Johann Sebastian Bach: Difference between revisions
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*{{NoCo|Der Friede sei mit dir, BWV 158}} | *{{NoCo|Der Friede sei mit dir, BWV 158}} | ||
'''G''' | '''G''' | ||
*{{NoCo|Geist und Seele wird verwirret, BWV 35}} | *{{NoCo|Geist und Seele wird verwirret, BWV 35}} | ||
*{{NoCo|Gelobet sei der Herr, mein Gott, BWV 129}} | *{{NoCo|Gelobet sei der Herr, mein Gott, BWV 129}} | ||
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*{{NoCo|Ich ruf' zu dir, Herr Jesu Christ, BWV 177}} | *{{NoCo|Ich ruf' zu dir, Herr Jesu Christ, BWV 177}} | ||
*{{NoCo|Ich steh mit einem Fuß im Grabe, BWV 156}} | *{{NoCo|Ich steh mit einem Fuß im Grabe, BWV 156}} | ||
*{{NoCo|Ich will den Kreuzstab gerne tragen, BWV 56}} | *{{NoCo|Ich will den Kreuzstab gerne tragen, BWV 56}} | ||
*{{NoCo|Ihr, die ihr euch von Christo nennet, BWV 164}} | *{{NoCo|Ihr, die ihr euch von Christo nennet, BWV 164}} | ||
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*{{NoCo|Lobe den Herrn, meine Seele, BWV 143}} | *{{NoCo|Lobe den Herrn, meine Seele, BWV 143}} | ||
*{{NoCo|Lobet Gott in seinen Reichen, BWV 11}} | *{{NoCo|Lobet Gott in seinen Reichen, BWV 11}} | ||
'''M''' | '''M''' | ||
*{{NoCo|Mache dich, mein Geist, bereit, BWV 115}} | *{{NoCo|Mache dich, mein Geist, bereit, BWV 115}} | ||
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*{{NoCo|Meinen Jesum laß ich nicht, BWV 124}} | *{{NoCo|Meinen Jesum laß ich nicht, BWV 124}} | ||
*{{NoCo|Meine Seel erhebt den Herren, BWV 10}} | *{{NoCo|Meine Seel erhebt den Herren, BWV 10}} | ||
*{{NoCo|Meine Seufzer, meine Tränen, BWV 13}} | *{{NoCo|Meine Seufzer, meine Tränen, BWV 13}} | ||
*{{NoCo|Mit Fried und Freud ich fahr dahin, BWV 125}} | *{{NoCo|Mit Fried und Freud ich fahr dahin, BWV 125}} | ||
'''N''' | '''N''' | ||
*{{NoCo|Nach dir, Herr, verlanget mich, BWV 150}} | *{{NoCo|Nach dir, Herr, verlanget mich, BWV 150}} | ||
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*{{NoCo|Nun komm, der Heiden Heiland, BWV 62}} | *{{NoCo|Nun komm, der Heiden Heiland, BWV 62}} | ||
*{{NoCo|Nur jedem das Seine, BWV 163}} | *{{NoCo|Nur jedem das Seine, BWV 163}} | ||
{{middle|3}} | |||
'''O''' | '''O''' | ||
*{{NoCo|O ewiges Feuer, o Ursprung der Liebe, BWV 34}} | *{{NoCo|O ewiges Feuer, o Ursprung der Liebe, BWV 34}} | ||
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*{{NoCo|Schau, lieber Gott, wie meine Feind, BWV 153}} | *{{NoCo|Schau, lieber Gott, wie meine Feind, BWV 153}} | ||
*{{NoCo|Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46}} | *{{NoCo|Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46}} | ||
*{{NoCo|Schleicht, spielende Wellen, BWV 206}} | *{{NoCo|Schleicht, spielende Wellen, BWV 206}} | ||
