Editions with score errors

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The pages listed here have been categorised by template ScoreError as having an edition with score errors which should be addressed by the editor who submitted it.

Composer Work Description of score error(s)
Bars 51-54: Altus - underlay shifted one note to the right.

The last note is just a semibreve, not a 4 semibreves. In bar 25, the tenor should have a b natural rather than a b flat (musica ficta) No indication that the last sider a monstant in the soprano part is editorial
Tenor is set an octave too high.
Bar 25: All parts - "macantem" should be "micantem". Bar 37-38: All parts - "ditlone" should be "ditione".
Bar 27: "Rexerit" for "Rex erit" in all parts.
Bar 6: "charissimus" for "clarissimus" in all parts.
Bars 51-54: Altus - underlay shifted one note to the right.
The last note is just a semibreve, not a 4 semibreves. In bar 25, the tenor should have a b natural rather than a b flat (musica ficta) No indication that the last sider a monstant in the soprano part is editorial
Tenor is set an octave too high.
Bar 25: All parts - "macantem" should be "micantem". Bar 37-38: All parts - "ditlone" should be "ditione".
Bar 27: "Rexerit" for "Rex erit" in all parts.
Bar 6: "charissimus" for "clarissimus" in all parts.

This text has no place on this page. See discussion page
some mistakes in the tenor, most notably in bar 17
no text
bar 3 must contain errors but these are unidentifiable without reference to the original source.
no. 99 Where thou reignest: m.33 alto first note E-flat instead of G
2 Wachet auf, ruft uns die Stimme, BWV 140 (Johann Sebastian Bach) PDF contents clipped on some pages
2 Schwingt freudig euch empor, BWV 36 (Johann Sebastian Bach) This edition has many differences in note lengths and a few ornaments removed from the Soprano line
Abundio Antonelli Adjuro vos (Abundio Antonelli)
Adrian Batten Short Communion Service (Adrian Batten)

Adrian Batten Lord, we beseech thee (Adrian Batten) m. 22, Tenor should have two crochets: e-a.
Adrian Willaert Omnipotens sempiterne Deus (Adrian Willaert) m37 and m68 are missing half rest for soprano -- Vaarky 16:11, 18 December 2011 (CST)
Adrian Willaert O magnum mysterium (Adrian Willaert) underlay errors.
Adrian Willaert J'ayme bien mon amy (double-canon) (Adrian Willaert)
Adrian Willaert Madonna io non lo so perché lo fai (Adrian Willaert) underlay error, bars 22-23, 32-33: missing hyphen between ‘in’ and ‘gra’.
Adrian Willaert Salve crux sancta, arbor digna (Adrian Willaert)
Adriano Banchieri Festino nella sera del giovedì grasso, Op. 18 (Adriano Banchieri) Tenor bars 47-48

See discussion page.

Agostino Agazzari Benedicta sit sancta Trinitas (Agostino Agazzari)
Alessandro Costantini Confitemini Domino (Alessandro Costantini) mm. 9-10, Sop. 1, Tie missing source:
Alessandro Grandi Cantabo Domino a 4 (Alessandro Grandi)
Alessandro Grandi Dixit Dominus (Alessandro Grandi)
Alessandro Scarlatti Justitiae Domini (Alessandro Scarlatti) "mei" for "mel" and problematic tenor underlay m27, as in 'source' CPDL 1265 m29

measure 2, soprano, rhythm: on first two beats, half note followed by dotted quarter should be dotted half followed by quarter. Jmkelly 19:10, 12 March 2011 (CST)

Alessandro Scarlatti Domine in auxilium meum (Alessandro Scarlatti)
Alessandro Scarlatti Exaltabo te Domine (Alessandro Scarlatti)
Alessandro Scarlatti Exsurge Domine (Alessandro Scarlatti)
Alessandro Scarlatti Ad te Domine levavi animam meam (Alessandro Scarlatti)
Alessandro Scarlatti Ad Dominum dum tribularer (Alessandro Scarlatti)
Alessandro Scarlatti Exultate Deo (Alessandro Scarlatti)
Alexander Agricola Adieu m'amour II (Alexander Agricola)
Alexander Agricola Adieu m'amour I (Alexander Agricola)
Alexander Arkhangelsky Cherubim Song (Alexander Arkhangelsky) Missing bass staves on page 3
Alfonso Ferrabosco I Lady, if you so spite me (Alfonso Ferrabosco I)
Alfonso Ferrabosco I The nightingale so pleasant and so gay (Alfonso Ferrabosco I)
Alfonso Ferrabosco I Susanna fair whom lying lips (Alfonso Ferrabosco I)
Alfonso Ferrabosco I Sometime my hope (Alfonso Ferrabosco I)
Alfonso Ferrabosco II Fuerunt mihi lacrimae (Alfonso Ferrabosco II)
Alonso Lobo Vivo ego, dicit Dominus (Alonso Lobo)
Alonso Lobo Ave Maria a 8 (Alonso Lobo)
Alonso Lobo O quam suavis est, Domine (Alonso Lobo)
Alonso Lobo Credo quod Redemptor (Alonso Lobo) m44 soprano g# in beat 3 should extend to beat 4 too
Andrea Gabrieli Benedicam Dominum a 12 (Andrea Gabrieli)
Andrea Gabrieli Exsultate iusti a 10 (Andrea Gabrieli)
Andrea Gabrieli Angeli, archangeli (Andrea Gabrieli)
Andrea Gabrieli Deus qui beatum Marcum a 8 (Andrea Gabrieli)
Andrea Gabrieli Filiae Jerusalem (Andrea Gabrieli)
Andrea Gabrieli Sancta et immaculata a 4 (Andrea Gabrieli)
Andrea Gabrieli Missa brevis in F (Andrea Gabrieli)
Andreas Pevernage Cest Amour qui si rare en la terre se treuve (Andreas Pevernage)
Anonymous Aperite Portas (Anonymous)
Anonymous All people that on earth do dwell (Anonymous)
Anonymous Nun komm, der Heiden Heiland (Anonymous) The key signature is only one ♭ instead of two
Anonymous Missa Esclave puist adevenir (Anonymous) Text underlay is incomplete
Anonymous O sacrum convivium (Anonymous) Text underlay is incomplete
Anonymous Salve Regina (Anonymous) Tenor should not be read in transposing G clef!
Anonymous Te lucis ante terminum (Anonymous) Text underlay is incomplete
Anonymous Verbum caro factum est (Anonymous) m9 alto 3rd note should be E
Anonymous Si te vas a bañar, Juanilla (Anonymous) A few typos in text and a couple of syllabification errors
Anonymous Novus annus, 3 settings from the Trent codices (Anonymous) Text underlay is incomplete
Anonymous Alleluya: A nywe werke (Anonymous) Too many notes in some bars
Anonymous Mery yt ys (Anonymous)
Anonymous Christ ist erstanden (Trent 88) (Anonymous) Edition has no text underlay.
Anonymous A Madre do que livrou dos (Anonymous) There is a mistake in the numbering of the verses - there are 11, not 10
Anonymous Alle Dei Filius (Anonymous) No text underlay
Anonymous Ecce virgo concipies (Trent 91) (Anonymous) No text underlay
Anonymous Victimæ paschali laudes (Anonymous) No text underlay
Anonymous Ecclesiarum mores (Anonymous) No text underlay
Anonymous Missa 'Grüne Linden' (Anonymous) Incomplete text underlay
Anonymous Pange lingua (Trent 91) (Anonymous) No text underlay
Antoine de Févin Missa Ave Maria (Antoine de Févin) first note should be g
Anton Bruckner Tota pulchra es (Anton Bruckner) "pulchra" missing the "r" in title
Anton Bruckner Christus factus est, WAB 11 (Anton Bruckner) E naturals in 2nd Alto part at m. 24 should be E flats. The bass should read nomen, not momen in bar 42.
Antonio Caldara Miserere mei, Domine (Antonio Caldara)
Antonio Cifra Deh dolc' anima mia (Antonio Cifra)
Antonio Lotti Crucifixus a 10 (Antonio Lotti) m4,sop3 should be B-flat
Antonio Lotti Salve Regina (Antonio Lotti) Measures 14 and 16 incorrect in this edition! Plausible correction: M14 - Sop: G5, Alt: E5; M16 - Alt: G5 G5 F#5
Antonio Lotti Tanto è ver che nel verno (Antonio Lotti)
Antonio Vivaldi Gloria, RV 589 (Antonio Vivaldi) Differences exist between two editions - they might not be actual errors

Differences exist between two editions - they might not be actual errors
Differences exist between two editions - they might not be actual errors
Differences exist between two editions - they might not be actual errors
Differences exist between two editions - they might not be actual errors
Differences exist between two editions - they might not be actual errors

Antonio Vivaldi Laetatus sum, RV 607 (Antonio Vivaldi)
Antonio Vivaldi Credo, RV 591 (Antonio Vivaldi) Few different notes with respect to a commercial edition - see discussion page for details
Antonín Dvořák Songs of Nature (Antonín Dvořák) p21: m37 bass should start with F natural, not F sharp

p29: m83 'pusating' should be 'pulsating' in all voices.

Antonín Dvořák Mass in D Major, Op. 86 (Antonín Dvořák)
Arthur Somervell O Saviour of the world (Arthur Somervell)
Arthur Sullivan The long day closes (Arthur Sullivan) In measures 35 and 39, alto should have G natural, not G flat.
Baldassare Donato Emendemus in melius (Baldassare Donato) bass in m75: is there really a downward major 7th leap, or should the G and the first A be up the octave? -- Vaarky 04:47, 1 February 2010 (UTC)
Balthasar Resinarius Aus tiefer Not (Balthasar Resinarius)
Bernardino Mosto Dunque il consenti Amor (secunda parte) (Bernardino Mosto)
Bernardino Mosto Dunque fia vero (prima parte) (Bernardino Mosto)
Camille Saint-Saëns Calme des nuits (Camille Saint-Saëns)
Camille Saint-Saëns Ave Maria a 2 (Camille Saint-Saëns)
Carl Maria von Weber Lützows wilde Jagd (Carl Maria von Weber) A minor typo.
Carlo Gesualdo Moro, e mentre sospiro (Carlo Gesualdo)
Carlo Gesualdo Cor mio, deh, non piangete (Carlo Gesualdo)
Carlo Gesualdo Deh coprite il bel seno (Carlo Gesualdo) Minor text mistakes
Carlo Gesualdo Sparge la morte (Carlo Gesualdo)
Carlo Gesualdo Ave, dulcissima Maria (Carlo Gesualdo) m54-55 sop: the C that is tied from beat four to beat one should be C# just like the earlier repetition; m61 sop: last beat should be F rather than A just like the earlier repetition -- Vaarky (talk) 22:53, 27 November 2014 (UTC)
Carlo Gesualdo Mentre gira costei (Carlo Gesualdo)
Carlo Gesualdo Or, che in gioia (Carlo Gesualdo)
Carlo Gesualdo Volan quasi farfalle (Carlo Gesualdo)
Carlo Gesualdo Ecco, morirò dunque (Carlo Gesualdo)
Carlo Gesualdo Se chiudete nel core (Carlo Gesualdo)
Carlo Gesualdo Illumina faciem tuam (Carlo Gesualdo)
Carlo Gesualdo Io tacerò (Carlo Gesualdo)
Carlo Gesualdo Quel 'no' crudel che la mia speme ancise (Carlo Gesualdo)
Carlo Gesualdo Questa crudele e pia (Carlo Gesualdo)
Carlo Gesualdo Bella Angioletta (Carlo Gesualdo)
Carlo Gesualdo Beltà poi che t'assenti (Carlo Gesualdo)
Carlo Gesualdo Hai rotto e sciolto e spento (Carlo Gesualdo)
Carlo Gesualdo Quando ridente e bella (Carlo Gesualdo)
Carlo Gesualdo Ardita zanzaretta (Carlo Gesualdo)
Carlo Gesualdo Dalle odorate spoglie (Carlo Gesualdo)
Carlo Gesualdo Tu segui, o bella Clori (Carlo Gesualdo)
Carlo Gesualdo Luci serene e chiare (Carlo Gesualdo)
Carlo Gesualdo Arde il mio cor (Carlo Gesualdo)
Carlo Gesualdo Ancide sol la morte (Carlo Gesualdo)
Carlo Gesualdo Ancor che per amarti (Carlo Gesualdo)
Carlo Gesualdo Alme d'Amor rubelle (Carlo Gesualdo)
Carlo Gesualdo Al mio gioir il ciel si fa sereno (Carlo Gesualdo)
Carlo Gesualdo Ardo per te, mio bene (Carlo Gesualdo)
Carlo Gesualdo Candido e verde fiore (Carlo Gesualdo)
Carlo Gesualdo Moro, lasso, al mio duolo (Carlo Gesualdo) numerous misspellings with E-flat instead of D# in B major chords

10 measures missing after m. 53!
'duole' for 'duolo' in S2 bar 6 & 'ahi' missing from S1 bar 61

Caroline S. Arnold Epistle to be Left in the Earth (1973) (Caroline S. Arnold)
Caspar Othmayr Mulier Malaherba/Malaherba puff inn sie (Caspar Othmayr) Edition does not include any lyrics.
Caterina Assandra Duo Seraphim (Caterina Assandra)
Charles Gounod Magnificat in D (Charles Gounod)
Charles Gounod Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147 (Gounod, Charles) at m121 an e-flat seems more plausible; at 141 an alto courtesy e-natural seems desirable. 154 S rhythm should probably be qqh like others. Reuters ed. at IMSLP includes dynamics, missing here.
Charles Hubert Hastings Parry I know my soul hath power (Charles Hubert Hastings Parry) Several minor errors.
Charles Hubert Hastings Parry Welcome, Yule! (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry England (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry The Pied Piper of Hamelin (Charles Hubert Hastings Parry) 1. No page numbers for printed score. 2. The solos are not indicated; the Pied piper's words are sung by a solo Tenor, the Mayors' by a solo Bass. 3. p40 bar two should be marked, A Tempo animando - the latter is important as the music becomes more animated up to p43 bar2 108bpm 4. p40 last bar, bass notes should be F sharp to A NOT G. 5. p65 first system last bar should be in bass clef until second system bar 3 as marked
Charles Hubert Hastings Parry Crabbed age and youth (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry My soul, there is a country (Charles Hubert Hastings Parry) too many to list here.

Page 3, 3rd system, 3rd bar: Alto should have E, Bass F#
Bar 62 Bass & accompaniment should have D as the second note rather than C.

