Taedet animam meam (José de Torres): Difference between revisions
m (Text replacement - "\{\{Voicing\|(.*)\|(.*)\}\}\<br\> " to "{{Voicing|$1|$2}} ") |
(Pub template) |
||
| Line 14: | Line 14: | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|Basso continuo}} | {{Instruments|Basso continuo}} | ||
{{Pub|1|}} | {{Pub|1|1855|in {{NoComp|Lira sacro-hispana|Hilarión Eslava}} (ed. Hilarión Eslava)|vol=Volume 5|no=4}} | ||
{{Descr|An 8 part motet. The text has been edited to conform with the Vulgate, with changes shown in square brackets. The source is a 19th century musicologist, Eslava, notorious for adapting old works to contemporary taste. He describes the accompaniment as "Violón y contrabajo", but that may have been just his suggestion for performance. The original source probably included a figured bass.}} | {{Descr|An 8 part motet. The text has been edited to conform with the Vulgate, with changes shown in square brackets. The source is a 19th century musicologist, Eslava, notorious for adapting old works to contemporary taste. He describes the accompaniment as "Violón y contrabajo", but that may have been just his suggestion for performance. The original source probably included a figured bass.}} | ||
{{#ExtWeb: | {{#ExtWeb: | ||
Latest revision as of 00:50, 4 November 2023
Music files
| ICON | SOURCE |
|---|---|
 |
|
 |
Midi |
 |
MusicXML |
 |
Sibelius |
 |
File details |
 |
Help |
- (Posted 2013-05-06) CPDL #29048: (Sibelius 5)
- Editor: Jonathan Goodliffe (submitted 2013-05-06). Score information: A4, 11 pages, 93 kB Copyright: CPDL
- Edition notes: Source: "Liro sacra hispana" edited by D. Hilarion Eslava, "Siglo XVIII, tomo 1, serie 1".
General Information
Title: Taedet animam meam
Composer: José de Torres
Source of text: Job 10:1-7.
Number of voices: 8vv Voicings: SATB.SATB or STTB.STTB
Genre: Sacred, Motet
Language: Latin
Instruments: Basso continuo
First published: 1855 in Lira sacro-hispana (ed. Hilarión Eslava), Volume 5, no. 4
Description: An 8 part motet. The text has been edited to conform with the Vulgate, with changes shown in square brackets. The source is a 19th century musicologist, Eslava, notorious for adapting old works to contemporary taste. He describes the accompaniment as "Violón y contrabajo", but that may have been just his suggestion for performance. The original source probably included a figured bass.
External websites:
Original text and translations
Original text and translations may be found at Taedet animam meam.