Talk:Missa pro defuncto Archiepiscopo Sigismundo (Johann Michael Haydn)

Differences to the Choral score (Carus 50.321/05)

1. Kyrie:

bar 50-54: Carus has another SATB arrangement

bar 65 tenor: text distribution "son, e - - lei"

2. Dies irae

bar 90 tenor: "Rex" is B-flat

bar 102-115 tenor, bass: same text as soprano and alto

bar 107 tenor: "-e" is an eighth note, "il-" is a quarter note

bar 180 bass: "-ne-" is E-flat

bar 253-257 tenor: "A -" "-" "-" "men a-" "men."

bar 264-271 tenor: only one long "A-...-men"

bar 265-273 bass: only one long "A-...-men"

bar 290 tenor: "a -"

4. Quam olim Abrahae

bar 11 tenor: bar 11 to 13 beat 2 "se-", beat 3: "-mi-", beat 4: "-ni"

5. Hostias / Quam olim (repeat)

bar 30-31 tenor: "se-" "-"

8. Agnus Dei

bar 11 tenor: "qui-" is G

9. Cum sanctis tuis in aeternum

bar 33-40 SATB: "pi-us" <-> "qui-a"

bar 35-40 soprano: text like alto

bar 41-42 soprano: "pi-us"

bar 43-44 soprano: "es, in ae-ter-num"

bar 41-42 tenor, bass: "pi -" "- us"

bar 89-106 SAB: text completely different, tenor is the same

bar 102-106 tenor: "qui-a" "qui -" "a -" "pi -" "us -"

bar 110-114 is Instrumental

bar 115-120 is Solo

bar 119 tenor: "lu-" is C