Charles Hubert Hastings Parry Where shall the lover rest (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry Blest pair of Sirens (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry Lay a garland on my hearse (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry A Welsh lullaby (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry Willow, willow, willow (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry Proud Maisie (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry There is an old belief (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry Good night (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry Never weather-beaten sail (Charles Hubert Hastings Parry)
Charles Hubert Hastings Parry Music, when soft voices die (Charles Hubert Hastings Parry)
Charles Villiers Stanford Blessed are the dead which die in the Lord (Charles Villiers Stanford)
Charles Villiers Stanford Jubilate in B flat, Op. 10 (Charles Villiers Stanford)
Charles Villiers Stanford Te Deum and Jubilate in C Major, Op. 115 (Charles Villiers Stanford)
Charles Villiers Stanford Peace; come away (Charles Villiers Stanford)
Charles Villiers Stanford Cupid and Rosalind (Charles Villiers Stanford) A few minor typos.
Charles Villiers Stanford Magnificat and Nunc dimittis in G, Op. 81 (Charles Villiers Stanford)
Charles Villiers Stanford Quick! We have but a second (Charles Villiers Stanford)
Charles Villiers Stanford Te Deum in A major (Charles Villiers Stanford)
Charles Villiers Stanford Te Deum in B flat, Op. 10 (Charles Villiers Stanford) Numerous errors in notes and text
Charles Villiers Stanford Evening Canticles in A, op. 12 (Charles Villiers Stanford)
Charles Villiers Stanford If thou shalt confess with thy mouth, Op. 37, No. 2 (Charles Villiers Stanford)
Charles West Ave Maria (Charles West)
Charles Wood Father, all-holy (Charles Wood)
Charles Wood Jesu, the very thought is sweet (Charles Wood)
Charles Wood Oculi omnium (Charles Wood) Typo in the text in all parts - should read sperANT, yet sperUNT is printed.
Charles Wood O Thou, the central orb (Charles Wood)
Charles Wood Evening Service in D Major (Charles Wood) Two errors in notes
Charles Wood Evening Service in F Major (Charles Wood)
Charles Wood Full fathom five (Charles Wood)
Christopher Tye And in that tyme Herode the Kyng (Christopher Tye)
Christopher Tye In the foremer treatyse (Christopher Tye) Note missing in S in bar 16
Christopher Tye Hail, glorious spirits (Christopher Tye)
Cipriano de Rore Beato mi direi (Cipriano de Rore)
Cipriano de Rore Mia benigna fortuna (Cipriano de Rore)
Cipriano de Rore Ben qui si mostra il ciel (Cipriano de Rore)
Cipriano de Rore Miserere nostri (Cipriano de Rore) In bar 79, the Tenor may possibly require an F followed by an E (rather than E followed by D). - Mick Swithinbank
Cipriano de Rore Hor che'l ciel e la terra (Cipriano de Rore)
Cipriano de Rore Caro mea vere est cibus (Cipriano de Rore)
Cipriano de Rore O sonno (Cipriano de Rore)
Cipriano de Rore Ne l'aria in questi di (Cipriano de Rore)
Cipriano de Rore O crux benedicta (Cipriano de Rore)
Cipriano de Rore Rex Asiae et Ponti (Cipriano de Rore) see Discussion page
Cipriano de Rore Missa Praeter rerum seriem a 7 (Cipriano de Rore) m53 and 181, Quintus underlay "Ferrariar" should be "Ferrariae" the way it is elsewhere in the score. -- Vaarky 23:43, 22 January 2011 (CST)
Cipriano de Rore Calami sonum ferentes (Cipriano de Rore)

Error in wording: "Nec qui strepente" → "Nec constrepente"

Claude Le Jeune Revecy venir du Printans (Claude Le Jeune) Text spelling errors: "la mer" instead of "lamer"; in bar 9, "voi" must be "vol"
Claudin de Sermisy Il me souffit (Claudin de Sermisy)
Claudin de Sermisy En entrant en un jardin (Claudin de Sermisy)
Claudin de Sermisy Tant que vivray (Claudin de Sermisy)
Claudin de Sermisy Changeons propos a 3 (Claudin de Sermisy) Serious underlay positioning errors.
Claudin de Sermisy Vien tost (Claudin de Sermisy)
Claudin de Sermisy J'attends secours (Claudin de Sermisy)
Claudin de Sermisy Praeparate corda vestra (Claudin de Sermisy)
Claudin de Sermisy Joyssance vous donneray (Claudin de Sermisy)
Claudio Merulo Qui manducat meam carnem (Claudio Merulo)
Claudio Monteverdi Luci serene e chiare (Claudio Monteverdi) m83 Quinto should have f instead of a.
Claudio Monteverdi Ecco piegando (Claudio Monteverdi) m47, line 5 (T) missing a quarter note, correct in CPDL #270 edition
Claudio Monteverdi Chi vol haver felice e lieto il core (Claudio Monteverdi)
Claudio Monteverdi Crudel, perché mi fuggi? (Claudio Monteverdi) See discussion page for more details.
Claudio Monteverdi Ecco mormorar l'onde (Claudio Monteverdi)
Claudio Monteverdi Non sono in queste rive (Claudio Monteverdi) m38, alto, both Gs should be sharp?
Claudio Monteverdi Vago augelletto che cantando vai (Claudio Monteverdi)
Claudio Monteverdi Ch'ami la mia vita (Claudio Monteverdi) Measure 37, Tenore should read "non la vi-ta", rather than "non la mia vi"
Claudio Monteverdi O bone Jesu (Claudio Monteverdi)
Claudio Monteverdi Ah! dolente partita (Claudio Monteverdi)
Claudio Saracini Alma afflitta (Claudio Saracini)
Claudio Saracini Fuggi, fuggi mio core (Claudio Saracini)
Clément Janequin Le Chant des Oiseaux (Clément Janequin) Wrong notes in b.13,75,114,145,184-5, text in alto b.104, bass b.168-183
Clément Janequin Le Rossignol (Clément Janequin)
Clément Janequin Quand contremont (Clément Janequin)
Clément Janequin Martin menait son porceau au marché (Clément Janequin)
Clément Janequin Si d'un petit (Clément Janequin)
Clément Janequin Missa super La bataille (Clément Janequin)
Cornelio Antonelli O core di diamante (Cornelio Antonelli)
Cornelio Antonelli Pascomi sol di pianto (Cornelio Antonelli)
Cornelio Antonelli Se scior si ved' il laccio (Cornelio Antonelli)
Cornelio Antonelli Non mi date (Cornelio Antonelli)
Cornelius Verdonck Lungi da voi mia vita (Cornelius Verdonck)
Costanzo Festa Altro non è'l mi'amor I (Costanzo Festa)
Costanzo Festa Ah che vuoi più cruciar m'amor (Costanzo Festa)
Costanzo Festa Quel dolce foco (Costanzo Festa)
Costanzo Festa Madonna, io mi consumo (Costanzo Festa)
Costanzo Festa Venite amanti (Costanzo Festa)
Costanzo Festa Si come sete bella (Costanzo Festa)
Cristóbal de Morales Peccantem me quotidie (Cristóbal de Morales) Bar 25: the soprano's last note should clearly be F, not E flat (on both harmonic and melodic grounds). Bar 38, tenor: the A natural is distinctly dubious. I would expect A flat in this context. - Mick Swithinbank
Cristóbal de Morales Ingrediente Domino (Cristóbal de Morales)
Cristóbal de Morales Beati omnes (Cristóbal de Morales)

Cristóbal de Morales Pastores dicite (Cristóbal de Morales) Bar 51, tenor: The E with editorial flat should be a whole note, followed by D in the next bar. Bars 91-92, alto: both Es should be Ds. Mick Swithinbank
Cristóbal de Morales Magnificat Quarti Toni 'Et exultavit' (Cristóbal de Morales)
César Franck Dextera Domini (César Franck)
César Franck Panis angelicus (César Franck)

Solo, bar 24: the first note is likely C#, not D#
Solo, bar 24: the first note is likely C#, not D#

César Franck Messe à trois voix, FWV 61 (César Franck) The 1st 8 measures of the tenor opening are missing
Diego Ortiz Te lucis ante terminum (Diego Ortiz) Probable error in bar 16: Soprano's crotchet E should presumably be an F sharp? - Mick Swithinbank
Diego Ortiz Doulce memoire - Una Canzon Francese (Diego Ortiz) under "S" one can find Pierre Sandrin's model in both partbook format and score, but only incipits of Ortiz' first 2 (of 4) ricercare.
Dmitri Bortniansky Hark! the vesper hymn / Horch, die Wellen (Dmitri Bortniansky)
Domenico Scarlatti Missa Quatuor Vocum (Domenico Scarlatti)
Duarte Lobo Missa pro defunctis (Duarte Lobo) in bar 4 of Introit: Bass 2's first note should be D. (I could not contact the editor.) - Mick Swithinbank

in bar 40 of Offertory: The 6th voice's first note should probably be F. - Mick Swithinbank
in Communio: Bar 8, first note in 6th voice should probably be C, not D. Bar 11, Soprano 1: the A should probably be a B. Bars 16-17, 4th voice, the falling phrase from C to F should probably be one scale degree higher, D to G. Bar 28, Soprano 1: the first note should probably be A, or less likely E, but not F. - Mick Swithinbank

Duarte Lobo Audivi vocem de caelo a 6 (Duarte Lobo) a mistake in bar 1 of the older version
Edward Bairstow Blessed city, heavenly Salem (Edward Bairstow) m129: “ness” should be a quarter, and “Thy” an eighth. / m3: The tenor first note should be D, not E-flat.
Edward Elgar O happy eyes, Op. 18, No. 1 (Edward Elgar)
Edward Elgar How calmly the evening (Edward Elgar) A few minor typos
Edward Elgar Go, song of mine (Edward Elgar) A few minor typos.
Edward Elgar Intende voci orationis meae (Edward Elgar) Soprano part at m8; organ accompaniment at m2.
Edward Elgar The fountain, Op. 71, No. 2 (Edward Elgar) Bass, bar 54, the last note (crotchet) should be E, not D, according to the Novello edition (IMSLP 379297)
Edward Elgar Evening Scene (Edward Elgar)
Edward Elgar The Dance, Op. 27, No. 1 (Edward Elgar) bar 7: SATB should be 'f'; bar 79: Tenor C not B; bar 130.3: Alto F# not G (noted by rogmufa)
Edward Elgar The Apostles, Op. 49 (Edward Elgar)
Edward Elgar Lullaby, Op. 27, No. 3 (Edward Elgar) Bar 40.3: Alto A not B; Bar 95.1: Sop F# not A (noted by rogmufa)
Edward Elgar As torrents in summer (Edward Elgar) m. 22, "By" should be "So"; also hairpin dynamics missing
Eliseo Ghibel Hor pensate (Eliseo Ghibel) There are misspellings in the text.
Emilio de Cavalieri Chiostri altissimi e stellati (Emilio de Cavalieri)
Estêvão de Brito Stabat Mater (Estêvão de Brito) It seems more likely that the attribution to de Brito (1570-1641) is mistaken. Iribarren's dates were 1698-1767, and the style of this work does not look earlier than that, nor does it resemble the works by de Brito that I know. Portuguese polyphony was extremely conservative in de Brito's day, and typical works by him are in a style which, to us, looks more 16th century than 17th, let alone 18th. - Mick Swithinbank
Estêvão de Brito In illo tempore… quis ex vobis (Estêvão de Brito) bar 2, last note, Altus: should surely be E. Bar 33, Superius: the second note should probably be C, not E - this completes the triad, and the second half of the E clashes with an F major triad at present. Bar 52, final chord: Superius and Bassus should presumably have G. - Mick Swithinbank
Estêvão de Brito Jesu dulcis memoria (Estêvão de Brito) The same comment as for 'Stabat Mater': It seems more likely that the attribution to de Brito (1570-1641) is mistaken. Iribarren's dates were 1698-1767, and the style of this work does not look earlier than that, nor does it resemble the works by de Brito that I know. Portuguese polyphony was extremely conservative in de Brito's day, and typical works by him are in a style which, to us, looks more 16th century than 17th, let alone 18th. Be that as it may, the tenor part should certainly sound an octave higher than shown in this score. - Mick Swithinbank
Fanny Hensel Abendlich schon rauscht der Wald, Op. 3, No. 5 (Fanny Hensel)
Fanny Hensel Schöne Fremde, Op. 3, No. 2 (Fanny Hensel)
Fanny Hensel Seid gegrüsst (Herbstlied), Op. 3, No. 3 (Fanny Hensel)
Felice Anerio Angelus autem Domini (Felice Anerio)

Felice Anerio Magnificat (Felice Anerio)
Felix Mendelssohn Sechs Lieder, Op. 41 (Felix Mendelssohn) No. 1 "Im Walde" m10 tenor D sharp missing
Felix Mendelssohn Am Karfreitag, Op. 79, No. 6 (Felix Mendelssohn) Text spelling error in bar 11: "ihn" instead of "ihm"
Felix Mendelssohn Veni Domine, Op. 39, No. 1 (Felix Mendelssohn) Some different notes with respect to another edition
Felix Mendelssohn Der Glückliche, Op. 88, No. 2 (Felix Mendelssohn)
Felix Mendelssohn Aus tiefer Noth schrei' ich zu dir, Op. 23, No. 1 (Felix Mendelssohn) In Section V (page 13 of pdf), measure 2 - "Sün-de" should be "Sün-den". --Ab73 19:36, 1 February 2012 (CST)
Felix Mendelssohn Hear my prayer/O for the wings of a dove (Felix Mendelssohn) Minor differences with respect to other editions
Felix Mendelssohn Elias (Elijah), Op. 70 (Felix Mendelssohn) There should not be a sharp in the alto in m. 12
Felix Mendelssohn Magnificat, Op. 69, No. 3 (Felix Mendelssohn)
Felix Mendelssohn Im Walde, Op. 41, No. 1 (Felix Mendelssohn) No. 1 "Im Walde" m10 tenor D sharp missing
Felix Mendelssohn Auf dem See, Op. 41, No. 6 (Felix Mendelssohn) measure 85, tenor part should read: f e (sounding F, E above middle C). Otherwise, the voice leading displays parallel octaves between soprano and tenor. Consulted Breitkopf edition.
Felix Mendelssohn Jauchzet dem Herrn (Psalm 100) (Felix Mendelssohn)
Felix Mendelssohn In der Passionszeit, Op. 79, No. 4 (Felix Mendelssohn) Text spelling error in bar 10. "best" instead of "bist"
Felix Mendelssohn Mitten wir im Leben sind, Op. 23, No. 3 (Felix Mendelssohn) Lyric variation from other editions in measures 9 and 13. --Ab73 19:39, 1 February 2012 (CST)

Lyric variation from other editions in measures 9 and 13. --Ab73 19:39, 1 February 2012 (CST)

Felix Mendelssohn Elias 15 Cast thy burden / Wirf dein Anliegen (Felix Mendelssohn) 'Alt m7:G4->Eb4; Tenor m4:Ab2-> F4 Ab4; Bass m12:G2.->Bb2.,Bb4->D4,m13:C4->Eb4,m16:C2->Eb2'
Felix Mendelssohn Nunc dimittis, Op. 69, No. 1 (Felix Mendelssohn) notes and word underlay