*{{NoCo|Schmücke dich, o liebe Seele, BWV 180}} | *{{NoCo|Schmücke dich, o liebe Seele, BWV 180}} | ||
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'''U''' | '''U''' | ||
*{{NoCo|Ein ungefärbt Gemüte, BWV 24}} | *{{NoCo|Ein ungefärbt Gemüte, BWV 24}} | ||
*{{NoCo|Unser Mund sei voll Lachens, BWV 110}} | *{{NoCo|Unser Mund sei voll Lachens, BWV 110}} | ||
'''V''' | '''V''' | ||
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<!--{{#SortWorks:Chorales|cols=3}}--> | <!--{{#SortWorks:Chorales|cols=3}}--> | ||
{{top}} | {{top}} | ||
*{{NoCo|Ach bleib' bei uns, Herr Jesu Christ, BWV 253}} | *{{NoCo|Ach bleib' bei uns, Herr Jesu Christ, BWV 253}} | ||
*{{NoCo|Ach Gott, erhör mein Seufzen und Wehklagen, BWV 254}} | *{{NoCo|Ach Gott, erhör mein Seufzen und Wehklagen, BWV 254}} | ||
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*{{NoCo|Christ, der du bist der helle Tag, BWV 273}} | *{{NoCo|Christ, der du bist der helle Tag, BWV 273}} | ||
*{{NoCo|Christ ist erstanden (Chorale), BWV 276}} | *{{NoCo|Christ ist erstanden (Chorale), BWV 276}} | ||
*{{NoCo|Christ unser Herr zum Jordan kam, BWV 280|Christ unser Herr zum Jordan kam, BWV 280}} | *{{NoCo|Christ unser Herr zum Jordan kam, BWV 280|Christ unser Herr zum Jordan kam, BWV 280}} | ||
*{{NoCo|Christus, der ist mein Leben (Chorale), BWV 281}} | *{{NoCo|Christus, der ist mein Leben (Chorale), BWV 281}} | ||
*{{NoCo|Christus, der ist mein Leben, BWV 282}} | *{{NoCo|Christus, der ist mein Leben, BWV 282}} | ||
*{{NoCo|Christus, der uns selig macht (Chorale) BWV 283}} | *{{NoCo|Christus, der uns selig macht (Chorale), BWV 283}} | ||
*{{NoCo|Christus ist erstanden, hat überwunden, BWV 284}} | *{{NoCo|Christus ist erstanden, hat überwunden, BWV 284}} | ||
*{{NoCo|Da der Herr Christ zu Tische sass (Chorale)|Da der Herr Christ zu Tische sass, BWV 285}} | *{{NoCo|Da der Herr Christ zu Tische sass (Chorale)|Da der Herr Christ zu Tische sass, BWV 285}} | ||
*{{NoCo|Dank sei Gott in der Höhe (Chorale)|Dank sei Gott in der Höhe, BWV 287}} | *{{NoCo|Dank sei Gott in der Höhe (Chorale)|Dank sei Gott in der Höhe, BWV 287}} | ||
*{{NoCo | *{{NoCo|Danket dem Herren, denn er ist freundlich, BWV 286}} | ||
*{{NoCo|Den Vater dort oben, BWV 292}} | *{{NoCo|Den Vater dort oben, BWV 292}} | ||
*{{NoCo|Der Tag, der ist so freudenreich, BWV 294}} | *{{NoCo|Der Tag, der ist so freudenreich, BWV 294}} | ||
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*{{NoCo|Ein feste Burg ist unser Gott, BWV 302}} | *{{NoCo|Ein feste Burg ist unser Gott, BWV 302}} | ||
*{{NoCo|Ein feste Burg ist unser Gott, BWV 303}} | *{{NoCo|Ein feste Burg ist unser Gott, BWV 303}} | ||
