Veni sponsa Christi a 5 (Luca Marenzio): Difference between revisions
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* {{CPDLno|30258}} [{{filepath:Marenzio_-_Veni_sponsa_Christi_a_5.pdf}} {{pdf}}] [{{filepath:Marenzio_-_Veni_sponsa_Christi_a_5.mid}} {{mid}}] | * {{CPDLno|30258}} [{{filepath:Marenzio_-_Veni_sponsa_Christi_a_5.pdf}} {{pdf}}] [{{filepath:Marenzio_-_Veni_sponsa_Christi_a_5.mid}} {{mid}}] | ||
{{Editor|Ross Jallo|2013-10-05}}{{ScoreInfo|Letter|5|92}}{{Copy|Public Domain}} | {{Editor|Ross Jallo|2013-10-05}}{{ScoreInfo|Letter|5|92}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' Original | :'''Edition notes:''' Original key; note values halved. Editorial accidentals and slurs added. | ||
==General Information== | ==General Information== | ||
Revision as of 07:09, 4 February 2014
Music files
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- CPDL #30258:
- Editor: Ross Jallo (submitted 2013-10-05). Score information: Letter, 5 pages, 92 kB Copyright: Public Domain
- Edition notes: Original key; note values halved. Editorial accidentals and slurs added.
General Information
Title: Veni sponsa Christi
Composer: Luca Marenzio
Number of voices: 5vv Voicing: SAATB
Genre: Sacred, Motet, Antiphon
Language: Latin
Instruments: a cappella
Published: Sacrae cantiones ... quinis, senis, ac septenis vocibus (Venice, 1616)
Description: This setting of the first part of the text for the Magnificat-antiphon for Vespers (in the Common of Virgins) comes from Marenzio's juvenile collection Sacrae cantiones, probably composed in the 1570s.
Original text and translations
Original text and translations may be found at Veni sponsa Christi.