Felix Mendelssohn Te Deum in A, WoO 29 (Felix Mendelssohn)
Felix Mendelssohn Neujahrslied, Op. 88, No. 1 (Felix Mendelssohn) many typos: schwe re stür-me, mil de We ste ban ge Sor gen -> schwere Stürme, milde Weste, bange Sorgen; eh wirs-ten -> eh' wir's bitten; Wunsch-wird's -> Wunsch wird's
Ferdinand di Lasso Solus excelsi (Ferdinand di Lasso)
Ferdinand di Lasso Tibi laus, tibi gloria (Ferdinand di Lasso)
Ferdinand di Lasso Ego dixi: Domine miserere mei (Ferdinand di Lasso)
Filippo Azzaiolo La manza mia si chiama (Filippo Azzaiolo)
Filippo Azzaiolo Come t'aggio lasciato, o vita mia (Filippo Azzaiolo)
Filippo Azzaiolo Dall'orto se ne vien (Filippo Azzaiolo)
Filippo Azzaiolo Sentomi la formicula (Filippo Azzaiolo)
Filippo Azzaiolo Gentil madonna (Filippo Azzaiolo)
Francesco Durante Magnificat a 4 in B flat (Francesco Durante)
Francis Pilkington Why should I grieve? (Francis Pilkington)
Francisco Guerrero Ave virgo sanctissima (Francisco Guerrero)
Francisco Guerrero Tu dorado cabello (Francisco Guerrero)
Francisco Guerrero Sancta et immaculata (Francisco Guerrero)
Francisco Guerrero Caro mea (Francisco Guerrero)
Francisco Guerrero Ave Maria a 8 (Francisco Guerrero) This is a fragment of a Willaert motet, not the Guerrero. Correct score link needs to be found. -- Chucktalk Giffen 12:46, 16 June 2009 (UTC)
Francisco Guerrero Es menester que se acierte (Francisco Guerrero)
Francisco Guerrero Ave Maria a 4 (Francisco Guerrero)
Francisco de la Torre Adoramoste, Señor (Francisco de la Torre)
Franz Liszt Tantum ergo S 42/1 (Franz Liszt)
Franz Schubert Tantum ergo in Es, D 962 (Franz Schubert) note 6 of S should be C
Franz Schubert An die Sonne (Franz Schubert) Königen->Königin
Franz Schubert Magnificat, D486 (Franz Schubert)
Franz Schubert Deutsche Messe, D872 (Franz Schubert) Few notes and various spelling differences with respect to a commercial edition and the Schubert's autograph score, supposedly also applicable to CPDL #978
Franz Schubert Sanctus, D696:3 (Franz Schubert)
Franz Schubert Salve Regina, D. 386 (Franz Schubert)
Franz Xaver Witt Verbum supernum prodiens (Franz Xaver Witt) hyphens missing
Franz Xaver Witt Te Joseph celebrent (Franz Xaver Witt) hyphens missing
Franz Xaver Witt Regina caeli (Franz Xaver Witt) hyphens missing
Frederick Arthur Gore Ouseley From the rising of the sun (Frederick Arthur Gore Ouseley) collision between rests and second voice in organ part, bar 4 or 5
Gabriel Fauré Madrigal, Op. 35 (Gabriel Fauré) bar 46 piano RH should read the same as bar 54
Gabriel Fauré Requiem in D minor, Op. 48 (Gabriel Fauré) Supposedly also applicable to the corresponding individual movements hereinbelow
Gabriel Fauré Cantique de Jean Racine, Op. 11 (Gabriel Fauré) Word “Disipe” should be “Dissipe”; m. 28 beat 2: keyboard part should be F in both octaves, not Eb and F.
Gaetano Donizetti Una furtiva làgrima (Gaetano Donizetti) Some pitch inaccuracies, other small-scale issues.
Georg Prenner Assumpta est Maria (Georg Prenner)
George Frideric Handel Dixit Dominus, HWV 232 (George Frideric Handel) Full score, page 39, bar 131, Soprano: add cautionary natural to soprano b; page 59, bar 47-48, Tenor: add omitted text underlay "in Spi-ri-tu-i Sanc-to". Other differences listed separately -
George Kirbye Why wail we thus? (George Kirbye)
George Kirbye Ah, cruel hateful fortune (George Kirbye)
George Kirbye Must I part, O my jewel? (George Kirbye)
George Kirbye Sleep now, my muse (George Kirbye)

This version is incomplete

George Kirbye Up then, Melpomene (George Kirbye)
George Whitefield Chadwick Three Sacred Quartets, Opus 13 (George Whitefield Chadwick) Some wrong notes in A,T,B, and in organ part; textual error in T.
Giaches de Wert Amen, amen dico vobis (Giaches de Wert)
Giaches de Wert Cara la vita mia (Giaches de Wert)
Giaches de Wert Hoc enim sentite in vobis (Giaches de Wert)
Giacomo Antonio Perti Inter vestibulum et altare (Giacomo Antonio Perti) m. 5 S last note G in Lück
Giacomo Carissimi O felix anima (Giacomo Carissimi)
Giacomo Gorzanis Donna gentil (Giacomo Gorzanis)
Giles Farnaby The wavering planet (Giles Farnaby)
Giles Farnaby My lady's coloured cheeks (Giles Farnaby)
Giles Farnaby Phillida bewailed (Giles Farnaby)
Giles Farnaby Carters, now cast down your whips (Giles Farnaby)
Giles Farnaby Daphne on the rainbow riding (Giles Farnaby)
Giles Farnaby Construe my meaning (Giles Farnaby) Bars 7, 10, 11, 12, Tenor: Bs should be natural (and not flat as shown in the score)

Bars 10, 11, 12, Tenor: Bs should be natural (and not flat as shown in the score)

Giles Farnaby Thrice blessed be the giver (Giles Farnaby)
Giles Farnaby Witness, ye heavens (Giles Farnaby)
Giles Farnaby Simkin said that Sis was fair (Giles Farnaby)
Giles Farnaby Such as in God the Lord do trust (Giles Farnaby)
Gioachino Rossini Salve Regina (Gioachino Rossini)
Gioseffo Marini Silvia gentil (Gioseffo Marini)
Giovanni Andrea Dragoni Sacerdotes tui (Giovanni Andrea Dragoni)
Giovanni Animuccia Lodate Dio (Giovanni Animuccia) Bar 10, Sop. 1, Supply A half note to complete measure Error note from
Giovanni Antonio Riccieri Salve Regina (Giovanni Antonio Riccieri)
Giovanni Artusi Gitene canzonette (Giovanni Artusi)
Giovanni Battista Martini Jerusalem surge (Giovanni Battista Martini) There's an error in the PDF: Jerusalem is here receiving a command (arise and stand), thus the correct imperative forms are surge et sta.
Giovanni Battista Martini O salutaris hostia a 3 (Giovanni Battista Martini)
Giovanni Battista Mosto Dolci alpestre parole (Giovanni Battista Mosto) In # 56417 the title and text beginning is wrongly written as "Dolci al pestre parole".
Giovanni Croce Mentre la bella Dafne (Giovanni Croce)
Giovanni Croce Beati eritis (Giovanni Croce)
Giovanni Croce Regina coeli (Giovanni Croce)
Giovanni Croce In monte Oliveti (Giovanni Croce)
Giovanni Croce Cantate Domino (Giovanni Croce) Last page, middle system, Tenor line, last measure, the Bb there should be a B natural.
Giovanni Croce Miserere mei, o Deus (Giovanni Croce) Last page, m84, Quinta Vox's first note A should be B natural, confirmed by editor. Vaarky (talk) 19:33, 5 March 2014 (UTC)

m9, voice 2 is missing one beat. Vaarky (talk) 17:22, 26 September 2019 (UTC)

Giovanni Croce Tristis est anima mea (Giovanni Croce)
Giovanni Croce Voce mea (Giovanni Croce)
Giovanni Croce Laudans exsultet gaudio (Giovanni Croce)
Giovanni Croce Velum templi (Giovanni Croce)
Giovanni Ferretti Dolce, amorose e leggiadrette ninfe (Giovanni Ferretti)
Giovanni Francesco Anerio Unam petii (Giovanni Francesco Anerio)
Giovanni Gabrieli Sancta et immaculata virginitas (Giovanni Gabrieli)
Giovanni Gabrieli Beata es Virgo (Giovanni Gabrieli) Sop2 m8 missing half rest. Nice piece! -- Vaarky 04:30, 6 September 2009 (UTC)
Giovanni Gabrieli Angelus ad pastores ait a 12 (Giovanni Gabrieli) Decimus in MIDI file has a wrong note in bar 25, PDF is ok.
Giovanni Gabrieli Jubilate Deo, omnis terra a 8 (Giovanni Gabrieli)
Giovanni Gabrieli Magnificat a 8 (Giovanni Gabrieli) m. 46, wrong notes in bass 2 part
Giovanni Gastoldi Il Luchesino (Vita mia perchè mi fuggi) (Giovanni Gastoldi)
Giovanni Gastoldi Lo Spensierato (Poiche 'l mio foco e spento) (Giovanni Gastoldi)
Giovanni Gastoldi Concerto de pastori (Giovanni Gastoldi) text errors
Giovanni Gastoldi Lo Sdegnato (Non moriro crudel) (Giovanni Gastoldi)
Giovanni Gastoldi Viver lieto voglio (Il Bell' Humore) (Giovanni Gastoldi)
Giovanni Gastoldi Il Prigioniero (O vezzosetta e bella) (Giovanni Gastoldi)
Giovanni Gastoldi La Cortigiana (La mia amorosa bella) (Giovanni Gastoldi)
Giovanni Gastoldi Il Felice (Per voler d'amore) (Giovanni Gastoldi)
Giovanni Ghizzolo Sfogava con le stelle (Giovanni Ghizzolo) Text error,
Giovanni Ghizzolo Epitalamio (Giovanni Ghizzolo)
Giovanni Giovenale Ancina Angel dal ciel disceso (Giovanni Giovenale Ancina)
Giovanni Grossi Messa a quattro voci (Giovanni Grossi)

Giovanni Maria Nanino E'l viso di pietosi color (Giovanni Maria Nanino)
Giovanni Maria Nanino Per qual cagion (Giovanni Maria Nanino)
Giovanni Maria Nanino La terra fiorirà (Giovanni Maria Nanino)
Giovanni Maria Nanino Alcun non può saper (Giovanni Maria Nanino)
Giovanni Maria Nanino Se l'Alicorno (Giovanni Maria Nanino)
Giovanni Matteo Asola Adorna thalamum (Giovanni Matteo Asola)
Giovanni Matteo Asola Quem vidistis pastores? (Giovanni Matteo Asola)
Giovanni Matteo Asola Veni Creator (Giovanni Matteo Asola) Text underlay.
Giovanni Matteo Asola Lapidaverunt Stephanum (Giovanni Matteo Asola)
Giovanni Matteo Asola Christus factus est a 3 (Giovanni Matteo Asola) In bar 11, 'Tenor I' (Altus) third note should be Bb, not C.

In bar 11, 'Tenor I' (Altus) third note should be Bb, not C.

Giovanni Pierluigi da Palestrina Ave maris stella (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Pueri Hebraeorum (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Exaudi Domine preces servi tui (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina In monte Oliveti (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Alma Redemptoris Mater a 8 (Collegio Romano ms.) (Giovanni Pierluigi da Palestrina) Missing syllable in underlay.
Giovanni Pierluigi da Palestrina Alma Redemptoris Mater (voci pari) (Giovanni Pierluigi da Palestrina) m113 Bass should be whole D; m115 Bar. penultimate note c
Giovanni Pierluigi da Palestrina Pange lingua (1589) (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina E quella certa speme (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Spirito santo, amore (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Ego sum panis a 4 (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Missa Aeterna Christi munera (Giovanni Pierluigi da Palestrina) Bass staff is missing in bars 33-40 of Sanctus
Giovanni Pierluigi da Palestrina Ne recorderis (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Novella Aurora (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Missa Papae Marcelli (Giovanni Pierluigi da Palestrina) Typo in underlay

