How blest is he who ne'er consents (Bennett Mintern Swaffield): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2011-12-21}} {{CPDLno|25202}} [[Media:SwafB-HowBlest.pdf|{{pdf}}]] [[Media:SwafB-HowBlest.mid|{{mid}}]] [[Media:SwafB-HowBlest.mxl|{{XML}}]] [[Media:SwafB-HowBlest.sib|{{sib}}]] (Sibelius 7)
*{{CPDLno|25202}} [{{filepath:SwafB-HowBlest.pdf}} {{pdf}}] [{{filepath:SwafB-HowBlest.mid}} {{mid}}] [{{filepath:SwafB-HowBlest.sib}} Sibelius 7]
{{Editor|Edmund Gooch|2011-12-21}}{{ScoreInfo|A4|2|58}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2011-12-21}}{{ScoreInfo|A4|2|58}}{{Copy|Public Domain}}
:'''Edition notes:''' The soprano (and organ right hand) F and G on beat 3 of bar 15 are printed in the source as small semiquaver grace notes preceded by a minim E, but have been writted out in full in the present edition.
:{{EdNotes|The soprano (and organ right hand) F and G on beat 3 of bar 15 are printed in the source as small semiquaver grace notes preceded by a minim E, but have been writted out in full in the present edition.}}


==General Information==
==General Information==
'''Title:''' ''How blest is he who ne'er consents''<br>
{{Title|''How blest is he who ne'er consents''}}
{{Composer|Bennett Mintern Swaffield}}
{{Composer|Bennett Mintern Swaffield}}
{{Lyricist|2|Nahum Tate|Nicholas Brady| (from ''A new version of the psalms of David'')}}
{{Lyricist|2|Nahum Tate|Nicholas Brady| (from ''A new version of the psalms of David'')}}


{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}
{{Genre|Sacred|Hymns}} &nbsp; {{Meter|86. 86 (C.M.)}}
{{Genre|Sacred|Hymns}} &nbsp; {{Meter|86. 86 (C.M.)}}
{{Language|English}}
{{Language|English}}
{{Instruments|Keyboard}}
{{Instruments|Keyboard}}
'''Published:''' 1822
{{Pub|1|1822|in ''{{NoCo|Twenty Five Original Melodies}}''|pg=1}}
 
{{Pub|2|1841|in ''[[Carmina Sacra (Lowell Mason)]]''|no=120a}}
'''Description:''' A setting of three verses from [[Psalm 1]] in the metrical New Version by Bennett Mintern Swaffield, from p1 of his collection {{NoComp|Twenty Five Original Melodies|Bennett Mintern Swaffield}}, London, (1822).  
{{Descr|A setting of three verses from [[Psalm 1]] in the metrical New Version. Part allocations are given in the source (Swaffield's ''Twenty Five Original Melodies'') as Soprano - Alto - Tenore - Basso - Organo, with the alto part originally notated in the treble clef an octave above sounding pitch. The text of the first verse only is underlaid in the source, with the other two verses printed after the music.}}
 
{{#ExtWeb:}}
Part allocations are given in the source as Soprano - Alto - Tenore - Basso - Organo, with the alto part originally notated in the treble clef an octave above sounding pitch. The text of the first verse only is underlaid in the source, with the other two verses printed after the music.
 
'''External websites:'''


==Original text and translations==
==Original text and translations==

Latest revision as of 14:37, 25 April 2022

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  • (Posted 2011-12-21)  CPDL #25202:        (Sibelius 7)
Editor: Edmund Gooch (submitted 2011-12-21).   Score information: A4, 2 pages, 58 kB   Copyright: Public Domain
Edition notes: The soprano (and organ right hand) F and G on beat 3 of bar 15 are printed in the source as small semiquaver grace notes preceded by a minim E, but have been writted out in full in the present edition.

General Information

Title: How blest is he who ne'er consents
Composer: Bennett Mintern Swaffield
Lyricists: Nahum Tate and Nicholas Brady (from A new version of the psalms of David)

Number of voices: 4vv   Voicing: SATB
Genre: SacredHymn   Meter: 86. 86 (C.M.)

Language: English
Instruments: Keyboard

First published: 1822 in Twenty Five Original Melodies, p. 1
    2nd published: 1841 in Carmina Sacra (Lowell Mason), no. 120a
Description: A setting of three verses from Psalm 1 in the metrical New Version. Part allocations are given in the source (Swaffield's Twenty Five Original Melodies) as Soprano - Alto - Tenore - Basso - Organo, with the alto part originally notated in the treble clef an octave above sounding pitch. The text of the first verse only is underlaid in the source, with the other two verses printed after the music.

External websites:

Original text and translations

Original text and translations may be found at Psalm 1.