Thomas Clark: Difference between revisions

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{{WikipediaLink|Thomas Clark (of Canterbury)}}
{{WikipediaLink|Thomas Clark (of Canterbury)}}
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==List of choral works==
==List of choral works at CPDL==
===Anthems (including collect settings)===
===Anthems (including collect settings)===
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===Canticles===
===Canticles===
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==Complete list of choral works==
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===Anthems (including collect settings)===
===Anthems (including collect settings)===
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* Sanctus
* Sanctus


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===Set-pieces (through-composed settings of metrical texts)===
===Set-pieces===
* ''Adieu, my friend, accept the starting tear''
* ''Adieu, my friend, accept the starting tear''
* ''At anchor laid, remote from home''
* ''At anchor laid, remote from home''
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* ''Your harps, ye trembling saints''
* ''Your harps, ye trembling saints''
* ''Zion, lift thy drooping head''
* ''Zion, lift thy drooping head''
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==Publications==
==Publications==
{{top}}
*{{NoCo|A Sett of Psalm and Hymn Tunes}}, [1805].
*{{NoCo|A Sett of Psalm and Hymn Tunes}}, [1805].
*{{NoCo|A Set of Psalm Tunes}}, [1805].
*{{NoCo|A Set of Psalm Tunes}}, [1805].
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*{{NoCo|A Fifth Set of Psalm and Hymn Tunes}}, [c1809].
*{{NoCo|A Fifth Set of Psalm and Hymn Tunes}}, [c1809].
*<nowiki>[</nowiki>''God is Gone Up. An Anthem from the 47th Psalm'' - entered at Stationers' Hall by the composer on 10 Aug 1809<nowiki>]</nowiki>.
*<nowiki>[</nowiki>''God is Gone Up. An Anthem from the 47th Psalm'' - entered at Stationers' Hall by the composer on 10 Aug 1809<nowiki>]</nowiki>.
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*<nowiki>[</nowiki>''A Te Deum and Jubilate, adapted for a Double Choir'' - entered at Stationers' Hall by the composer on 10 Aug 1809<nowiki>]</nowiki>.
*<nowiki>[</nowiki>''A Te Deum and Jubilate, adapted for a Double Choir'' - entered at Stationers' Hall by the composer on 10 Aug 1809<nowiki>]</nowiki>.
*{{NoCo|A Fourth Set of Psalm Tunes}}, [c1810].
*{{NoCo|A Fourth Set of Psalm Tunes}}, [c1810].
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*''An Eleventh Set of Hymn Tunes'', [c1820].
*''An Eleventh Set of Hymn Tunes'', [c1820].
*''A Twelfth Set of Psalm and Hymn Tunes'', [c1821].
*''A Twelfth Set of Psalm and Hymn Tunes'', [c1821].
{{mdl|3}}
*''The Congregational Harmonist, or Clerk's Companion'', [1828-1837].
*''The Congregational Harmonist, or Clerk's Companion'', [1828-1837].
*{{NoCo|A Seventh Set of Psalm Tunes}}, [c1830].
*{{NoCo|A Seventh Set of Psalm Tunes}}, [c1830].
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*''The Juvenile Harmonist'', 1843.
*''The Juvenile Harmonist'', 1843.
*''British Psalmody'', [1844]
*''British Psalmody'', [1844]
 
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==External links==
==External links==
*[http://books.google.com/books?id=wSkEAAAAQAAJ&pg=PA448#v=onepage&q&f=false Obituary in ''The Christian reformer; or, Unitarian magazine and review'', 1859]
*[http://books.google.com/books?id=wSkEAAAAQAAJ&pg=PA448#v=onepage&q&f=false Obituary in ''The Christian reformer; or, Unitarian magazine and review'', 1859]

Revision as of 03:16, 16 September 2017

Life

Born: 1775

Died: 1859

Biography

Thomas Clark was "conductor of the music at the Wesleyan Chapel, Canterbury, and latterly of the Unitarian Chapel, Canterbury". He was a boot and shoe maker by trade, but became one of the most prolific English psalmodists of the early nineteenth century.