numerous errors

Giovanni Pierluigi da Palestrina Vinea mea electa (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Salvator mundi (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Missa O magnum mysterium (Giovanni Pierluigi da Palestrina) three editing errors (notes), several underlay issues.
Giovanni Pierluigi da Palestrina Stabat Mater (Giovanni Pierluigi da Palestrina) many errors in notes and underlay
Giovanni Pierluigi da Palestrina Vergine bella (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Laudate Dominum (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Peccantem me quotidie (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina O Domine Jesu Christe a 4 (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Tribus miraculis (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Lamentationes Hieremiae Prophetae liber I (Giovanni Pierluigi da Palestrina) bar 31: T1 should probably sing a 5th, rather than a 7th
Giovanni Pierluigi da Palestrina Da così dotta man (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Jesu, dulcis memoria (Giovanni Pierluigi da Palestrina)
Giovanni Pierluigi da Palestrina Tua Jesu dilectio (Giovanni Pierluigi da Palestrina)
Girolamo Conversi Zefiro torna e il bel tempo rimena (Girolamo Conversi)
Giuseppe Verdi Va pensiero (Chorus of the Hebrew Slaves) (Giuseppe Verdi) trill in bar 5 missing accidental natural (Riccordi full score admittedly not quite clear, but see flute 1 part
Graeme Martin The Reproaches (Graeme Martin) Verse text doesn't seem to be enough to complete the chant.
Gregor Aichinger Regina coeli a 4 (Gregor Aichinger)
Gregorian chant Missa pro defunctis (Gregorian chant) see talk page
Gregorian chant Pueri Hebraeorum I & II (Gregorian chant) site seems to host melody only
Gregorian chant Te Deum laudamus (Gregorian chant)
Gregorio Allegri Missa che fa oggi il mio sole (Gregorio Allegri) p11 m114 of Credo is missing underlay for S2 line. – It is the same as S1 Marchesa 06:10, 24 October 2010 (UTC)
Guillaume Bouzignac In pace in idipsum (Guillaume Bouzignac) composer born ca. 1587/90 rather than 1550 as score indicates?
Guillaume Costeley Mignonne, allons voir (Guillaume Costeley) by no means a deal-breaker in the homophonic section, but copyright notice collides with bass
Guillaume Dufay Ecclesiae militantis (Guillaume Dufay) line 1, m7: # above the A should be above the last note of m6 instead?
Guillaume Dufay Bon jour, bon mois, bon an (Guillaume Dufay)
Guillaume Dufay Purificationis Mariæ - Tractus (Guillaume Dufay) Errors noted by Mick Swithinbank: In the word 'vide' at the end of the first system, in the top voice, the semibreve B flat followed by a minim A should be reduced to a dotted minim and a crotchet, as otherwise the note values do not correspond to those in the other parts. In the bass part in the last system of page 3, the minim D followed by semibreve E flat should probably be a semibreve D followed by a minim E flat.
Guillaume Le Heurteur Grâce, vertu, bonté, beaulté, noblesse (Guillaume Le Heurteur)
Guillaume Le Heurteur Quant je boy du vin claret (Guillaume Le Heurteur) Score doesn't contain any text
Guillaume de Machaut De toutes flours (Guillaume de Machaut) The contra tenor line is notated an octave too low: i.e. the use of the tenor G clef is wrong. This line needs to be read as if it were simply in the treble clef. Mick Swithinbank
Gustav Holst Psalm 86 (Gustav Holst) The word Thee should be sung by the chorus in the third bar of the third system of page 6. The fifth bar of the first system of page 8 should read never. The forth bar of the second system of page 9 should read tread. Also page 8, first stave, 5th bar, all voice parts, notes should E flat and D, not two minim C.
Hans Leo Hassler Mein G'müth ist mir verwirret (Hans Leo Hassler)
Hans Leo Hassler Ach weh des Leiden (Hans Leo Hassler)
Hans Leo Hassler O caput cruentatum, BWV 244.44 (Johann Sebastian Bach)
Hans Leo Hassler Nun fanget an (Hans Leo Hassler) Text distribution partly wrong
Hans Leo Hassler Verbum caro factum est a 6 (Hans Leo Hassler) Spelling error "facta" instead of "factum"
Hector Berlioz Grande messe des morts, H 75 (Hector Berlioz) Bar 37: the top alto divisi note does not appear in the original 1st tenor part.
Hector Berlioz L'adieu des bergers (Hector Berlioz)
Heinrich Isaac Introibo ad altare (Heinrich Isaac) In Sibelius file 1st tenor note m5 should read a
Heinrich Isaac Virgo prudentissima a 6 (Heinrich Isaac) minor underlay error.
Heinrich Isaac Fammi una gratia, amore (Heinrich Isaac)
Heinrich Isaac Ecce virgo concipiet (Heinrich Isaac)
Heinrich Schütz O dolcezze amarissime (Seconda parte), SWV 2 (Heinrich Schütz)
Heinrich Schütz Quella damma son io, SWV 11 (Heinrich Schütz)
Heinrich Schütz Fiamma ch'allaccia, SWV 10 (Heinrich Schütz) A few minor errors in underlay
Heinrich Schütz Verbum caro factum, SWV 314 (Heinrich Schütz)
Heinrich Schütz Herr Gott, erzeig mir Hülf und Gnad, SWV 153 (Heinrich Schütz)
Heinrich Schütz Der Herr ist gross, SWV 286 (Heinrich Schütz)
Heinrich Schütz Cantate Domino, SWV 463 (Heinrich Schütz)
Heinrich Schütz O primavera (Prima parte), SWV 1 (Heinrich Schütz)
Heinrich Schütz Die Furcht des Herren, SWV 318 (Heinrich Schütz)
Heinrich Schütz Ich ruf zu dir, Herr Jesu Christ, SWV 326 (Heinrich Schütz)
Heinrich Schütz Gott, man lobt dich in der Still, SWV 162 (Heinrich Schütz)
Heinrich Schütz Dennoch hat Israel zum Trost, SWV 170 (Heinrich Schütz) Typo in verse 6: "Häuf" instead of "Hauf"
Heinrich Schütz Danket dem Herren, unserm Gott, SWV 205 (Heinrich Schütz)
Heinrich Schütz Herr Gott Vater im höchsten Thron, SWV 188 (Heinrich Schütz)
Heinrich Schütz Herr Gott, dem alle Rach heimfällt, SWV 192 (Heinrich Schütz)
Heinrich Schütz Ich danke dem Herrn von ganzem Herzen, SWV 284 (Heinrich Schütz)
Heinrich Schütz Meine Seele erhebt den Herren, SWV 344 (Heinrich Schütz)
Heinrich Schütz Herr, ich hoffe darauf, SWV 312 (Heinrich Schütz)
Heinrich Schütz O misericordissime Jesu, SWV 309 (Heinrich Schütz)
Heinrich Schütz Lasst uns Gott, unserm Herren, SWV 216 (Heinrich Schütz) Bar 10 1st 2 notes in the Alto part must be b instead of d ("soll Is-")
Heinrich Schütz Der ist fürwahr ein selig Mann, SWV 210 (Heinrich Schütz) Error in text underlay in bar 8: "ge-hör-chet" instead of "ge-hor-chet"
Heinrich Schütz Wie sehr lieblich und schöne sind, SWV 181 (Heinrich Schütz)
Heinrich Schütz Meister, wir haben die ganze Nacht gearbeitet, SWV 317 (Heinrich Schütz)
Heinrich Schütz Mi saluta costei, SWV 12 (Heinrich Schütz) Minor errors
Heinrich Schütz Ein Kind ist uns geboren, SWV 302 (Heinrich Schütz)
Heinrich Schütz Allein Gott in der Höh, SWV 327 (Heinrich Schütz)
Heinrich Schütz Wir glauben all an einen Gott, SWV 303 (Heinrich Schütz)
Heinrich Schütz Jubilate Deo, SWV 332 (Heinrich Schütz)
Heinrich Schütz Sei gegrüßet, Maria, SWV 333 (Heinrich Schütz)
Heinrich Schütz Wer will uns scheiden von der Liebe Gottes? SWV 330 (Heinrich Schütz)
Heinrich Schütz Ich bin die Auferstehung, SWV 324 (Heinrich Schütz)
Heinrich Schütz Habe deine Lust an dem Herren, SWV 311 (Heinrich Schütz)
Heinrich Schütz Vasto mar, SWV 19 (Heinrich Schütz)
Heinrich Schütz Die Stimm des Herren gehet auf den Wassern, SWV 331 (Heinrich Schütz)
Heinrich Schütz Siehe, mein Fürsprecher im Himmel, SWV 304 (Heinrich Schütz)
Heinrich Schütz Joseph, du Sohn David, SWV 323 (Heinrich Schütz)
Heinrich Schütz Ist Gott für uns, SWV 329 (Heinrich Schütz)
Heinrich Schütz Die Seele Christi heilige mich, SWV 325 (Heinrich Schütz)
Heinrich Schütz Io moro, ecco ch'io moro, SWV 13 (Heinrich Schütz) Many minor errors
Heinrich Schütz Ich hab mein Sach Gott heimgestellt, SWV 305 (Heinrich Schütz)
Heinrich Schütz Herr, wenn ich nur dich, SWV 321 (Heinrich Schütz)
Heinrich Schütz Giunto è pur, Lidia, SWV 18 (Heinrich Schütz) A few minor errors
Heinrich Schütz Aufer immensam, SWV 337 (Heinrich Schütz)
Heinrich Schütz Viel werden kommen von Morgen und von Abend, SWV 375 (Heinrich Schütz)
Heinrich Schütz Quemadmodum desiderat cervus, SWV 336 (Heinrich Schütz)
Heinrich Schütz Was betrübst du dich, meine Seele, SWV 335 (Heinrich Schütz)
Heinrich Schütz Der Herr ist mein getreuer Hirt, SWV 120 (Heinrich Schütz)
Heinrich Schütz Freut euch des Herrn, ihr Christen all, SWV 130 (Heinrich Schütz) Final bass note is missing
Heinrich Schütz Ich weiß, daß mein Erlöser lebt, SWV 393 (Heinrich Schütz)
Heinrich Schütz Herzlich lieb hab ich dich, o Herr, SWV 387 (Heinrich Schütz) Wrong text underlay
Heinrich Schütz Verleih uns Frieden genädiglich, SWV 372 (Heinrich Schütz) In the Tenor voice in measure 28 the very last eighth note should be a “bes” not “a”, respectively “c” not “b” in transposed key, cf. Klemmens edition from 1648.
Heinrich Schütz Tornate, o cari baci, SWV 16 (Heinrich Schütz)
Heinrich Schütz Herr, unser Herrscher, wie herrlich ist dein Nam, SWV 343 (Heinrich Schütz)
Heinrich Schütz Sospir che del bel petto, SWV 14 (Heinrich Schütz) A few minor errors
Heinrich Schütz Wohl dem, der nicht wandelt im Rat der Gottlosen, SWV 290 (Heinrich Schütz)
Heinrich Schütz Domine labia mea aperies, SWV 271 (Heinrich Schütz)
Heinrich Schütz Dunque addio, SWV 15 (Heinrich Schütz)
Heinrich Schütz Rorate, rorate coeli, SWV 322 (Heinrich Schütz)
Heinrich Schütz Hodie Christus natus est, SWV 315 (Heinrich Schütz)
Heinrich Schütz Ich will so lang ich lebe, SWV 131 (Heinrich Schütz)
Heinrich Schütz Hör mein Gebet und lass zu dir, SWV 200 (Heinrich Schütz) Bar 13, note for the Alto part (d♯) is missing (on "-zehrt")
Heinrich Schütz Die Himmel erzählen die Ehre Gottes, SWV 386 (Heinrich Schütz) Wrong note in soprano 2 bar 68, 1st note
Heinrich Schütz Ach Gott, von Himmel sieh darein, SWV 108 (Heinrich Schütz)
Heinrich Schütz Jauchzet dem Herren, alle Welt (Psalm 100), SWV 36 (Heinrich Schütz)
Heinrich Schütz Ich preis dich, Herr, zu aller Stund, SWV 127 (Heinrich Schütz)
Heinrich Schütz Ich sag's von Grund meins Herzens frei, SWV 133 (Heinrich Schütz) Bars 4-6 are combined in one section in the Blakenburg edition. However, the e♭ in the Bass part is not valid for the Tenor part and therefore in bar 6 it's e♮ again.
Heinrich Schütz Schaffe in mir, Gott, ein reines Herz, SWV 291 (Heinrich Schütz)
Heinrich Schütz Also hat Gott die Welt geliebt, SWV 380 (Heinrich Schütz) Wrong note in Tenor1 bar 28, 3rd note must be g#

Wrong note in Tenor1 bar 28, 3rd note must be g#

Heinrich Schütz Das Blut Jesu Christi, SWV 298 (Heinrich Schütz)
Heinrich Schütz Ach wie gross ist der Feinde Rott, SWV 99 (Heinrich Schütz) Bar 6. Alto, "#g" must be "g"
Heinrich Schütz Mit Dank wir sollen loben, SWV 104 (Heinrich Schütz) Last word of verse 1 must be "ist" instead of "hast"
Heinrich Schütz Das ist je gewißlich wahr, SWV 277 (Heinrich Schütz)
Heinrich Schütz Wer wird, Herr, in der Hütten dein, SWV 111 (Heinrich Schütz)
Heinrich Schütz Fürchte dich nicht, SWV 296 (Heinrich Schütz)
Heinrich Schütz Der Herr schauet vom Himmel auf der Menschen Kinder, SWV 292 (Heinrich Schütz)
Heinrich Schütz Herr Gott, erhör die Grechtigkeit, SWV 113 (Heinrich Schütz) Typo in text underlay in the 1st verse (missing Umlaut): "lau-terst" instead of "läu-terst)
Heinrich Schütz Historia von der Auferstehung, SWV 50 (Heinrich Schütz)
Heinrich Schütz Ich werde nicht sterben, SWV 346 (Heinrich Schütz)
Heinrich Schütz Ich lieb dich, Herr, von Herzen sehr, SWV 114 (Heinrich Schütz) Verse 2, missing words: "rief ich zu dir, mein Gott" instead of "rief ich zu Gott"
Heinrich Schütz Der Herr erhör dich in der Not, SWV 116 (Heinrich Schütz) Typo in text underlay 1st verse: "erhöhrt" instead of "erhör"
Heinrich Schütz Nach dir verlangt mich, SWV 122 (Heinrich Schütz) 2nd note in Soprano must be "a"
Heinrich Schütz Herr, schaff mir Recht, nimm dich mein an, SWV 123 (Heinrich Schütz) Tenor part, end of 1st line, last note must be "b" instead of "d"
Heinrich Schütz Erhör mein Gbet, du treuer Gott, SWV 152 (Heinrich Schütz)
Heinrich Schütz Ich ruf zu dir, Herr Gott, mein Hort, SWV 125 (Heinrich Schütz) Typo in 1st verse: "duch Christum" instead of "durch Christum"
Heinrich Schütz Pro hoc magno mysterio pietatis, SWV 77 (Heinrich Schütz) Bar 29 onwards, Bass: text underlay missing
Heinrich Schütz Ach Herr, du Schöpfer aller Ding, SWV 450 (Heinrich Schütz) Several errors. See discussion page for more details
Heinrich Schütz Ich bin jung gewesen und bin alt worden, SWV 320 (Heinrich Schütz)
Heinrich Schütz Eile mich, Gott, zu erretten, SWV 282 (Heinrich Schütz)
Heinrich Schütz Hilf mir, Gott, durch den Namen dein, SWV 151 (Heinrich Schütz)
Heinrich Schütz Mein Herz ist bereit, Gott, SWV 341 (Heinrich Schütz)
Heinrich Schütz Singet dem Herren ein Neues Lied, SWV 342 (Heinrich Schütz)
Heinrich Schütz Ich beuge meine Knie gegen dem Vater, SWV 319 (Heinrich Schütz)
Heinrich Schütz Himmel und Erde vergehen, SWV 300 (Heinrich Schütz)
Heinrich Schütz Was trotzst denn du, Tyrann, so hoch, SWV 149 (Heinrich Schütz) Wrong text underlay in verse 1: "treibst" instead of "trotzt"
Heinrich Schütz In meinem Herzen hab ich mir, SWV 136 (Heinrich Schütz) 2nd line, 5th bar (Text: "im Leib"), Tenor part: b♭ instead of b♮
Heinrich Schütz Gross ist der Herr und hoch gepreist, SWV 145 (Heinrich Schütz)
Heinrich Schütz Von Aufgang der Sonnen, SWV 362 (Heinrich Schütz)
Heinrich Schütz Der Herr ist mein Hirt (Psalm 23), SWV 33 (Heinrich Schütz) Spelling errors in text underlay.

Spelling errors in text underlay.

