Magnificat quinti toni (Ludwig Senfl): Difference between revisions
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{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1537|in ''Magnificat octorum tonorum'', Nuremberg.}} | {{Pub|1|1537|in ''Magnificat octorum tonorum'', Nuremberg.}} | ||
{{Descr|This Mode V Magnificat setting, alternating between chant and polyphony, is scored mostly for four voices (STTB), but in the twelfth and final verse a fifth voice (B) is added.}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Magnificat}} | {{LinkText|Magnificat}} |
Revision as of 15:25, 22 March 2021
Music files
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- Editor: Andreas Stenberg (submitted 2020-02-17). Score information: A4, 11 pages, 130 kB Copyright: CPDL
- Edition notes: Semi-diplomatoric edition: Note-values and key as in orig. Modern cleffs, ficta added sparingly. Chant provided for the odd-verses.
- Editor: Ross Jallo (submitted 2012-05-26). Score information: Letter, 9 pages, 103 kB Copyright: Public Domain
- Edition notes: Original key; note values halved (quartered in proportio tripla section).
General Information
Title: Magnificat quinti toni
Composer: Ludwig Senfl
Number of voices: 5vv Voicing: STTBB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: A cappella
First published: 1537 in Magnificat octorum tonorum, Nuremberg
Description: This Mode V Magnificat setting, alternating between chant and polyphony, is scored mostly for four voices (STTB), but in the twelfth and final verse a fifth voice (B) is added.
Original text and translations
Original text and translations may be found at Magnificat.