The Lord, the universal King (William Thorn): Difference between revisions

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{{Legend}}
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*{{NewWork|2012-11-20}} {{CPDLno|27634}} [{{filepath:ThorW-TheLord-nokeyb.pdf}} {{pdf}}] [{{filepath:ThorW-TheLord-nokeyb.mid}} {{mid}}] [{{filepath:ThorW-TheLord-nokeyb.sib}} Sibelius 7]  
*{{CPDLno|27634}} [{{filepath:ThorW-TheLord-nokeyb.pdf}} {{pdf}}] [{{filepath:ThorW-TheLord-nokeyb.mid}} {{mid}}] [{{filepath:ThorW-TheLord-nokeyb.sib}} Sibelius 7]  
{{Editor|Edmund Gooch|2012-11-20}}{{ScoreInfo|A4|2|54}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2012-11-20}}{{ScoreInfo|A4|2|54}}{{Copy|Public Domain}}
:'''Edition notes:''' The source has the order of staves Tenore - Alto - Canto - Basso, with the alto part printed in the treble clef an octave above sounding pitch, and with additional notes added between the air and bass (doubling the inner parts) to form a keyboard accompaniment. These notes and the figuring of the bass part have been omitted from the present edition, and the right hand of the keyboard part has been editorially split into two treble lines in the symphonies. The first verse only of the text is underlaid in the source: two subsequent verses have been added here, as indicated by the title of the piece.
:'''Edition notes:''' The source has the order of staves Tenore - Alto - Canto - Basso, with the alto part printed in the treble clef an octave above sounding pitch, and with additional notes added between the air and bass (doubling the inner parts) to form a keyboard accompaniment. These notes and the figuring of the bass part have been omitted from the present edition, and the right hand of the keyboard part has been editorially split into two treble lines in the symphonies. The first verse only of the text is underlaid in the source: two subsequent verses have been added here, as indicated by the title of the piece.
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'''Description:''' This setting of the last three verses of [[Psalm 103]] in the metrical New Version was published on pages 10-11 of William Thorn's {{NoComp|Twenty Original Sacred Melodies|William Thorn}}, London: 1836.
'''Description:''' This setting of the last three verses of [[Psalm 103]] in the metrical New Version was published on pages 10-11 of William Thorn's {{NoComp|Twenty Original Sacred Melodies|William Thorn}}, London: 1836.


'''External websites:'''<br>
'''External websites:'''


==Original text and translations==
==Original text and translations==

Revision as of 08:17, 18 February 2013

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Editor: Edmund Gooch (submitted 2012-11-20).   Score information: A4, 2 pages, 54 kB   Copyright: Public Domain
Edition notes: The source has the order of staves Tenore - Alto - Canto - Basso, with the alto part printed in the treble clef an octave above sounding pitch, and with additional notes added between the air and bass (doubling the inner parts) to form a keyboard accompaniment. These notes and the figuring of the bass part have been omitted from the present edition, and the right hand of the keyboard part has been editorially split into two treble lines in the symphonies. The first verse only of the text is underlaid in the source: two subsequent verses have been added here, as indicated by the title of the piece.

General Information

Title: The Lord, the universal King
Composer: William Thorn
Lyricists: Nahum Tate and Nicholas Brady (from A new version of the psalms of David)

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn

Language: English
Instruments: Keyboard
Published: 1836

Description: This setting of the last three verses of Psalm 103 in the metrical New Version was published on pages 10-11 of William Thorn's Twenty Original Sacred Melodies, London: 1836.

External websites:

Original text and translations

Original text and translations may be found at Psalm 103.