Heinrich Schütz Die Gottseligkeit ist zu allen Dingen nütz, SWV 299 (Heinrich Schütz)
Heinrich Schütz Eins bitte ich vom Herren, SWV 294 (Heinrich Schütz)
Heinrich Schütz Gleich wie ein Hirsch eilt mit Begier, SWV 139 (Heinrich Schütz) Bar 14, Tenor, e♮ instead of e♭
Heinrich Schütz Bringt her dem Herren, SWV 283 (Heinrich Schütz)
Henry Purcell Dido and Aeneas, Z 626 (Henry Purcell)
Henry Purcell Funeral Music for Queen Mary, Z 860 (Henry Purcell) minor errors in underlay

Multiple errors

Henry Purcell Thy word is a lantern, Z 61 (Henry Purcell) Text incorrectly stated as from Psalm 99; bar 9, bass, "they" should be "Thy".
Henry Purcell Hear my prayer, O Lord, Z 15 (Henry Purcell)
Henry Purcell Be merciful unto me, Z 4 (Henry Purcell) The organ part for the second half of the anthem seems to be missing. Also, the tenor line (2nd line down) is notated an octave too low).
Henry Purcell If love's a sweet passion, Z 629/17 (Henry Purcell)
Herbert Howells Jubilate (Collegium Regale) (Herbert Howells) No underlay text on the score
Herbert Howells Te Deum (Collegium Regale) (Herbert Howells) No underlay text on the score.
Hieronymus Praetorius O vos omnes (Hieronymus Praetorius)
Horatio Colombano Dixit Dominus septimi toni (Horatio Colombano) underlay in sextus (Gloria Patri) is a couple of notes off.
Horatio W. Parker Far from the world, O Lord, I flee (Horatio W. Parker)
Hugo Wolf Verborgenheit (Hugo Wolf) Text underlay in bars 8-9 is wrong - see other editions below.
Ivo de Vento Da pacem, Domine (Ivo de Vento)
Ivo de Vento Inter natos mulierum (Ivo de Vento)
Jacob Handl Resonet in laudibus a 4 (Jacob Handl)
Jacob Handl Tota pulchra es amica mea - Vulnerasti cor meum (Jacob Handl)
Jacob Handl Jesu dulcis memoria (Jacob Handl) Title on score says mermoria instead of memoria --Vaarky 01:40, 4 January 2012 (CST)
Jacob Handl Adoramus te, Jesu Christe a 6 (Jacob Handl)
Jacob Handl Benedicta sit (Jacob Handl)
Jacob Handl Natus est nobis (Jacob Handl) Bar 12, Tenor note 1: f -> d, f is also in Proske, Musica Divina, most likely a typo; Bar 26, Soprano note 3: a -> g
Jacob Handl Heroes, pugnate (Jacob Handl)
Jacob Handl O veneranda Trinitas (Jacob Handl)
Jacob Handl Laetitia sempiterna (Jacob Handl)
Jacob Handl Rorate coeli (Jacob Handl) line 2, m. 7 "rotate" should be "rorate". Nice piece! -- Vaarky 04:22, 6 September 2009 (UTC)
Jacob Handl De coelo veniet (Jacob Handl)
Jacob Handl Pater noster (Jacob Handl) Error in bar 86, Alto 2 should begin with C (ref European Sacred Music, OUP, 1996).
Jacob Handl Alleluia, In resurrectione tua Christe (Jacob Handl)
Jacob Handl Adoramus te, Jesu Christe a 8 (Jacob Handl)
Jacobus Clemens non Papa Au joly bocquet croist la violette (Jacobus Clemens non Papa) Bar 16 A, A-B flat should be E-F.
Jacobus Clemens non Papa Ego flos campi a 7 (Jacobus Clemens non Papa)
Jacobus Clemens non Papa L'Homme qui est en ce monde precent (Jacobus Clemens non Papa)
Jacobus Clemens non Papa O Souverain Pasteur et Maistre (Jacobus Clemens non Papa)
Jacobus Clemens non Papa La belle margarite a 5 (Jacobus Clemens non Papa) Some errors in text underlay
Jacobus Clemens non Papa Tu es Petrus (Jacobus Clemens non Papa)
Jacobus de Kerle Venite ad me omnes (Jacobus de Kerle)
Jacques Arcadelt Il bianco e dolce cigno (Jacques Arcadelt) Bar 25, Tenor, the last minim should be C instead of D.

Bar 6, Alto should be D D F (instead of D E F); Bar 22 (2nd page Bar 4), Alto should be F G F E (instead of G A G E)

Jacques Arcadelt Sapet'amanti (Jacques Arcadelt)
Jacques Arcadelt D'un extrême regret (Jacques Arcadelt)
Jacques Arcadelt O Lord, my God, to thee (Jacques Arcadelt) there is an error in bar 14 - the chord on "me" surely is not two Cs and two Ds in the original! I believe it is a C major chord - Cs in T and B; an E in the alto part; and a C in the soprano part would fit well…
Jacques Arcadelt Quanta beltà (Jacques Arcadelt)
Jacques Arcadelt Quand'io penso al martire (Jacques Arcadelt)
Jacques Arcadelt Il vagh'e dolce sguardo (Jacques Arcadelt)
Jacques Arcadelt Las, je sçay bien (Jacques Arcadelt)
Jacques-Nicolas Lemmens Ave Maria I (Jacques-Nicolas Lemmens)
Jacques-Nicolas Lemmens O sanctissima (Jacques-Nicolas Lemmens)
Jacques-Nicolas Lemmens Tota pulchra es (Jacques-Nicolas Lemmens)
Jacques-Nicolas Lemmens Ave verum corpus II (Jacques-Nicolas Lemmens)
Jacques-Nicolas Lemmens Tantum ergo (Jacques-Nicolas Lemmens)
Jacquet de Mantua O sacrum convivium (Jacquet de Mantua) From the second system onwards, the label for the Bassus part is missing
Jakob Reiner Rorate caeli (Jakob Reiner) on last system, T2 text is underlaid beneath bass staff
James Hook The lass of Richmond hill (James Hook)
James Nares Search me, O God (James Nares)
Jan Pieterszoon Sweelinck Hodie Christus natus est (Jan Pieterszoon Sweelinck) comment from Ultimarko: p. 1 bar 3 baritone voice – should be 8th rest not quarter; the entering "Chri-" should be a syncopated quarter. Consider using a slightly faster duple tempo, and dotted quarter from the first equaling quarter in the duple.
Jan Pieterszoon Sweelinck Gaudete omnes (Jan Pieterszoon Sweelinck)
Jan Pieterszoon Sweelinck Laudate Dominum (Jan Pieterszoon Sweelinck)
Jan Pieterszoon Sweelinck Cantate Domino (Jan Pieterszoon Sweelinck) m. 91 of the Bassus part should be 'D' not 'C'. Corrected files will be uploaded shortly.Paul Marchesano/Marchesa 13:42, 18 July 2012 (CDT)
Jan Pieterszoon Sweelinck Beatus qui soli (Jan Pieterszoon Sweelinck)
Javier Fajardo Desenrolei-me de ti (Javier Fajardo) a couple of typos (aires > ares, tu > teu); on measure 69, one should read 'resina', not 'caruma'
Jean Maillard Tout au rebours (Jean Maillard)
Jean Mouton Adieu, mes amours (Jean Mouton) Tenor's first note in bar 21 should be C, not D
Jean Richafort Philomena praevia (Jean Richafort)
Jean Richafort Ecce quam bonum (Jean Richafort)
Jean Sibelius En etsi valtaa, loistoa (Jean Sibelius) There is an error in the Finnish text: in bar 10 of the first verse, sou should read suo (which also enables it to rhyme). Joulus, which at one time I took to be an error, is apparently correct - an abbreviated form of joulusi (your Christmas): thanks to Pekka Horttanainen for that information. -Mick Swithinbank
Jean de Castro Io son ferito ay lasso (Jean de Castro)
Jean-Paul Lécot Inno del Giubileo - Jubilee Anthem (Jean-Paul Lécot)
Jef Tinel In te speravi (Jef Tinel)
Jeffrey Quick Go, eat rich meat (Jeffrey Quick) A very minor typo: basses wanting the word "Go" in m. 8
Jehan L'Heritier Angelus Domini descendit de caelo (Jehan L'Heritier) In the Tenor in bar 23 the first note is wrong.
Jehan L'Heritier Sub tuum presidium (Jehan L'Heritier)
Joannes de Latre O bone Jesu (Joannes de Latre)
Johann Christoph Bach Fürchte dich nicht (Johann Christoph Bach) A note's lyrics, another note's pitch.
Johann Hermann Schein Ihr Heiligen, lobsinget dem Herrn (Johann Hermann Schein)
Johann Hermann Schein O Herr, ich bin dein Knecht (Johann Hermann Schein)
Johann Kuhnau Tristis est anima mea (Johann Kuhnau) C in tenor part in bar 88 should be B.
Johann Michael Bach Das Blut Jesu Christi (Johann Michael Bach)
Johann Michael Haydn Angelis suis Deus mandavit (Johann Michael Haydn)
Johann Michael Haydn Tenebrae factae sunt (Johann Michael Haydn) Wrongly attrib. to Franz Joseph Haydn

Wrongly attrib. to Franz Joseph Haydn

Johann Michael Haydn Heiligste Nacht (Johann Michael Haydn)
Johann Michael Haydn O esca viatorum (Johann Michael Haydn)
Johann Sebastian Bach Komm, Jesu, komm, BWV 229 (Johann Sebastian Bach)
Johann Sebastian Bach Weihnachtsoratorium (Christmas Oratorio), BWV 248 (Johann Sebastian Bach) errors in the Tenor voice. (applies also to the complete choral movements above). In certain parts the Tenor is an octave higher or lower as it should be.

small error in the text. (applies also to the complete choral movements above)
few different notes with respect to other editions
errors in the bass voice. (applies also to the complete choral movements above)
variations of text Juden/Jüden; errors in the alto voice. (applies also to the complete choral movements above)
variations in the bass voice; an error in the tenor voice. (applies also to the complete choral movements above)

Johann Sebastian Bach Wachet! betet! betet! wachet! BWV 70 (Johann Sebastian Bach) The form of the melody seems to be from BWV 70, #7, but harmonization doesn't match.
Johann Sebastian Bach Lobet den Herrn, BWV 230 (Johann Sebastian Bach)
Johann Sebastian Bach Johannespassion, BWV 245 (Johann Sebastian Bach)

Johann Sebastian Bach Jesu, meine Freude, BWV 227 (Johann Sebastian Bach) Supposedly also applicable to the corresponding individual movements below
Johann Sebastian Bach Fürchte dich nicht, BWV 228 (Johann Sebastian Bach) Tenor 2, Bar 77-78: Lyrics should be as Tenor 1
Johann Sebastian Bach Jesu, der du meine Seele, BWV 78 (Johann Sebastian Bach) Shifted notes, missing E natural. Measure 33 Alto: third-beat F should read an octave higher (F5 instead of F4). Measure 35 Alto: last note should read C (not B). Measure 61 Alto: should read »E D C« (not »F E D«). Measure 94 Soprano: E should read E-natural.
Johann Sebastian Bach Ich elender Mensch, wer wird mich erlösen, BWV 48 (Johann Sebastian Bach) This seems to be the "Soll’s ja so sein" Chorale from Cantata 48. The text and harmonization are the same, except in bar 3, in the tenor line, the second beat should be a quarter note "D" instead of two eighth notes.
Johann Sebastian Bach Magnificat, BWV 243 (Johann Sebastian Bach)
Johann Sebastian Bach Nach dir, Herr, verlanget mich, BWV 150 (Johann Sebastian Bach) mxl has mistransposed parts, perhaps due to vocal clefs
Johann Walter Laus Matrimonii ex Horatio (Felices ter) (Johann Walter) sop m20 text should be "is" instead of "us", missing hyphen in sop m23 "sol vet" should have hyphen
Johannes Brahms Warum ist das Licht gegeben dem Mühseligen, Op. 74, No. 1 (Johannes Brahms) In Section 3 (page 8 of pdf), measure 109, the B-flat on beat 3½ in the tenor part should be a B-natural. --Ab73 19:38, 1 February 2012 (CST)
Johannes Brahms Fünf Gesänge, Op. 104 (Johannes Brahms)
Johannes Brahms Zum Schluß, Op. 65, No. 15 (Johannes Brahms) Two different notes with respect to another edition
Johannes Brahms Ein deutsches Requiem, Op. 45 (Johannes Brahms)

Differences identified with respect to other editions - supposedly applicable to individual movements, too

Johannes Brahms Neue Liebeslieder Walzer, Op. 65 (Johannes Brahms) Some different notes with respect to another edition for No. 8, 15
Johannes Brahms Weiche Gräser im Revier, Op. 65, No. 8 (Johannes Brahms) Some different notes with respect to another edition
Johannes Brahms Liebeslieder Walzer, Op. 52 (Johannes Brahms) Few different notes identified with respect to an alternative edition
Johannes Brahms Letztes Glück, Op. 104, No. 3 (Johannes Brahms) Soprano, all D notes on bar 32 and 33 should be natural. Missing ""spä" syllable on the last note of bar 35. Checked against IMSLP edition #23148
Johannes Brahms Es ist das Heil uns kommen her, Op. 29, No. 1 (Johannes Brahms)
Johannes Brahms Die grüne Hopfenranke, Op. 52, No. 5 (Johannes Brahms) Mistake at measure 14: the second note (quarter note) of the Bass must be an E, and not a D. This is wrong in both the pdf and the midi file.
Johannes Brahms Abendständchen, Op. 42, No. 1 (Johannes Brahms)
Johannes Brahms Erlaube mir, 26 Deutsche Volklieder, No. 17 (Johannes Brahms)
Johannes Brahms Vineta, Op. 42, No. 2 (Johannes Brahms)
Johannes Brahms Es geht ein Wehen, Op. 62, No. 6 (Johannes Brahms) wrong notes in the Alto-part in bar 1-2, corrected in Finale file
Johannes Brahms Darthulas Grabesgesang, Op. 42, No. 3 (Johannes Brahms) Minor differences with Brahms Sämtliche Werke
Johannes Brahms Wenn ein starker Gewappneter, Op. 109, No. 2 (Johannes Brahms)
Johannes Brahms O Heiland, reiß die Himmel auf, Op. 74, No. 2 (Johannes Brahms) Measure 12, Alto: "and" should be replaced by "und".
Johannes Brahms Gesang der Parzen, Op. 89 (Johannes Brahms) Some non-German hyphenization
Johannes Brahms Fest- und Gedenksprüche, Op. 109 (Johannes Brahms)
Johannes Brahms Waldesnacht, Op. 62, No. 3 (Johannes Brahms) bar 12, 1st beat, lower bass is missing octavated A.
Johannes Eccard Vom Himmel hoch, da komm ich her (Johannes Eccard)
Johannes Eccard Wir dancken dir, Herr Jesu Christ a 5 (Johannes Eccard) title (but not incipit) has typo
Johannes Eccard Herr Jesu Christ wahr Mensch und Gott (Johannes Eccard) Bass, Takt 8: versehentlich Tenor oktaviert.
Johannes Eccard Christ lag in Todesbanden (Johannes Eccard) Textunterlegung: Die Wiederholung ab Takt 11 hat den Text, der hier als 2. Strophe steht.
Johannes Eccard Missa super "Mon cœur se recommande à vous" (Johannes Eccard)
Johannes Jeep Musica, die ganz lieblich Kunst (Johannes Jeep)
Johannes Nucius Tota pulchra es, amica mea (Johannes Nucius) Minor error in text underlay
Johannes de Cleve Alleluia, venite ad me (Johannes de Cleve) minor typo in composer's birth year has been corrected in Sibelius version; PDF needs to be updated
John Bacchus Dykes Lead, kindly light (John Bacchus Dykes)
John Bennet O sleep, fond fancy (John Bennet)
John Bennet For the hearne and ducke (John Bennet)
John Bennet All creatures now are merry-minded (John Bennet) Bar 9, bass, "daough - ters" should be "daugh - ters"
John Blow Let thy hand be strengthened (John Blow) m. 24, Tenor, Third note is A, not G source:
John Dowland Flow not so fast ye fountains (John Dowland)
John Dowland What if I never speed (John Dowland)
John Dowland Daphne was not so chaste as she was changing (John Dowland) Errors of pitch, duration & instrumentation
John Dowland Now cease my wand'ring eyes (John Dowland)
John Dowland Come ye heavy states of night (John Dowland)
John Dowland White as lilies was her face (John Dowland)
John Dowland Faction that ever dwells in court (John Dowland)
John Dowland Tosse not my soule (John Dowland)
John Dowland Weep you no more sad fountains (John Dowland)
John Dowland Love stood amazed at sweet beauty's pain (John Dowland) Accidental
John Dowland Wilt thou unkind thus reave me (John Dowland)
John Dowland All ye, whom love or fortune hath betrayed (John Dowland)
John Dowland By a fountain where I lay (John Dowland) note values, text
John Dowland Rest a while you cruel cares (John Dowland)
John Dowland Behold a wonder heere (John Dowland) Note-values & instrumentation
John Dowland Who ever thinks or hopes of love for love (John Dowland)
John Dowland Come away, come sweet love (John Dowland)
John Dowland Oh what hath overwrought my all amazed thought (John Dowland) A number of errors of accidentals & text
John Dowland Farewell unkind farewell (John Dowland)
John Dowland It was a time when silly bees could speake (John Dowland)
John Dowland His golden locks time hath to silver turn'd (John Dowland) A number of note errors
John Dowland Flow my tears, fall from your springs (John Dowland)
John Dowland I saw my lady weep (John Dowland)
John Dowland Die not before thy day (John Dowland)
John Dowland Then sit thee down and say thy 'Nunc dimittis' (John Dowland)
John Dowland When others sing 'Venite exultemus' (John Dowland)
John Dowland Unquiet thoughts (John Dowland)

