Sub tuum praesidium (Benedictus de Opiciis): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2023-06-12}} {{CPDLno|74135}} [[Media:Opiciis_Sub_tuum_praesidium.pdf|{{pdf}}]][[Media:Opiciis_Sub_tuum_praesidium_a4.mxl|{{XML}}]] | |||
{{Editor|Mick Swithinbank|2023-06-12}}{{ScoreInfo|A4|4|51}}{{Copy|CPDL}} | |||
:{{EdNotes|}} | |||
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*{{:Edition:CPDL 22133}} | *{{:Edition:CPDL 22133}} | ||
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==General Information== | ==General Information== | ||
{{Title|''Sub tuum praesidium''}} | |||
{{Composer|Benedictus de Opiciis}} | {{Composer|Benedictus de Opiciis}} | ||
{{Voicing|4|ATTB}} | {{Voicing|4|ATTB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1515|in ''Lofzangen'' [Lofzangen ter ere van Keizer Maximiliaan en zijn kleinzoon Karel den Vijfden] (Antwerp)}} | {{Pub|1|1515|in ''Lofzangen'' [Lofzangen ter ere van Keizer Maximiliaan en zijn kleinzoon Karel den Vijfden] (Antwerp)}} | ||
{{Pub| | {{Pub|0|1516|in ''[[Royal 11 E. xi]]''|ms=ms|no=3}} | ||
{{Descr|This motet is one of only two surviving works by the composer, the other of which (''Summae laudis O Maria'') is contained (along with this one) in the 1515 publication (see above).}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Sub tuum praesidium}}<br> | {{LinkText|Sub tuum praesidium}}<br> | ||
The text differs slightly from the usual version. | The text differs slightly from the usual version. | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] | ||
Latest revision as of 01:01, 1 January 2024
Music files
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- (Posted 2023-06-12) CPDL #74135:
- Editor: Mick Swithinbank (submitted 2023-06-12). Score information: A4, 4 pages, 51 kB Copyright: CPDL
- Edition notes:
General Information
Title: Sub tuum praesidium
Composer: Benedictus de Opiciis
Number of voices: 4vv Voicing: ATTB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 1515 in Lofzangen [Lofzangen ter ere van Keizer Maximiliaan en zijn kleinzoon Karel den Vijfden] (Antwerp)
Manuscript 1516 in Royal 11 E. xi, no. 3
Description: This motet is one of only two surviving works by the composer, the other of which (Summae laudis O Maria) is contained (along with this one) in the 1515 publication (see above).
External websites:
Original text and translations
Original text and translations may be found at Sub tuum praesidium.
The text differs slightly from the usual version.