBB

Genre: SacredMass

Language: Latin
Instruments: A cappella

    Manuscript post 1445 in Trent codices 89
Description: Transcribed from the Trent manuscript tr89. The time signatures, keys, notes’ values, accidentals and colourings are as in the manuscript. Where the time signature is missing the signature within square brackets is assumed from the context. In the “tempus perfectum” the coloured notes groups containing minims are in “proportio sesquialtera” (3 vs. 2), the other ones are “hemiolæ” while in the “tempus imperfectum” they are always in “proportio sesquialtera”. In the Benedictus the section of the Superius beginning with the number “3” is in “proportio sesquialtera". The notes’ values within the “ligaturæ” are as follows: the left upstemmed notes are semibreves – the unstemmed notes are breves – the right downstemmed notes are longæ – the unstemmed notes with a double length body are maximæ. The “musica ficta” suggestions are in the MIDI and the MusicXML files.

External websites:

Original text and translations

Original text and translations may be found at Sanctus.