*{{NoCo|Erbarm' dich mein, o Herre Gott, BWV 305}} | *{{NoCo|Erbarm' dich mein, o Herre Gott, BWV 305}} | ||
*{{NoCo|Erstanden ist der heilge Christ, BWV 306}} | *{{NoCo|Erstanden ist der heilge Christ, BWV 306}} | ||
{{mdl}} | |||
*{{NoCo|Es spricht der Unweisen Mund wohl, BWV 308}} | *{{NoCo|Es spricht der Unweisen Mund wohl, BWV 308}} | ||
*{{NoCo|Gelobet sei der Herr, BWV 45.7}} | *{{NoCo|Gelobet sei der Herr, BWV 45.7}} | ||
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*{{NoCo|Ich hab mein Sach, BWV 351}} | *{{NoCo|Ich hab mein Sach, BWV 351}} | ||
*{{NoCo|In dulci jubilo, BWV 368}} | *{{NoCo|In dulci jubilo, BWV 368}} | ||
*{{NoCo|Jesu deine Liebeswunden, BWV 471}} | |||
*{{NoCo|Jesu, Jesu, du bist mein, BWV 357}} | *{{NoCo|Jesu, Jesu, du bist mein, BWV 357}} | ||
*{{NoCo|Jesu, meiner Seelen Wonne, BWV 359}} | *{{NoCo|Jesu, meiner Seelen Wonne, BWV 359}} | ||
*{{NoCo|Jesu, meiner Freuden Freude, BWV 360}} | *{{NoCo|Jesu, meiner Freuden Freude, BWV 360}} | ||
*{{NoCo|Jesu, nun sei gepreiset, BWV 362}} | *{{NoCo|Jesu, nun sei gepreiset, BWV 362}} | ||
*{{NoCo|Jesus meine Zuversicht, BWV 365}} | |||
*{{NoCo|Machs mit mir, Gott, nach deiner Güt, BWV 377}} | *{{NoCo|Machs mit mir, Gott, nach deiner Güt, BWV 377}} | ||
*{{NoCo|Komm, Gott Schöpfer}} | *{{NoCo|Komm, Gott Schöpfer}} | ||
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*{{NoCo|Nun danket alle Gott, BWV 386}} | *{{NoCo|Nun danket alle Gott, BWV 386}} | ||
*{{NoCo|Nun freut euch, lieben Christen g'mein, BWV 388}} | *{{NoCo|Nun freut euch, lieben Christen g'mein, BWV 388}} | ||
*{{NoCo|Nun | *{{NoCo|Nun preiset alle, BWV 391}} | ||
*{{NoCo|Nun ruhen alle Wälder, BWV 244.10}} | *{{NoCo|Nun ruhen alle Wälder, BWV 244.10}} | ||
*{{NoCo|Nun sich der Tag, BWV 396}} | *{{NoCo|Nun sich der Tag, BWV 396}} | ||
*{{NoCo|O Mensch, bewein' dein' Sünde groß, BWV 402}} | *{{NoCo|O Mensch, bewein' dein' Sünde groß, BWV 402}} | ||
*{{NoCo|Seelenbräutigam, Jesu, Gottes Lamm, BWV 409}} | |||
*{{NoCo|Die Sonn hat sich, BWV 297}} | *{{NoCo|Die Sonn hat sich, BWV 297}} | ||
*{{NoCo|Valet will ich wir geben, BWV 415}} | *{{NoCo|Valet will ich wir geben, BWV 415}} | ||
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*{{NoCo|Wo Gott der Herr nicht bei uns hält, BWV 258}} | *{{NoCo|Wo Gott der Herr nicht bei uns hält, BWV 258}} | ||
{{btm}} | {{btm}} | ||
==== | {{top}} | ||
====Editions with different harmonizations==== | |||
*{{NoCo|185 Bach Chorales}} | |||
*{{NoCo|389 Choralgesänge}} | |||
*{{NoCo|Chorals of the German Organ Mass (Clavier Übung III)}} | *{{NoCo|Chorals of the German Organ Mass (Clavier Übung III)}} | ||