Some note and underlay errors

John Dowland Think'st thou then by thy feigning (John Dowland)
John Dowland Time stands still (John Dowland) Instrumentation
John Dowland Come when I call, or tarrie till I come (John Dowland) Numerous serious errors
John Dowland Farewell too faire (John Dowland) Instrumentation
John Dowland Come again sweet love doth now invite (John Dowland)
John Dowland Humor say what makst thou heere (John Dowland)
John Dunstable Descendi in ortum meum (John Dunstable)
John Farmer You pretty flowers (John Farmer)
John Farmer Compare me to the child (John Farmer)
John Frederick Bridge The Goslings (John Frederick Bridge)
John Goss Praise the Lord, O my soul (John Goss) Bar 1: should be a complete bar of 3/4, with a double-dotted crotchet and semi-quaver in all voice parts

Bar 92:the third note in the bass of the accompaniment should be A octaves, not B octaves

John Goss Stand up and bless the Lord your God (John Goss)
John IV of Portugal Crux fidelis (John IV of Portugal)
John Ireland Te Deum in F Major (John Ireland)
John Ireland Greater love hath no man (John Ireland) measure 25: Alto and Bass should have "A", not "C-natural" (dotted half note tied); measure 26: Alto and Bass should have "A" (tied from previous measure) (half note), followed by "A" not "D" (quarter note). measure 27: Alto and Bass should have "G#" not "B" (half note). Measures 29, 30, 31: Alto and Bass should have "G#"s throughout (same rhythm as in score). Measure 139: Organ, left hand -- add "F#" (whole note) a third below the printed "A".
John Sheppard In pace (John Sheppard)

See talk page

John Stafford Smith Return blest days (John Stafford Smith)
John Stafford Smith While fools their time (John Stafford Smith) a minor error.
John Stainer St Cyprian (John Stainer)
John Stainer God so loved the world (John Stainer) mm. 8 and 45 altos should have an E natural (rather than a tied-over F#)

m. 66 bass should be D; also missing all dynamics

John Stanley The power of music and beauty (John Stanley) A more plausible cadence in F might read the bass (f C tenor clef: d g) f C CC F.
John Sutton Salve Regina (John Sutton)
John Taverner Kyrie Le Roy (John Taverner)
John Wall Callcott Thou art beautiful, queen of the valley (John Wall Callcott) A few minor typos.
John Wall Callcott O snatch me swift (John Wall Callcott)
John Wall Callcott Peace to the souls of the heroes (John Wall Callcott) A few minor typos.
John Wall Callcott The Knell of tyrant laws I hear (John Wall Callcott) Catch form transcribed incorrectly
John Ward A satyr once did run away (John Ward)
John Ward My breast I'll set upon a silver stream (John Ward)
John Wilbye Happy, Oh happy he (John Wilbye)
John Wilbye All pleasure is of this condition (John Wilbye)
John Wilbye Draw on, sweet night (John Wilbye)
John Wilbye Ye that do live in pleasures (John Wilbye)
John Wilbye Lady, when I behold the roses (a6) (John Wilbye) A few minor typos.
John Wilbye Sweet honey-sucking bees (John Wilbye)
Jonathan E. Spilman Flow gently, sweet Afton (Jonathan E. Spilman) Edition is essentially unusable - no title or composer and lyrics collide with other lyrics and noteheads. —Bobnotts talk 2010-04-30
Josef J. Pihert Regina coeli (Josef J. Pihert)
Josef Rheinberger Waldbächlein, WoO 14 (Josef Rheinberger) bar 19, Ten.: f'c' -> c'g)
Josef Rheinberger Hymne, Op. 69, No. 2 (Josef Rheinberger) m26 SSAT should have "sind" in place of "ist"; "Fülle" with double l; bass slur m24;query tied 8th instead of dot m20; p2's lower margin cuts off in letter size prints.
Josef Rheinberger Morgenlied, Op. 69, No. 1 (Josef Rheinberger) I think er-bli-chen, frisch-be-tau-ten, & kind-lein are the correct hyphenations
Josef Rheinberger 5 Motetten op. 40 (Josef Rheinberger) Soprano measure 9, notes should be E flat, C (1 note higher then m5).
Joseph Barnby Break forth into joy (Joseph Barnby)
Joseph Barnby As we have borne the image (Joseph Barnby)
Joseph Haydn Kleine Orgelmesse (Mass no. 7 in B-flat Major) (Joseph Haydn) Differences exist with respect to a commercial edition - supposedly applicable also to the other versions by D. Mason
Joseph Haydn Die Harmonie in der Ehe (Joseph Haydn) m20 for T/B should be Gebrauch, not Gebauch. Vaarky (talk) 00:14, 26 August 2013 (UTC)
Joseph Haydn Die Warnung (Joseph Haydn)
Joseph Haydn Lord Nelson Mass (Mass no. 11 in D minor) (Joseph Haydn)

Joseph Haydn Paukenmesse (Mass no. 9 in C Major) (Joseph Haydn) There are some differences between this edition and the edition of the publisher CARUS
Joseph Haydn Theresienmesse (Joseph Haydn) Supposedly also applicable to the corresponding individual movements hereinbelow

Josquin des Prez Praeter rerum seriem (Josquin des Prez) In bars 71-75 of the Legge edition, the first alto part should be an octave higher. (All attempts to contact the editor directly have failed.) - Mick Swithinbank
Josquin des Prez Vultum tuum a 4 (Josquin des Prez)
Josquin des Prez Pater noster (Josquin des Prez)
Josquin des Prez Cueurs desolez par toute nation a 5 (Josquin des Prez)
Josquin des Prez Ave Maria … Virgo serena (Josquin des Prez) In bar 55 bass is missing one syllable of "purgatio"
Josquin des Prez O Domine Jesu Christe (Josquin des Prez)
Josquin des Prez Nunc dimittis (Josquin des Prez)
Josquin des Prez Inviolata, integra et casta (Josquin des Prez)
Josquin des Prez Ave Maria … benedicta tu, a 6 (Josquin des Prez) In measure 62 of the Bass part, the C should surely be an E
Josquin des Prez Ave Christe (Josquin des Prez)
Josquin des Prez Mille regretz (Josquin des Prez)
Josquin des Prez Tu solus qui facis mirabilia (Josquin des Prez) various
Josquin des Prez Stabat Mater dolorosa (Josquin des Prez) Several errors detected in notes
Josquin des Prez Faulte d'argent (Josquin des Prez)
José Maurício Nunes Garcia Matinas do Natal (José Maurício Nunes Garcia) The lyrics should read 'melliflui', as below, not mellifluit
Juan Gutierrez de Padilla Tres Cuadernos de Navidad: 1653, 1655, 1657 (Juan Gutierrez de Padilla) pages 15-16 and 138-139 of the PDF are missing, thus missing an important part of text.
Juan Ponce La mi sola (Juan Ponce) Possible duplication in text or melody Wim (talk) 19:14, 1 January 2018 (UTC)
Juan Vasquez No puedo apartarme (Juan Vasquez)
Juan Vasquez ¿Quándo, quándo? (Juan Vasquez)
Juan del Encina Levanta Pascual (Juan del Encina)
Leonel Power Ave Regina a 3 (Leonel Power) There is a syllable missing at 'vale valde decora' - Mick Swithinbank
Loyset Compère Scaramella (Loyset Compère)
Loyset Compère Ave Maria (Loyset Compère) User:Mick Swithinbank helpfully pointed out a few errors: m 32 basso, 2nd note one step higher (text in Chigi is "intacta Dei genitrix"); m 36 superius last note one step higher; m 50 Chigi & Motteti A both have the same clash between T & S; m 58 altus last note and its tie one higher.
Luca Marenzio Al primo vostro sguardo (Luca Marenzio)

Luca Marenzio Hor chi Clori beata (Luca Marenzio) The last two notes of the Tenor in bar 5 (D, G) should be an octave lower.
Luca Marenzio Due rose fresche - Non vede un simil par (Luca Marenzio)
Luca Marenzio Scendi dal Paradiso (Luca Marenzio)
Luca Marenzio Candido leggiadretto e caro guanto (Luca Marenzio)
Luca Marenzio Magnificat Octavi Toni (Luca Marenzio)
Luca Marenzio Ecco Maggio seren (Luca Marenzio) The last note of the Bass in measure 6 should be C instead of E.
Luca Marenzio Ah dolente partita (Luca Marenzio) Canto in measure 31. G natural should be G sharp. Check the original publication at IMSLP.
Luca Marenzio Deh Tirsi, anima mia (Luca Marenzio) In the Seconda parte the Tenore and the Quinto are notated an octave lower.
Luca Marenzio Tribus miraculis (Luca Marenzio)
Luca Marenzio Dissi a l'amata mia lucida stella (Luca Marenzio)
Luca Marenzio Cedan l'antiche tue chiare vittorie (Luca Marenzio) Minor text mistakes

Minor text mistakes

Luca Marenzio Quand'io miro le rose (Luca Marenzio)
Luca Marenzio Quell' augellin che canta (Luca Marenzio)
Luca Marenzio Clori nel mio partire (Luca Marenzio) The Tenor in bar 42 should sing F - F - D instead of F - F - F.
Luca Marenzio Là dove sono i pargoletti amori (Luca Marenzio)
Luca Marenzio Occhi lucenti e belli (Luca Marenzio) Minor text mistakes

Minor text mistakes

Luca Marenzio Donna da vostri sguardi (Luca Marenzio)
Luca Marenzio Zefiro torna (Luca Marenzio)

The last verse incorrectly reads "d'amor si riconsiglia"

Luca Marenzio Care lagrime mie (Luca Marenzio)
Luca Marenzio Ahi, dispietata morte! (Luca Marenzio)
Luca Marenzio Deh poi ch'era ne' fati ch'i dovessi (Luca Marenzio)
Luca Marenzio Danzava con maniere sopre humane (Luca Marenzio) There is a text error in #51973.
Luca Marenzio Amatemi ben mio 6vv (Luca Marenzio)
Luca Marenzio Non fu mai cervo (Luca Marenzio)
Ludovico da Viadana O sacrum convivium (Ludovico da Viadana)
Ludovico da Viadana Ave verum (Ludovico da Viadana)
Ludwig Senfl Was wird es doch des Wunders noch (Ludwig Senfl)
Ludwig Senfl Tota pulchra es (Ludwig Senfl) "et flores; m114-119 apparuerunt is missing the last letter; m200 4th voice read bb for c}; m20 5th voice event 2 f not
Ludwig Senfl Mit Lust tret ich an diesen Tanz (Ludwig Senfl)
Ludwig van Beethoven Choral Fantasy, Op. 80 (Ludwig van Beethoven)
Luzzasco Luzzaschi Occhi che fia di voi (Luzzasco Luzzaschi)
Maistre Jhan Ecce amica mea (Maistre Jhan)
Manuel Machado Paso a paso empeños mios (Manuel Machado) The sharp (musica ficta) suggested for the first F of the Soprano 1 and the Alto is probably incorrect.
Marc-Antoine Charpentier Pour un reposoir / Ave verum corpus, H.329 (Marc-Antoine Charpentier) Hitchcock catalogue numbers inside pdf seem to be incorrect.
Marc-Antoine Charpentier Le Reniement de St. Pierre, H. 424 (Marc-Antoine Charpentier)
Marchetto Cara Gli è pur gionto (Marchetto Cara)
Marco Antonio Ingegneri Ecce enim evangelizo (Marco Antonio Ingegneri)
Marco Enrico Bossi Cantate Domino (Marco Enrico Bossi)
Maurice Greene Thou visitest the earth (Maurice Greene) The score mistakenly states the text is from Psalm 45. It is actually from Psalm 65 as stated below.
Maurice Greene Magnificat and Nunc dimittis in C (Maurice Greene)
Maurice Ravel Nicolette (Maurice Ravel)
Melchior Franck Noli aemulari a 8 (Melchior Franck)
Melchior Franck Benedicam Domino (Melchior Franck) bar 3 all voices: ogni for omni.
Melchior Franck Fahet uns die Füchse a 6 (Melchior Franck)
Melchior Teschner All glory, laud, and honour (Andrew Hawryluk) Score erroneously states that the melody is by Theodulph of Orleans and the words by Melchior Teschner. It is in fact the other way round.
Melchior Vulpius Jesus sprach zu dem Blinden (Melchior Vulpius) S m10: quarter for last 2 eighths; S m33 last g is indeed sharp
Melchor Robledo Hoc corpus (Melchor Robledo)
Michael East I heard three virgins (Michael East)
Michael East In dolorous complaining (Michael East)
Michael East Since tears could not obtain (Michael East)
Michael East Why do you seek by flight? (Michael East)
Michael East To hear men sing (Michael East)
Michael East Dear, why do you joy? (Michael East)
Michael East Why smilest thou, sweet jewel? (Michael East)
Michael East What heart such doubled force? (Michael East)
Michael East Hence, stars too dim of light (Michael East)
Michael East Dainty white pearl (Michael East)
Michael Haller Ecce sacerdos magnus (Michael Haller)
Michael Praetorius Magnificat super Ut re mi fa sol la (Michael Praetorius) m310 tenor1 should be F sharp?
Michael Praetorius Ingressus Angelus (Michael Praetorius)
Michael Praetorius Anima mea quid tristis es (Michael Praetorius) Attribtion doubtful
Michael Praetorius In dulci jubilo, a 8 (Michael Praetorius)
Michael Praetorius In dulci jubilo I a 2 (Michael Praetorius)
Michael Praetorius Puer natus in Bethlehem - Ein Kind geborn zu Bethlehem a 2 (Michael Praetorius)
Mikolaj Zielenski Magnificat a 12 (Mikolaj Zielenski) Correction required: In bar 62, 2nd choir, 3rd voice, read e for 2nd crotchet f
Nicolas Gombert Regina caeli (Nicolas Gombert) bar 29, Altus 1, the C should probably be a D; bar 54, Cantus 1, the note should be a B; bar 118, Cantus 3, the A should presumably be a B. - Mick Swithinbank
Ninot le Petit Mon amy m'avoit promis (Ninot le Petit)
Ninot le Petit Et la la la (Ninot le Petit)
Orazio Vecchi Damon e Filli (Orazio Vecchi)
Orazio Vecchi Che fai, Dori, che pensi? (Orazio Vecchi)
Orazio Vecchi Deh! Prega amor il fato (Orazio Vecchi)
Orazio Vecchi Gioite tutti (Orazio Vecchi)
Orazio Vecchi Gitene Ninfe (Orazio Vecchi)
Orazio Vecchi Se tra verdi arbuscelli (Orazio Vecchi)
Orazio Vecchi Amor, du herzschest (Orazio Vecchi) There are probable text errors.
Orazio Vecchi Cantabo Domino (Orazio Vecchi)
Orlando Gibbons This is the record of John (Orlando Gibbons) a few minor errors.
Orlando Gibbons Magnificat and Nunc dimittis (Short Service) (Orlando Gibbons) m. 17-18 bass line, incorrect underlay caused by '0' instead of - in 'magnified': 'ni-fi-ed me, and ho-ly is his' should be all be one note later

