Ave Maria a 3 (Charles H. Giffen)

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Revised work (2013)

Original key for SAB
  • (Posted 2013-04-23)  CPDL #28848:       
Editor: Charles H. Giffen (submitted 2013-04-23).   Score information: Letter, 3 pages, 100 kB   Copyright: CPDL
Edition notes: Revision of original work. Note values halved, text underlay improved, and middle part has two changed accidentals and two 4-3 suspensions. Music copyright by the composer for CPDL. May be freely copied, distributed, performed or recorded. Please inform the composer of any performances of this work.
Transposed edition (up a perfect fifth) for SSA
  • (Posted 2013-04-24)  CPDL #28864:       
Editor: Charles H. Giffen (submitted 2013-04-24).   Score information: Letter, 3 pages, 100 kB   Copyright: CPDL
Edition notes: Transposition of revised work, up a perfect fifth for SSA. Music copyright by the composer for CPDL. May be freely copied, distributed, performed or recorded. Please inform the composer of any performances of this work.
Transposed edition (down a perfect fourth) for TTB
  • (Posted 2013-04-26)  CPDL #28901:       
Editor: Charles H. Giffen (submitted 2013-04-26).   Score information: Letter, 3 pages, 99 kB   Copyright: CPDL
Edition notes: Transposition of revised work, down a perfect fourth for TTB. Music copyright by the composer for CPDL. May be freely copied, distributed, performed or recorded. Please inform the composer of any performances of this work.

Original work (2011)

  • (Posted 2011-10-27)  CPDL #24812:       
Editor: Charles H. Giffen (submitted 2011-10-27).   Score information: Letter, 4 pages, 96 kB   Copyright: CPDL
Edition notes: Music copyright by the composer for CPDL. May be freely copied, distributed, performed or recorded. Please inform the composer of any performances of this work.

General Information

Title: Ave Maria a 3
Composer: Charles H. Giffen

Number of voices: 3vv   Voicings: SAB, SSA or TTB
Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 2011
, 2013 Description: This 3-part Ave Maria was composed for smaller choirs. The soprano and baritone parts are the same as in the composer's Ave Maria a 2, the alto part being added to the texture. The soprano and bass parts are largely written in canon. Suitable for Annunciation.

External websites:

Original text and translations

Original text and translations may be found at Ave Maria.