*''O Haupt voll Blut und Wunden'' | *{{NoCo|Christ lag in Todesbanden}} – Disambiguation page, 11 different arrangements | ||
*''O Haupt voll Blut und Wunden'', or PASSION CHORALE – [[Herzlich thut mich verlangen (Johann Sebastian Bach)|Disambiguation page]] | |||
{{mdl}} | |||
====Chorales in cantatas, arranged differently==== | |||
*{{NoCo|Sei Lob und Preis mit Ehren, BWV 28.2}} | |||
*{{NoCo|Verleih' uns Frieden gnädiglich, BWV 126.6}} | |||
*{{NoCo|Was Gott tut, das ist wohlgetan, BWV 75.7}} | |||
{{btm}} | |||
{{top}} | {{top}} | ||
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*{{NoCo|Christmas Oratorio, BWV 248}} | *{{NoCo|Christmas Oratorio, BWV 248}} | ||
*{{NoCo|Magnificat|Magnificat, BWV 243}} and 1723 interpolations: | *{{NoCo|Magnificat|Magnificat, BWV 243}} and 1723 interpolations: | ||
**{{NoCo|Gloria in excelsis Deo | **{{NoCo|Gloria in excelsis Deo}} | ||
**''[[Magnificat, BWV 243 (Johann Sebastian Bach)|Freut euch und jubiliert]]'' | **''[[Magnificat, BWV 243 (Johann Sebastian Bach)|Freut euch und jubiliert]]'' | ||
*{{NoCo|Markus-Passion BWV 247}} | *{{NoCo|Markus-Passion BWV 247}} | ||
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*{{NoCo|Sanctus in C, BWV 237}} | *{{NoCo|Sanctus in C, BWV 237}} | ||
*{{NoCo|Sanctus in D BWV 238}} | *{{NoCo|Sanctus in D BWV 238}} | ||
{{mdl|3}} | {{mdl|3}} | ||
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*{{NoCo|Jesus, unser Trost und Leben, BWV 475}} | *{{NoCo|Jesus, unser Trost und Leben, BWV 475}} | ||
*{{NoCo|Komm, süsser Tod, BWV 478}} | *{{NoCo|Komm, süsser Tod, BWV 478}} | ||
*{{NoCo|Kommt, Seelen, dieser Tag, BWV 479}} | |||
*{{NoCo|O Jesulein süß, BWV 493}} | *{{NoCo|O Jesulein süß, BWV 493}} | ||
*{{NoCo|Vergiss mein nicht, BWV 505}} | *{{NoCo|Vergiss mein nicht, BWV 505}} | ||
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*{{NoCo|Ich esse mit Freuden mein weniges Brot}} | *{{NoCo|Ich esse mit Freuden mein weniges Brot}} | ||
*{{NoCo|Ich lasse dich nicht, du segnest mich denn}} | *{{NoCo|Ich lasse dich nicht, du segnest mich denn}} | ||
*{{NoCo|Nun hilf uns, Herr, den Dienern dein}} | *{{NoCo|Nun hilf uns, Herr, den Dienern dein}} | ||
{{mdl|3}} | {{mdl|3}} | ||
{{btm}} | {{btm}} | ||
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*''[[Psallite Deo nostro in laetitia (sicut locutus est from Magnificat), BWV 243.11 (Johann Sebastian Bach)|Psallite Deo nostro in laetitia]]'' | *''[[Psallite Deo nostro in laetitia (sicut locutus est from Magnificat), BWV 243.11 (Johann Sebastian Bach)|Psallite Deo nostro in laetitia]]'' | ||
*{{NoComp|Rejoice ye heavens, BWV 311}} | *{{NoComp|Rejoice ye heavens, BWV 311}} | ||
*{{NoCo|Round me falls the night}} | *{{NoCo|Round me falls the night, BWV 409}} | ||