Magnificat bar 33, second bass note should be C, not Ab.
m. 43 soprano line, incorrect rhythm, compare to other edition CPDLno 19882

Orlando Gibbons Behold, I bring you glad tidings (Orlando Gibbons)
Orlando Gibbons Lift up your heads (Orlando Gibbons)
Orlando Gibbons See, see the Word is incarnate (Orlando Gibbons) Soprano Bar 18: "ancelled" missing a "c", also many tied notes throughout
Orlando Gibbons Almighty God, who by thy Son (Orlando Gibbons) In bar 19 the bass continuo part has errors - up a third from where they should be. An otherwise excellent copy. Adamm 04:57, 22 July 2012
Orlando Gibbons Drop, drop, slow tears a 5 (Orlando Gibbons)
Orlando Gibbons O Thou the central orb (Orlando Gibbons)
Orlando di Lasso Jubilate Deo a 4 (Orlando di Lasso) Work title describes this as a setting of Psalm 66
Orlando di Lasso Pronuba Juno (Orlando di Lasso)
Orlando di Lasso Magnificat Il est jour (Orlando di Lasso) some missing alto underlay mm. 28-30 &42-49
Orlando di Lasso Timor et tremor (Orlando di Lasso)
Orlando di Lasso Beatus vir qui in sapientia morabitur (Orlando di Lasso)
Orlando di Lasso La nuict froide et sombre (Orlando di Lasso) Mistake in pdf: first note for tenor should be one tone higher.
Orlando di Lasso Tibi laus a 4 (Orlando di Lasso)
Orlando di Lasso Exaltabo te a 4 (Orlando di Lasso) Alto bar 12 first note F; alto bar 17 last syllable suscepi-sti one note later.
Orlando di Lasso Prophetiae Sibyllarum (Orlando di Lasso) Second staff wrong clef in movements IX and X

There are a few minor errors in this score - see discussion page
Tenor is set an octave too high.

Bar 27: "Rexerit" for "Rex erit" in all parts.

Orlando di Lasso Inveterata sunt (Orlando di Lasso)
Orlando di Lasso Lamentationes Hieremiae Prophetae (quatuor vocum) (Orlando di Lasso)
Orlando di Lasso Susanne un jour (Orlando di Lasso)
Orlando di Lasso Bonjour, et puis, quelles nouvelles? (Orlando di Lasso)
Orlando di Lasso Intende voci (Orlando di Lasso) m15 bass missing s of "Deus".
Orlando di Lasso Domine convertere (Orlando di Lasso)
Orlando di Lasso Missa Entre vous filles (Orlando di Lasso) a minor typo: "Angus Dei"
Orlando di Lasso Resonet in laudibus (Orlando di Lasso)
Orlando di Lasso Domine ne in furore (Orlando di Lasso)
Orlando di Lasso Mon cœur se recommande à vous (Orlando di Lasso) Editing error, wrong position of lyrics, "re-com-man-d'à" should be used instead of "re-com-man-de-à"
Orlando di Lasso Eram quasi agnus (Orlando di Lasso)
Orlando di Lasso No giorno t'haggio (Orlando di Lasso) Text-setting way off - all stanzas should begin at the first measure, with the phrase "fugimi…" coming back every verse in the triple-meter section like a chorus or refrain.)
Orlando di Lasso O la, o che bon eccho! (Orlando di Lasso)
Orlando di Lasso Vattene vita va (Orlando di Lasso)
Orlando di Lasso Videntes stellam magi (Orlando di Lasso)
Orlando di Lasso Canzon, se l'esser meco (Orlando di Lasso)
Orlando di Lasso Audite nova! (Orlando di Lasso) Spelling error in bar 41: fiend → Feind (swapped letters)
Orlando di Lasso Il magnanimo Pietro (Orlando di Lasso)
Orlando di Lasso Tre volte haveva (Orlando di Lasso) Bar 5, last note of Sextus mut be g

Bar 5, last note of Alto primo mut be g
Bar 5, last note of Alto2 mut be g

Orlando di Lasso Come falda di neve (Orlando di Lasso)
Orlando di Lasso Lucescit iam o socii (Orlando di Lasso) The score erroneously has 'merrons' for 'mettons'
Orlando di Lasso Quel volto (Orlando di Lasso) wrong text underlay in bar 16 and 19

wrong text underlay in bar 19

Orlando di Lasso Veduto il miser (Orlando di Lasso)
Orlando di Lasso Tutto lo dì a 4 (Orlando di Lasso)
Orlando di Lasso A quanti già felici (Orlando di Lasso) wrong notes in bar 26.

wrong notes in bar 26.

Orlando di Lasso Non trovava mia fé (Orlando di Lasso) Cantus, Bar 20, last note must be b♮ instead of b♭, Altus, Bar 16, 4th note must be b♮ instead of b♭

Altus 1, Bar 16, 4th note must be b♮ instead of b♭

Ozéas de Carvalho Lima Ferido de Deus (Ozéas de Carvalho Lima) In verse 3, it's saram, not sarão.
Paolo Aretino Caligaverunt oculi mei (Paolo Aretino)
Paolo Bellasio Perchè fuggi, anima mia (Paolo Bellasio)
Paul Hofhaimer Ade mit Leid (Paul Hofhaimer)
Pedro de Escobar Clamabat autem mulier channanea (Pedro de Escobar) In bars 20 and 40, the E of the bass should be flat. See also Mick Swithinbank's comments below
Peter C. Lutkin The Lord bless you and keep you (Peter C. Lutkin) In bar 7, the third Soprano note should be G, not B. Also, in bar 5, both Alto notes should be D.
Peter Philips Ne reminiscaris Domine (Peter Philips)
Peter Warlock Benedicamus Domino (Peter Warlock)
Peter Warlock Adam lay ybounden (Peter Warlock)
Philippe Verdelot Benchè'l misero cor (Philippe Verdelot)
Philippe Verdelot Non vi fidate o simplicetti amanti (Philippe Verdelot)
Philippe Verdelot Quanto sia liet' il giorno (Philippe Verdelot)
Philippe Verdelot O dolce nocte (Philippe Verdelot)
Philippe Verdelot Gabriel archangelus (Philippe Verdelot)

The bass is a major third too low, both in the PDF and the MIDI. See CPDL# 36725

Philippe Verdelot Tanto tempore vobiscum sum (Philippe Verdelot)
Philippe Verdelot Amor, io sento l'alma (Philippe Verdelot)
Philippe de Monte Hodie, dilectissimi, omnium sanctorum (Philippe de Monte)
Pierre Certon Frère Thibault (Pierre Certon)
Pierre Certon Fortune alors (Pierre Certon)
Pierre Certon Contentez vous (Pierre Certon)
Pierre Passereau Il est bel et bon (Pierre Passereau) bar 10, Sop.: text underlay: tou / tes / d'ung / pa -

bar 57-59, Alt.: These three bars of Altos must be brought forward by one measure

Pierre de Manchicourt Caro mea vere est cibus (Pierre de Manchicourt) m. 57 altus should read (c) a d c bcdb c
Pierre de la Rue Magnificat vii toni (Pierre de la Rue) The altus should enter a bar later in m4; by m23 it is back on track. In bar 173, on the word 'in', Bassus's dotted minim should be an A, and in bar 179 at 'et' Bassus's note should be an A rather than G.
Pierre de la Rue Magnificat sexti toni (Pierre de la Rue) The impossible inversions in :Quia fecit" can be avoided by reading 'CT1' an octave higher, the reading in CMM Works
Ralph Vaughan Williams Lasst uns erfreuen (Ralph Vaughan Williams) The text at the bottom of the "Sibelius 4" PDF is illegible --Bobnotts talk 02:30, 23 November 2007 (PST)
Richard Ayleward Preces and Responses (Richard Ayleward)
Robert Creighton I will arise (Robert Creighton)
Robert Fayrfax Magnificat regale (Robert Fayrfax)
Robert Fayrfax Magnificat 'O bone Jesu' a 5 (Robert Fayrfax)
Robert Jones Once did I serve a cruel heart (Robert Jones)
Robert Lucas Pearsall When Allen-a-Dale went a-hunting (Robert Lucas Pearsall)
Robert Lucas Pearsall Lay a garland (Robert Lucas Pearsall) see discussion page
Robert Lucas Pearsall No, no, Nigella (Robert Lucas Pearsall)
Robert Lucas Pearsall Purple glow the forest mountains (Robert Lucas Pearsall)
Robert Parsons Deliver me from mine enemies (Robert Parsons)
Robert Parsons Libera me, Domine, de morte aeterna (Robert Parsons)
Robert Ramsey Sleep, fleshly birth (Robert Ramsey)
Robert Schumann Zigeunerleben, Op. 29, No. 3 (Robert Schumann)
Robert Schumann Der Zecher als Doctrinair (Robert Schumann) Some typing errors, e.g.: banger -> banges, mancehsmal -> manchesmal
Robert Schumann Frühlingsglocken (Robert Schumann) Some typing errors, e.g.: Schneeglocken -> Schneeglöckchen, wunder sett -> wundernett, Abschiedsgrüss -> Abschiedsgruß
Robert Schumann Rastlose Liebe (Robert Schumann) Some typing errors, e.g.: Dumpf -> Dampf, Wüldewärtes siehen -> Wälderwärts ziehen
Robert Schumann Ich grolle nicht (Robert Schumann) brich for bricht in bar 22
Robert Schumann Talismane, Op. 141, No. 4 (Robert Schumann)
Robert Schumann Der träumende See (Robert Schumann) Some typing errors, e.g.: Schlif -> Schilf, leichten Sinn -> leichtem Sinn, fleigt -> fliegt, him -> hin
Robert Schumann Gute Nacht, Op. 59, No. 4 (Robert Schumann)
Robert Schumann Die Lotosblume, Op. 33 No. 3 (Robert Schumann) Some typing errors, e.g.: sic -> sich, erwecht -> erweckt, Lienesweh' -> Liebesweh'
Robert Schumann Die Minnesänger (Robert Schumann) Some typing errors, e.g.: Minnesanger -> Minnesänger, des Wort -> das Wort, Wittgesange Schreiten -> Wettgesange schreiten, siltsames -> seltsames
Robert Stone The Lord's Prayer (Robert Stone)
Robert White Lamentations a 5 (Robert White)
Salamone Rossi Mizmòr letodà (Ps. 100) (Salamone Rossi) Display and placement of lyrics
Samuel Coleridge-Taylor The lee shore (Samuel Coleridge-Taylor) A few minor typos.
Samuel Scheidt Surrexit Christus hodie (Samuel Scheidt)
Samuel Sebastian Wesley Blessed be the God and Father (Samuel Sebastian Wesley)
Samuel Sebastian Wesley Thou wilt keep him in perfect peace (Samuel Sebastian Wesley) m. 55, Alto, change “wil” to “wilt”
Samuel Sebastian Wesley O Lord my God (King Solomon's Prayer) (Samuel Sebastian Wesley)
Samuel Sebastian Wesley Magnificat and Nunc dimittis in E (Samuel Sebastian Wesley)
Samuel Wesley Si iniquitates observaveris (Samuel Wesley) Some words in the text underlay are split unconventionally.
Sebastian Festa Se'l pensier che mi strugge (Sebastian Festa)
Sebastian Festa L'ultimo dì de maggio (Sebastian Festa)
Sebastian de Vivanco Cum ieiunatis (Sebastian de Vivanco)

Sebastián Raval Da pacem Domine (Sebastián Raval)
Sergei Rachmaninoff Bogoroditse Devo (Sergei Rachmaninoff)
Sethus Calvisius Domine, salva nos (Sethus Calvisius) m13 top voice penultimate note g instead of f?
Simon Shaw Short Mass in D minor (Simon Shaw) None of the PDFs include the composer's name in the appropriate place (only in copyright notice)
Stephen Adams The Holy City (Stephen Adams) Edition doesn't include any underlay text.
Thomas Attwood O God, who by the leading of a star (Thomas Attwood)
Thomas Attwood Walmisley Walmisley (Thomas Attwood Walmisley) the Fowler (2nd pdf and Sibelius source) has a brace before the treble staff rather than a grand staff -- 00:19, 18 January 2008 (PST)
Thomas Bateson Whither so fast (Thomas Bateson)
Thomas Bateson When Oriana walk'd (Thomas Bateson)
Thomas Bateson Who prostrate lies (Thomas Bateson)
Thomas Bateson Dame Venus hence to Paphos go (Thomas Bateson)
Thomas Bateson Hark, hear you not? (Oriana's Epitaph) (Thomas Bateson)
Thomas Crecquillon Vidit Jacob scalam (Thomas Crecquillon)
Thomas Crecquillon Andreas Christi famulus (Thomas Crecquillon) Cantus I m.32.1 and Altus II ('Altus I' in the 1564 source) m.91.2 are mis-transcribed a tone lower than printed in both sources.
Thomas Elsbeth Now let us go and bid the morning (Thomas Elsbeth)
Thomas Ford Now I see thy looks were feigned (Thomas Ford)
Thomas Morley Miraculous love's wounding (Thomas Morley)
Thomas Morley What ails my darling (Thomas Morley)
Thomas Morley Now must I die recureless (Thomas Morley)
Thomas Morley Say dear, will you not have me? (Thomas Morley)
Thomas Morley Thirsis, let pity move thee (Thomas Morley)
Thomas Morley About the maypole (Thomas Morley)
Thomas Morley Where art thou wanton? (Thomas Morley)
Thomas Morley My heart, why hast thou taken (Thomas Morley)
Thomas Morley Lo, here another love (Thomas Morley)
Thomas Morley Lady, those eyes (Thomas Morley)
Thomas Morley Lady, if I through grief (Thomas Morley)
Thomas Morley I should for grief and anguish (Thomas Morley)
Thomas Morley I go before, my darling (Thomas Morley)
Thomas Morley Hold out my heart (Thomas Morley)
Thomas Morley Go ye, my canzonets (Thomas Morley)
Thomas Morley Deep lamenting (Thomas Morley)
Thomas Morley Cruel, you pull away too soon (Thomas Morley)
Thomas Morley Cease mine eyes (Thomas Morley)
Thomas Morley Blow, Shepherds, blow (Thomas Morley)
Thomas Morley Shoot, false Love, I care not (Thomas Morley)
Thomas Morley O fly not, O take some pity (Thomas Morley)
Thomas Morley Phillis, I fain would die now (Thomas Morley)
Thomas Morley Ay me, the fatal arrow (Thomas Morley)
Thomas Morley O thou that art so cruel (Thomas Morley)
Thomas Morley Singing alone (Thomas Morley) The repeat between bar 14 and bar 42 is not correct because in the original print Altus and Quintus exchange their parts