His early musical works include nine sets of psalm tunes 'with symphonies and an instrumental bass', and twelve sets of 'psalm and hymn tunes'. In later years he edited the Union Tune Book for the Sunday School Union. He is also credited by William Marsh for his 'kind assistance in correcting the HARMONY' of Marsh's collection A Set of New Psalm and Hymn Tunes (London: 1816).

An obituary published on p448 of The Christian reformer; or, Unitarian magazine and review in 1859 (vol. 15) reads:

'May 30, at Canterbury, aged 84, Mr. THOMAS CLARK, well known throughout the Nonconformist body, and beyond it, as a composer of sacred music. He was by trade a shoemaker, and worked at his business till about twenty years since. He had received but a scanty education, but was an incessant reader, especially in history and theology. Both his taste and his passion for music were extraordinary. While hammering at the lapstone or lying awake in the night, melodies were suggested to him which, casting aside the implements of his trade or leaping directly out of bed, he at once committed to paper, and added the harmonies when he had greater leisure. It would almost seem as if this love for one of the most delightful of all arts, and capability of excelling in it, were literally born with him; for he never received a lesson on the theory of music in his life. He published at various times nearly twenty volumes of anthems and hymns, besides editing various collections; and has left behind him a great store of MS. music, among which it is not unlikely that some of his best compositions may be found. In private as in public life, Mr. Clark bore a blameless character; and died with the respect, not only of his co-religionists, but of all his fellow-citizens. He was a member of the Unitarian congregation assembling in the Blackfriars' chapel, Canterbury, where he had conducted the music for more than half a century.'

View the Wikipedia article on Thomas Clark.

List of choral works at CPDL

Anthems (including collect settings)

Canticles

No works currently available

Set-pieces (through-composed settings of metrical texts)

No works currently available

Metrical psalm and hymn tunes

 

Complete list of choral works

Anthems (including collect settings)

Canticles

Other works

  • Chants
  • Praise God from whom all blessings flow (canon)
  • Responses to the Commandments
  • Sanctus

Set-pieces

  • Adieu, my friend, accept the starting tear
  • At anchor laid, remote from home
  • Awake, our souls, and bless his name
  • Down headlong from their native skies
  • Firm was my health, my day was bright
  • Guide me, O thou great Jehovah
  • Happy the heart where graces reign
  • Happy the man prepared to reign
  • He comes, he comes, the Judge severe
  • Hear me, O Lord, in mercy hear
  • I come, ye messengers of love, I come
  • I will extol thee, Lord, on high
  • In Babylon their harps they hung
  • Is Jesus mine? I'm now prepared
  • Jehovah, 'tis a glorious name
  • Lord, what a wretched land is this
  • Mortals awake, with angels join
  • My hiding place, my refuge tower
  • My soul, triumphant in the Lord
  • O praise the Lord in that blest place
  • Our souls shall magnify the Lord
  • Salvation, O the joyful sound
  • Shall the kind mother's gentle breast
  • Sing to the Lord a new-made song
  • The year of jubilee is come
  • We sing his love who once was slain
  • When God arose my part to take
  • When God is nigh, my faith is strong
  • When I can read my title clear
  • Ye nations round the earth rejoice
  • Yes, the Redeemer rose

Metrical psalm and hymn tunes

 
Click here to search for this composer on CPDL

Publications

  • [A Te Deum and Jubilate, adapted for a Double Choir - entered at Stationers' Hall by the composer on 10 Aug 1809].
  • A Fourth Set of Psalm Tunes, [c1810].
  • Twelve Tunes in Peculiar Measures, [c1810].
  • Clark's Sixth Set of Hymn Tunes, [c1811].
  • A Fifth Set of Psalm Tunes, [c1813].
  • Clark's Seventh Book of Hymn Tunes, [1813-15].
  • A Sixth Set of Psalm Tunes, [c1814].
  • An Eighth Set of Psalm and Hymn Tunes, [c1817].
  • A Ninth Set of Psalm and Hymn Tunes, [c1818].
  • An Eleventh Set of Hymn Tunes, [c1820].
  • A Twelfth Set of Psalm and Hymn Tunes, [c1821].

External links