Talk:Domine ne in furore (Orlando di Lasso): Difference between revisions

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m (Bcjohnston523 moved page Talk:Psalmus Poenitentialis (Orlando di Lasso) to Talk:Domine ne in furore (Orlando di Lasso) without leaving a redirect: Page title needs to be the same as stated title)
 
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I have checked the original manuscript and the notes were as per my original score. However I am only a copyist so you may be right and my manuscript may have these errors. I have re-posted the scores with you suggested amendments.[[User:IanHaslam|IanHaslam]] ([[User talk:IanHaslam|talk]]) 20:59, 14 January 2013 (UTC)
I have checked the original manuscript and the notes were as per my original score. However I am only a copyist so you may be right and my manuscript may have these errors. I have re-posted the scores with you suggested amendments.[[User:IanHaslam|IanHaslam]] ([[User talk:IanHaslam|talk]]) 20:59, 14 January 2013 (UTC)
This is a piece of which I have two CD recordings which I like very much. They both sing B flat in bar 77 (otherwise there would be a C - B flat dissonance between the Soprano and the Tenor. Bar 259 must also be B flat. The A in the Alto leads naturally to B flat, not D, moreover the highest note of the Alto in the whole piece is B flat. Doubling D is also illogical. On both my CDs the Alto sings B flat. [[User:Imruska|Imruska]] ([[User talk:Imruska|talk]]) 21:49, 14 January 2013 (UTC)

Latest revision as of 17:14, 23 August 2017

I found an error in the tenor in part 3: in bar 77 the 'C' is wrong, it should be 'B flat' on the syllabe -que- of 'usquequo'. Imruska (talk) 22:05, 12 January 2013 (UTC)

Another error in part 11 (Gloria Patri), in bar 259 the alto should sing a 'B flat' insted of the 'D' notated here. Imruska (talk) 22:17, 12 January 2013 (UTC)

I have checked the original manuscript and the notes were as per my original score. However I am only a copyist so you may be right and my manuscript may have these errors. I have re-posted the scores with you suggested amendments.IanHaslam (talk) 20:59, 14 January 2013 (UTC)

This is a piece of which I have two CD recordings which I like very much. They both sing B flat in bar 77 (otherwise there would be a C - B flat dissonance between the Soprano and the Tenor. Bar 259 must also be B flat. The A in the Alto leads naturally to B flat, not D, moreover the highest note of the Alto in the whole piece is B flat. Doubling D is also illogical. On both my CDs the Alto sings B flat. Imruska (talk) 21:49, 14 January 2013 (UTC)