*{{NoComp|Señor, tu que eres bueno, BWV 244.17}} | *{{NoComp|Señor, tu que eres bueno, BWV 244.17}} | ||
*{{NoComp|Signore dolce volto, BWV 244.44}} | *{{NoComp|Signore dolce volto, BWV 244.44}} | ||
*{{NoCo|Van 't vroeglicht van de dageraad, BWV 121.1}} | *{{NoCo|Van 't vroeglicht van de dageraad, BWV 121.1}} | ||
*{{NoComp|We Christians may rejoice}} | *{{NoComp|We Christians may rejoice, BWV 110.7}} | ||
{{btm}} | {{btm}} | ||
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*{{NoCo|Haec Tibi dona pura, BWV 244.15}} anon. harmonization of Passion Chorale | *{{NoCo|Haec Tibi dona pura, BWV 244.15}} anon. harmonization of Passion Chorale | ||
*{{NoCo|Gottes Sohn ist kommen, BWV 600}} (''Orgelbüchlein''), arr. soprano, fl, vln, bc | *{{NoCo|Gottes Sohn ist kommen, BWV 600}} (''Orgelbüchlein''), arr. soprano, fl, vln, bc | ||
{{mdl}} | {{mdl}} | ||
*{{NoComp|Ode to the Seasons (and to Change), BWV 147.10}} contrafactum of ''Jesu bleibet maine Freude'', [[Herz und Mund und Tat und Leben, BWV 147 (Johann Sebastian Bach)|Cantata 147]] | *{{NoComp|Ode to the Seasons (and to Change), BWV 147.10}} contrafactum of ''Jesu bleibet maine Freude'', [[Herz und Mund und Tat und Leben, BWV 147 (Johann Sebastian Bach)|Cantata 147]] | ||
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===Misattributed works=== | ===Misattributed works=== | ||
{{top}} | |||
*[[Bist du bei mir (Gottfried Heinrich Stölzel) | *''[[Aperite Portas (Anonymous)]]'' – Uncertain composer and lyricist | ||
*[[St. Luke Passion | *''[[Bist du bei mir (Gottfried Heinrich Stölzel)]]'' – Aria, BWV 508 | ||
*''[[Gedenke, Herr, wie es uns gehet]]'' – Cantata, BWV 217, composer unknown | |||
*''[[Ich weiß, daß mein Erlöser lebt (Georg Philipp Telemann)]]'' – Cantata, BWV 160 | |||
*''[[Lobt ihn mit Herz und Munde (Anonymous)]]'' – Cantata, BWV 220 | |||
{{mdl}} | |||
*''[[Meine Seele rühmt und preist (Georg Melchior Hoffmann)]]'' – Cantata BWV 189 | |||
*''[[Sanctus in D minor (Antonio Caldara)]]'' – BWV 239 | |||
*''[[Schlage doch, gewünschte Stunde (Georg Melchior Hoffmann)]]'' – Cantata, BWV 53 | |||
*''[[St. Luke Passion (Anonymous)]]'' – BWV 246 | |||
*''[[Uns ist ein Kind geboren (Johann Kuhnau)]]'' – Cantata, BWV 142 | |||
{{btm}} | |||
{{Whatlinkshere}} | {{Whatlinkshere}} | ||
Revision as of 23:22, 28 November 2020
Life
Born: 21 March 1685
Died: 28 July 1750
Biography
Johann Sebastian Bach was a prolific German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, a control of harmonic and motivic organization from the smallest to the largest scales, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
- The above is an excerpt from Wikipedia. For the full article, click here.