The repeat between bar 14 and bar 42 is not correct because in the original print Altus and Quintus exchange their parts

Thomas Morley Love learns by laughing (Thomas Morley)
Thomas Morley In dew of roses (Thomas Morley)
Thomas Morley Lady, those cherries plenty (Thomas Morley)
Thomas Morley Arise, awake (Thomas Morley)
Thomas Morley Ladies, you see time flieth (Thomas Morley)
Thomas Morley I follow, lo, the footing (Thomas Morley)
Thomas Morley I will no more come to thee (Thomas Morley)
Thomas Morley Lady, why grieve you still me (Thomas Morley)
Thomas Morley Lo, she flies (Thomas Morley)
Thomas Morley You black bright stars (Thomas Morley)
Thomas Morley On a fair morning (Thomas Morley)
Thomas Morley What saith my dainty darling (Thomas Morley)
Thomas Morley Love took his bow and arrow (Thomas Morley)
Thomas Morley Those dainty daffadillies (Thomas Morley)
Thomas Morley This Love is but a wanton fit (Thomas Morley)
Thomas Morley My lovely wanton jewel (Thomas Morley)
Thomas Morley Stay heart, run not so fast (Thomas Morley)
Thomas Morley Sport we my lovely treasure (Thomas Morley)
Thomas Morley My nymph, the dear (Thomas Morley)
Thomas Morley Said I that Amarillis (Thomas Morley)
Thomas Morley In ev'ry place (Thomas Morley)
Thomas Morley I saw my lovely Phillis (Thomas Morley)
Thomas Morley Do you not know? (Thomas Morley)
Thomas Morley Dainty fine sweet nymph (Thomas Morley)
Thomas Morley When lo, by break of morning (Thomas Morley)
Thomas Morley No, no, no, no, Nigella (Thomas Morley)
Thomas Morley Who is it that this dark night (Thomas Morley)
Thomas Morley Clorinda false (Thomas Morley)
Thomas Morley Love winged my hopes (Thomas Morley)
Thomas Morley Fyer, fyer (Thomas Morley) In bar 29, 'alto' (second part) note should be E, not A.

In bar 29, 'alto' (second part) note should be E, not A.
The word 'nigh' is consistently misspelt 'night'.

Thomas Morley Come, lovers, follow me (Thomas Morley)
Thomas Morley See, mine own sweet jewel (Thomas Morley)
Thomas Morley Come, Sorrow come (Thomas Morley)
Thomas Morley Fly love that art so sprightly (Thomas Morley)
Thomas Morley Good Love, then fly thou to her (Thomas Morley)
Thomas Morley White as lilies was her face (Thomas Morley)
Thomas Morley Hark, alleluia (Thomas Morley)
Thomas Morley You that wont to my pipes sound (Lirum lirum) (Thomas Morley)
Thomas Morley Ho, who comes here (Thomas Morley)
Thomas Morley Joy, joy doth so arise (Thomas Morley)
Thomas Morley O no, thou dost but flout me (Thomas Morley)
Thomas Ravenscroft Come drinke to me (Thomas Ravenscroft) Error in wording: "quasse" → "quaffe"

Error in wording: "quasse" → "quaffe"

Thomas Tallis O Lord, in thee is all my trust (Thomas Tallis)
Thomas Tallis Blessed are those that be undefiled (Thomas Tallis)
Thomas Tallis A new commandment (Thomas Tallis)
Thomas Tallis Suscipe quaeso Domine - Si enim iniquitates (Thomas Tallis) In this higher pitched score, the third and fourth voices (Contra Tenor and Discantus) should have treble clef, not octave G clef. - Mick Swithinbank
Thomas Tallis Dum transisset Sabbatum (Thomas Tallis) Vocal range.
Thomas Tallis Salvator mundi II (Thomas Tallis)
Thomas Tallis Lamentations of Jeremiah (Thomas Tallis) Mistranscription

m121 Bar. should read: aDa

Thomas Tallis Laudate Dominum omnes gentes (Thomas Tallis) See MSS for emendation to Superius in bar 71
Thomas Tallis Domine, quis habitabit (Thomas Tallis)
Thomas Tallis Sancte Deus (Thomas Tallis)
Thomas Tomkins Magnificat and Nunc dimittis from The Second Service (Thomas Tomkins)
Thomas Tomkins O let me live for true love (Thomas Tomkins)
Thomas Tomkins Preces and Responses (Thomas Tomkins)
Thomas Tomkins Oyez! Has any found a lad (Thomas Tomkins)
Thomas Tomkins The Fauns and Satyrs tripping (Thomas Tomkins)
Thomas Weelkes Lady, your eye my love enforced (Thomas Weelkes)
Thomas Weelkes Come clap thy hands (Thomas Weelkes)

Thomas Weelkes As Vesta was from Latmos hill descending (Thomas Weelkes)
Thomas Weelkes Some men desire spouses (Thomas Weelkes)
Thomas Weelkes Whilst youthful sports (Thomas Weelkes)
Thomas Weelkes Farewell, my joy (Thomas Weelkes)
Thomas Weelkes Cease sorrows now (Thomas Weelkes)
Thomas Weelkes Gloria in excelsis Deo (Thomas Weelkes)
Thomas Weelkes I love and have my love regarded (Thomas Weelkes)
Thomas Weelkes Mars in a fury (Thomas Weelkes)
Thomas Weelkes Unto our flocks, sweet Corolus (Thomas Weelkes)
Thomas Weelkes O Jonathan, woe is me (Thomas Weelkes)
Thomas Weelkes Lo, country sports (Thomas Weelkes)
Thomas Weelkes Sixth Service "in Verse for Two Counter-tenors" (Thomas Weelkes)
Thomas Weelkes To shorten Winter's sadness (Thomas Weelkes)
Thomas Weelkes We shepherds sing (Thomas Weelkes)
Thomas Weelkes Now is the bridals of fair Choralis (Thomas Weelkes)
Thomas Weelkes All at once well met (Thomas Weelkes)
Thomas Weelkes Strike it up, tabor (Thomas Weelkes)
Thomas Weelkes Alleluia, I heard a voice (Thomas Weelkes) Tenor last note m52 should be one note lower
Thomas Weelkes The nightingale (Thomas Weelkes)
Thomas Weelkes O how amiable are thy dwellings (Thomas Weelkes)
Thomas Weelkes Sweet heart arise (Thomas Weelkes)
Thomas Weelkes When David heard (Thomas Weelkes) mm. 1-2, Tenor, Incorrect spelling of David

mm. 2-4, Tenor, change underlay to match Alto/Bass

Tielman Susato Mille regretz a 4 (Tielman Susato)
Tim Risher Funeral Thoughts (Tim Risher) PDF has the ends of the staves missing on every page
Tomaso Cecchino Vergine gloriosa (Tomaso Cecchino)
Tomás Luis de Victoria Gaudent in coelis (Tomás Luis de Victoria) Bars 12-14, Bass - these bars should have the same word underlay as the tenor part.
Tomás Luis de Victoria Ne timeas Maria (Tomás Luis de Victoria) m. 6 soprano in version above (but not the transposed versions below): second note should be A rather than repeating the G

m. 43 soprano: "uturo" should be "utero"

Tomás Luis de Victoria Nunc dimittis (Tomás Luis de Victoria) bass: last note in antepenultimate measure should be D; first note in 8th m from end should be dotted? also, new time indication at Et Gloriam section might make it easier for people sight-singing the score.
Tomás Luis de Victoria Miserere mei Domine (Tomás Luis de Victoria)
Tomás Luis de Victoria O vos omnes (voci impari) (Tomás Luis de Victoria) In PDF of score, text underlay for bass part is incorrect starting in measure 4. Error persists through end of first page.

last note of bass should be A
The PDF says by Tallis, but it is by Tomás_Luis_de_Victoria

Tomás Luis de Victoria O Regem caeli - Natus est nobis (Tomás Luis de Victoria)
Traditional Adeste fideles (Traditional)
Traditional Kling, Glöckchen (Traditional)
Traditional Veni, veni Emmanuel (O come, O come Emmanuel) (Traditional) formatting pretty messy in pdf
Traditional Coventry Carol (Traditional) "Choral" spelt wrong in copyright notice
Traditional Vem kan segla (Traditional) The alto's last note should be B. - Mick Swithinbank
Truid Aagesen Amatemi, ben mio (Truid Aagesen)
Velthur Tognoni Quattro endecasillabi a quattro voci (Velthur Tognoni) Where is the text? The score suggests there should be a text by Dante Alighieri
Vincenzo Bertolusi Laetare Hierusalem (Vincenzo Bertolusi) "Basis" (B1) should probably have c for penultimate note
Walter Cecil Macfarren You stole my love (Walter Cecil Macfarren)
Willem Jan Hanegraaf Al heeft hij ons verlaten (Willem Jan Hanegraaf) The tenor part should have a Bass (F) clef, not an octave Bass (F) clef -- Chucktalk Giffen
William Billings St. Thomas (William Billings) Both source file and pdf contain an error in lyrics (m. 38): Inbelief should be Unbelief.
William Billings Lamentation over Boston (William Billings) In the above two links, the work only available in partbook format, shape-note. There is also a LilyPond file in partbook format. ID #2039 does not exist.
William Byrd Praise our Lord all ye Gentiles (William Byrd) Minor note/underlay error
William Byrd Mass for Four Voices (William Byrd) several spelling errors
William Byrd Ye sacred muses (William Byrd)
William Byrd O sweet deceit (William Byrd)
William Byrd O magnum mysterium - Beata Virgo (William Byrd)
William Byrd This day Christ was born (William Byrd) Proportions between different time-signatures
William Byrd Mass for Three Voices (William Byrd)
William Byrd Christ rising again - Christ is risen again (William Byrd) bar 113, top part, note 1 should be a g, tied to the g at the end of the previous bar. The word life should be placed on the following e.
William Byrd Unam petii a Domino (William Byrd)
William Byrd Wounded I am - Yet of us twain (William Byrd) Notes
William Byrd Responsum accepit Simeon (William Byrd)
William Byrd Visita quaesumus (William Byrd)
William Byrd Prevent us, O Lord (William Byrd)
William Byrd This sweet and merry month of May (a 6) (William Byrd) Numerous missing accidentals
William Byrd Diliges Dominum (William Byrd)
William Byrd Ave verum corpus (William Byrd)
William Byrd Short Evening Service (William Byrd) Numerous errors, some serious.
William Byrd O salutaris hostia a 6 (William Byrd)
William Byrd Is Love a boy? - Boy pity me (William Byrd)
William Byrd La Virginella (William Byrd) Minor errors in text underlay: inconsistent use of the Renaissance spelling "giovani" and the modernized spelling "gioveni"
William Byrd Optimam partem elegit (William Byrd) Tenor I possibly has a transposition error, looks more like an Alto part.
William Byrd Ne irascaris Domine - Civitas sancti tui (William Byrd)
William Byrd Though Amarillis dance in green (William Byrd)
William Byrd Ab ortu solis - Venite comedite (William Byrd) m19 bass beat 4 should be E instead of D? -- Vaarky 07:32, 15 January 2010 (UTC)
William Byrd Confirma hoc Deus (William Byrd) Underlay
William Byrd Who made thee, Hob, forsake the Plough (William Byrd) Accidentals
William Cornysh Ave Maria, Mater Dei (William Cornysh) First note of tenor part should be A, not B.
William Croft Turn thee, O Lord (William Croft)
William Horsley Nymphs of the forest (William Horsley)
William Smith Preces and Responses (William Smith) some errors reported.
William Sterndale Bennett Abide with me (William Sterndale Bennett)
William Tansur The day has dawn'd, Jehovah comes (William Tansur) Edition is missing several verses.
Wolfgang Amadeus Mozart Missa brevis in B flat, KV 275 (Wolfgang Amadeus Mozart) One wrong note in the Credo: tenor, bar 52, the second note should be C rather than D

One wrong note: tenor, bar 52, the second note should be C rather than D

Wolfgang Amadeus Mozart Alma Dei creatoris, KV 272a (KV 277) (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart Requiem, KV 626 (Wolfgang Amadeus Mozart) Shifted lyrics, one note with wrong tempo.

Missing sharp.
Missing sharp.
Wrong tempo, wrong lyrics.
wrong lyrics.
Few wrong notes.
Wrong notation.
Difference on lyrics in some editions.
Missing rest, few wrong notes, lyrics.

Wolfgang Amadeus Mozart Missa brevis in C Major, KV 259 'Organ solo' (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart Great Mass in C minor, KV 427 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart Vesperae solennes de confessore, KV 339 (Wolfgang Amadeus Mozart) m61 choir soprano part, 16ths on syllable "-rum" should read 'g f' rather than 'a g'?
Wolfgang Amadeus Mozart Ave verum corpus, KV 618 (Wolfgang Amadeus Mozart)

Wolfgang Amadeus Mozart Vesperae solennes de Dominica, KV 321 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart Litaniae Lauretanae, KV 195 (Wolfgang Amadeus Mozart) There are errors in the 2nd movement which are fixed in edition #7107 below, but these editions should probably be combined and a new complete edition PDF generated.
Wolfgang Amadeus Mozart Misericordias Domini, KV 222 (Wolfgang Amadeus Mozart) m96 last note middle voice E flat
Wolfgang Amadeus Mozart Te Deum, KV 141/66b (Wolfgang Amadeus Mozart) Several differences (notes, text) exist between the above editions and the Neue Mozart-Ausgabe edition
Wolfgang Amadeus Mozart Grazie a gl'inganni tuoi, K. 532 (Wolfgang Amadeus Mozart) Bass, bar 21: first note should be A rather than Bb according to IMSLP63848 and to the Neue Mozart-Ausgabe (NMA)
Wolfgang Amadeus Mozart Mi lagnerò tacendo / Ich trage still mein Leiden, KV 437 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart Ave Maria, KV 554 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart Sancta Maria, mater Dei, KV 273 (Wolfgang Amadeus Mozart) "perdibus" for "pedibus", but more importantly Allegro moderato and dynamics missing