List of choral works
- Bach works published at CPDL sorted alphabetically by title, see Johann Sebastian Bach compositions
- Bach works at CPDL listed by BWV number, see Johann Sebastian Bach/BWV list
- Bach Cantatas sortable by BWV number and calendar, see Sortable list of cantatas (Johann Sebastian Bach)
- Automation of this page, see /Automation
Cantatas (BWV1-BWV 224 and BWV 249)
Chorale Harmonizations (BWV 250-BWV 438)
Editions with different harmonizations
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Chorales in cantatas, arranged differently |
Passions, Oratorios, Magnificat |
Masses |
Motets |
Lieder, songs, arias |
Other works |
Editions with texts translated to other languages
Vocal Arrangements based on Bach's works
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Misattributed works
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Click here to search for this composer on CPDL
Publications
- 1708 – Cantata Gott ist mein König (BWV 71)
- 1726-1731 – Clavier-Übung I
- 1727-1737 – Picander's publication of cantata librettos
- 1735-1739 – Clavier-Übung II and Clavier-Übung III
- 1736 – Schemelli's Musicalisches Gesängbuch (BWV 439-507)
- 1741 – Goldberg Variations
- 1747 – Canonische Veränderungen über das Weynacht-Lied, Vom Himmel hoch, da komm ich her (BWV 769)
- 1748 – Das Musikalische Opfer
- 1751 – Die Kunst der Fuge
- 1784-1787 – Johann Sebastian Bachs vierstimmige Choralgesänge, 371 chorales, edited by C. P. E. Bach
- 1801 – Das wohltemperierte Klavier, Teil 1 and Teil 2
- 1851-1899 – Johann Sebastian Bach's Werke, 46 volumes
- 1892 – 185 Bach Chorales, reprint of pp. 177-276 of Bachs-Werke Ausgabe, vol. 39 (1892), in alphabetical order
- 1898 – 389 Choralgesänge
Recordings of interest
BWV | Title | Performers | Orchestra | Medium | Label | Notes |
---|---|---|---|---|---|---|
35, 54, 170 | Bach: Cantatas for alto | Andreas Scholl, Marcel Ponseele, Markus Markl | Collegium Vocale Orchestra | 1 CD 1999 | Harmonia Mundi 314902016440 | |
172, 68, 1 | Bach Kantaten (1) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam | Rotzsch, Neues Bachisches Collegium Musicum | CD 1981-1983 | Berlin Classics 0021502BC | Highlights: Arleen Augér, Peter Schreier, Ludwig Güttler trumpet, good tempos and control of Thomanerchor by Rotzsch |
137, 21 | Bach Kantaten (3) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam | CD 1981-1983 | Leipzig Classics BC-2175-2 | ||
140, 61, 36 | Bach: Kantaten (7) | Arleen Augér, Peter Schreier, Siegfried Lorenz | CD 1980-1983 | Berlin Classics 0020992BC | ||
110, 71 | Bach: Kantaten (8) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz | CD 1981-1982 | Berlin Classics 0021002BC | ||
79, 80, 192, 50 | Bach Kantaten (9) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam | CD 1980-1982 | Berlin Classics 0021762BC | ||
244 | Matthäus-Passion | Peter Schreier, Theo Adam, Siegfried Vogel, Johannes Künzel, Hermann Christian Polster | Mauersberger & Mauersberger, Dresdner Kreuzchor & Thomanerchor; Gewandhausorchester Leipzig | 3 CD 1970 | Leipzig Classics | One of the best recordings: clarity of Schreier, especially the passion of the combined choirs. The last chorus is especially moving, given the history of Dresden in the decades before 1970. See review here. |
245 | Johannes-Passion | Hermann Prey, Evelyn Lear, Ernst Haefliger, Hertha Töpper | Karl Richter, Münchener Bach-Chor & Münchener Bach-Orchester | 2 CD 1964 | Deutsche Grammophon 453-007-2 | Definitely a romantic interpretation, but one that improves with age. |
External links
- Johann Sebastian Bach Home Page
- JSB's autograph scores at Bach Digital
- Bach Cantatas Website: Free PDF vocal scores to nearly every Bach cantata
- The Bach-Gesellschaft Ausgabe (BGA) edition piece by piece (in PDF) on the site of the International Music Score Library Project (IMSLP)
- The (almost) complete BGA in PDF (complete books) - Russian site
- Parts for BWV 11, 43, 48, 213, 232 and complete Chorales at CCARH
- Johann Sebastian Bach bibliography